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Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925, British
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan Figures at Mass, Poland
Robert Polhill Bevan, 1865–1925, British
Figures at Mass, Poland
ca. 1904
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764, British
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764, British
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764, British
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764, British
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764, British
Grotesque Female Head
undated
William Hogarth Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
William Hogarth, 1697–1764, British
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851, British
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851, British
Rome from Monte Mario
ca. 1818
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888, British
Opposite Beni Hassan
1867
Edward Lear Howatke
Edward Lear, 1812–1888, British
Howatke
1867
Edward Lear Val di Roppa, Corfu, 22 May 1868
Edward Lear, 1812–1888, British
Val di Roppa, Corfu, 22 May 1868
1868
George Romney Study of Three Women
George Romney, 1734–1802, British
Study of Three Women
undated
George Romney David Playing the Harp
George Romney, 1734–1802, British
David Playing the Harp
undated
George Romney The Accusation of Susanna by the Elders
George Romney, 1734–1802, British
The Accusation of Susanna by the Elders
undated
George Romney The Witches' Cavern
George Romney, 1734–1802, British
The Witches' Cavern
between 1792 and 1793
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802, British
Lear Awakened by Cordelia
ca. 1774
George Romney The Accusation of Susanna
George Romney, 1734–1802, British
The Accusation of Susanna
ca. 1773
George Romney Sketches for "The Accusation of Susanna"
George Romney, 1734–1802, British
Sketches for "The Accusation of Susanna"
undated
George Romney Seated Woman: Three Studies
George Romney, 1734–1802, British
Seated Woman: Three Studies
undated
George Romney Bacchanalian Scene (Possibly Antediluvian)
George Romney, 1734–1802, British
Bacchanalian Scene (Possibly Antediluvian)
undated
George Romney Two Sisters
George Romney, 1734–1802, British
Two Sisters
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney The Banquet Scene
George Romney, 1734–1802, British
The Banquet Scene
ca. 1792
George Romney Women Dancing
George Romney, 1734–1802, British
Women Dancing
undated
George Romney Women and Children
George Romney, 1734–1802, British
Women and Children
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Group of Figures, Possibly Women and Children Playing
George Romney, 1734–1802, British
Group of Figures, Possibly Women and Children Playing
undated
George Romney Men Going out to Fight, with a Crowd of Cowering Women Behind
George Romney, 1734–1802, British
Men Going out to Fight, with a Crowd of Cowering Women Behind
undated
George Romney Sketches of a Prostrate Woman
George Romney, 1734–1802, British
Sketches of a Prostrate Woman
undated
George Romney Figures Mourning at the Bier of a Woman
George Romney, 1734–1802, British
Figures Mourning at the Bier of a Woman
undated
George Romney Group of Four Women Embracing
George Romney, 1734–1802, British
Group of Four Women Embracing
between 1789 and 1790
George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth
George Romney, 1734–1802, British
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
George Romney Ladies in Waiting
George Romney, 1734–1802, British
Ladies in Waiting
undated
George Romney David before Saul
George Romney, 1734–1802, British
David before Saul
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802, British
Witches' Cavern: MacBeth's Second Visit
undated
George Romney Three Lamenting Women
George Romney, 1734–1802, British
Three Lamenting Women
undated
George Romney Seated Woman Feeding an Animal
George Romney, 1734–1802, British
Seated Woman Feeding an Animal
undated
George Romney Mythological Group of Women and Children
George Romney, 1734–1802, British
Mythological Group of Women and Children
undated
George Romney Three Young Witches
George Romney, 1734–1802, British
Three Young Witches
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802, British
Lear Awakened by Cordelia
between 1774 and 1775
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827, British
Spring, from Songs of Innocence
ca. 1795
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827, British
Joseph and Potiphar's Wife
1803 to 1805
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Pity
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827, British
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827, British
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827, British
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Five Visionary Heads of Women
William Blake, 1757–1827, British
Five Visionary Heads of Women
1819 to 1820
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 13, "And that toward Eden...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 13, "And that toward Eden...."
1804 to 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
William Blake Jerusalem, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 2, Title Page
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
William Blake Jerusalem, Plate 25, "And there was heard...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
William Blake Jerusalem, Plate 29, "Then the Divine Vision...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 29, "Then the Divine Vision...."
1804 to 1820
William Blake Jerusalem, Plate 3, "To the Public...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
William Blake Jerusalem, Plate 38, "His face and bosom...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
William Blake Jerusalem, Plate 41, "Bath who is Legions...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
William Blake Jerusalem, Plate 42, "Thus Albion sat...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 42, "Thus Albion sat...."
1804 to 1820
William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 85, "Became a Space & an Allegory...."
1804 to 1820
William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
William Blake Jerusalem, Plate 93, "Enitharmon heard...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 93, "Enitharmon heard...."
1804 to 1820
William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 94, "Albion cold lays on his Rock...."
1804 to 1820
William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
William Blake Jerusalem, Plate 99, "All Human Forms identified...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793