<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Work Type drawing

Remove constraint Work Type: drawing

Subject Terms men

Remove constraint Subject Terms: men

Search Results

Francis Danby The Ferry
Francis Danby, 1793–1861, Irish
The Ferry
ca. 1840
Robert Polhill Bevan Sale at Ward's Repository, No. 2
Robert Polhill Bevan, 1865–1925, British
Sale at Ward's Repository, No. 2
ca. 1918
Robert Polhill Bevan Timber Hauling
Robert Polhill Bevan, 1865–1925, British
Timber Hauling
ca. 1917
Robert Polhill Bevan Ploughing the Hillside
Robert Polhill Bevan, 1865–1925, British
Ploughing the Hillside
ca. 1905
Robert Polhill Bevan The Horse Mart (with further sketches in the margin)
Robert Polhill Bevan, 1865–1925, British
The Horse Mart (with further sketches in the margin)
ca. 1918
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925, British
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan Crocks
Robert Polhill Bevan, 1865–1925, British
Crocks
ca. 1924
Robert Polhill Bevan Under the Hammer
Robert Polhill Bevan, 1865–1925, British
Under the Hammer
between 1912 and 1913
Robert Polhill Bevan The Bayhorse, Tattersall’s
Robert Polhill Bevan, 1865–1925, British
The Bayhorse, Tattersall’s
1921
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925, British
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan Figures at Mass, Poland
Robert Polhill Bevan, 1865–1925, British
Figures at Mass, Poland
ca. 1904
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
Robert Polhill Bevan The Meet
Robert Polhill Bevan, 1865–1925, British
The Meet
between 1901 and 1925
Robert Polhill Bevan Horse Dealers
Robert Polhill Bevan, 1865–1925, British
Horse Dealers
ca. 1918
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764, British
The First Stage of Cruelty
ca. 1750
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764, British
Grotesque Male Head
undated
William Hogarth Gabriel Hunt
William Hogarth, 1697–1764, British
Gabriel Hunt
undated
Joseph Mallord William Turner Folkestone Harbour and Coast to Dover
Joseph Mallord William Turner, 1775–1851, British
Folkestone Harbour and Coast to Dover
ca. 1829
Joseph Mallord William Turner Teignmouth, Devonshire
Joseph Mallord William Turner, 1775–1851, British
Teignmouth, Devonshire
ca. 1813
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851, British
Rome from Monte Mario
ca. 1818
Edward Lear Near Suez, evening, 15 January 1849 (43)
Edward Lear, 1812–1888, British
Near Suez, evening, 15 January 1849 (43)
1849
Edward Lear Studies of Camels and Egyptian Men
Edward Lear, 1812–1888, British
Studies of Camels and Egyptian Men
1867
Edward Lear Silsilis
Edward Lear, 1812–1888, British
Silsilis
1854
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888, British
Opposite Beni Hassan
1867
Edward Lear Howatke
Edward Lear, 1812–1888, British
Howatke
1867
Edward Lear Val di Roppa, Corfu, 22 May 1868
Edward Lear, 1812–1888, British
Val di Roppa, Corfu, 22 May 1868
1868
Edward Lear Seated Men
Edward Lear, 1812–1888, British
Seated Men
1867
George Romney David Playing the Harp
George Romney, 1734–1802, British
David Playing the Harp
undated
George Romney The Accusation of Susanna by the Elders
George Romney, 1734–1802, British
The Accusation of Susanna by the Elders
undated
George Romney The Accusation of Susanna
George Romney, 1734–1802, British
The Accusation of Susanna
ca. 1773
George Romney Sketches for "The Accusation of Susanna"
George Romney, 1734–1802, British
Sketches for "The Accusation of Susanna"
undated
George Romney Samson Overpowered
George Romney, 1734–1802, British
Samson Overpowered
undated
George Romney The Two Friends
George Romney, 1734–1802, British
The Two Friends
undated
George Romney Bacchanalian Scene (Possibly Antediluvian)
George Romney, 1734–1802, British
Bacchanalian Scene (Possibly Antediluvian)
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
between 1790 and 1794
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney The Banquet Scene
George Romney, 1734–1802, British
The Banquet Scene
ca. 1792
George Romney Two Men Fighting
George Romney, 1734–1802, British
Two Men Fighting
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Men Going out to Fight, with a Crowd of Cowering Women Behind
George Romney, 1734–1802, British
Men Going out to Fight, with a Crowd of Cowering Women Behind
undated
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802, British
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney David before Saul
George Romney, 1734–1802, British
David before Saul
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Three Sketches of a Man in Uniform
George Romney, 1734–1802, British
Three Sketches of a Man in Uniform
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802, British
Lear Awakened by Cordelia
between 1774 and 1775
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827, British
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827, British
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Abraham and Isaac
William Blake, 1757–1827, British
Abraham and Isaac
1799 to 1800
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827, British
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827, British
Joseph and Potiphar's Wife
1803 to 1805
William Blake Albion Compelling the Four Zoas to Their Proper Tasks
William Blake, 1757–1827, British
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
William Blake Copy of the Laocoön, for Rees's Cyclopædia
William Blake, 1757–1827, British
Copy of the Laocoön, for Rees's Cyclopædia
1815
William Blake Christ Appearing to the Apostles after the Resurrection
Print made by William Blake, 1757–1827, British
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827, British
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827, British
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827, British
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 100
1804 to 1820
William Blake Europe. A Prophecy, Frontispiece Proof Impression
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 15, "And Hand & Hyle...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820