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Creator Westall, Richard, 1765–1836

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Subject Terms trees

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Alcibiades and Timon
Creator:
unknown artist
Date:
undated
Medium:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 × 10 5/16 inches (28.1 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Wanstead House
Creator:
Richard Westall, 1765–1836, British
Date:
undated
Medium:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 11 1/8 inches (18.1 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Conversation on a Country Road
Creator:
Richard Westall, 1765–1836, British
Date:
1799
Medium:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper mounted moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 x 9 1/8 inches (18.1 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
Creator:
Richard Westall, 1765–1836, British
Date:
undated
Medium:
Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 10 inches (30.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alcibiades and Timon
Creator:
Richard Westall, 1765–1836, British
Date:
ca. 1805
Medium:
Watercolor with gouache and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Christ Appears to Mary Magdalene (John 20:13-14)
Creator:
Richard Westall, 1765–1836, British
Date:
before 1836
Medium:
Graphite with red pencil on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 4 3/8 inches (14.6 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund