Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
1814
Not on view
7
James Ward, 1769–1859, British
Cattle at a Pool at Sunrise
1827
Not on view
8
James Ward, 1769–1859, British
Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
ca. 1803
Not on view
9
James Ward, 1769–1859, British
Studies of Jacky Turner and the Reverend Charles Hope's Gardener
between 1800 and 1815
Not on view
10
James Ward, 1769–1859, British
Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
between 1801 and 1807
Not on view
11
James Ward, 1769–1859, British
Sketch for 'Gordale Scar'
between 1812 and 1814
Not on view
12
James Ward, 1769–1859, British
Hunter in a landscape
1810
Not on view
13
James Ward, 1769–1859, British
The Day's Sport
1826
Not on view
14
James Ward, 1769–1859, British
Landscape with Deer under "The Beggar's Oak", Dagot's Park..
between 1820 and 1830
Not on view
15
James Ward, 1769–1859, British
A Hunter in a Landscape
1810
Not on view
16
James Ward, 1769–1859, British
Eagle, a Celebrated Stallion
1809
Not on view
17
James Ward, 1769–1859, British
Kenilworth Castle, Warwickshire
1840
Not on view
18
James Ward, 1769–1859, British
The Midday Meal
ca. 1835
Not on view
19
James Ward, 1769–1859, British
An Overshot Mill
between 1802 and 1807
Not on view
20
James Ward, 1769–1859, British
Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq., M.P
1835
Not on view
21
James Ward, 1769–1859, British
Heath Ewe and Lambs
1810
Not on view
22
James Ward, 1769–1859, British
Interior of a Stable
between 1830 and 1840
Not on view
23
James Ward, 1769–1859, British
The Straw Yard
1810
Not on view
24
James Ward, 1769–1859, British
Rough-Coated Collie
1809
Not on view
25
James Ward, 1769–1859, British
Theophilus Levett and a Favorite Hunter
1817
Not on view
26
James Ward, 1769–1859, British
A Border Leicester Ewe
between 1795 and 1800
Not on view
27
James Ward, 1769–1859, British
The Reverend Thomas Levett and Favourite Dogs, Cock-shooting
1811
Not on view
28
James Ward, 1769–1859, British
The Reapers
1800
Not on view
29
James Ward, 1769–1859, British
Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond
1820
Not on view
30
James Ward, 1769–1859, British
Ravager, One of the Lambton Hounds
1835
Not on view
31
James Ward, 1769–1859, British
Grey Arabian stallion, the property of Sir Watkin Williams-Wynn
ca. 1817
Not on view
32
James Ward, 1769–1859, British
Gloucestershire Old Spot
between 1800 and 1805
Not on view
33
James Ward, 1769–1859, British
Landscape near Swansea, South Wales
ca. 1805
Not on view
34
James Ward, 1769–1859, British
A Harvest Scene with Workers Loading Hay on to a Farm Wagon
ca. 1800
Not on view
35
James Ward, 1769–1859, British
The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky
1798
36
James Ward, 1769–1859, British
Ruins of Richbro' Castle, Isle of Thanet
undated
37
James Ward, 1769–1859, British
Farm Buildings
undated
38
James Ward, 1769–1859, British
A Brown long-eared bat (Plecotus auritus)
undated
39
James Ward, 1769–1859, British
Studies of Figures
undated
40
James Ward, 1769–1859, British
Study of a Kid
1796
41
James Ward, 1769–1859, British
Studies of Pigs
undated
42
James Ward, 1769–1859, British
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
43
James Ward, 1769–1859, British
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
undated
44
attributed to James Ward, 1769–1859, British
Study of a Seated Woman
1787
45
James Ward, 1769–1859, British
Kenilworth Castle
1807
46
James Ward, 1769–1859, British
Landscape with Three Horses and a Tree in the Foreground
undated
47
James Ward, 1769–1859, British
Studies of Anatomy, Measurements and Writing
undated
48
James Ward, 1769–1859, British
The Old Double Bridge, Bury St. Edmunds
1833
49
James Ward, 1769–1859, British
A Study for the Central Character in Ward's Painting "The Deer Stealer"
1820
50
James Ward, 1769–1859, British
Study of a Calf
undated
51
attributed to James Ward, 1769–1859, British
Study of a Cow
undated
52
James Ward, 1769–1859, British
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
53
James Ward, 1769–1859, British
Dolbadarn Castle
undated
54
James Ward, 1769–1859, British
Scottish Peasant Women
undated
55
James Ward, 1769–1859, British
Mother and Infant
ca. 1798
56
James Ward, 1769–1859, British
The Wood Cutter
undated
57
James Ward, 1769–1859, British
Cottage and Farm Buildings
undated
58
attributed to Samuel Shelley, 1750–1808, British
Studies of Two Women
undated
59
James Ward, 1769–1859, British
The Old Hall, Tabley, Surrounded by Parkland, July 20, 1814 (1819?)
ca. 1814
60
James Ward, 1769–1859, British
An Approaching Storm
undated
61
James Ward, 1769–1859, British
Boy Carrying a Pail on His Head
undated
62
James Ward, 1769–1859, British
Sky Study
undated
63
James Ward, 1769–1859, British
Study of a Drayman (A Study for "Sides - all")
undated
64
James Ward, 1769–1859, British
Ferrets
undated
65
James Ward, 1769–1859, British
Landscape with a Castle on a Hill
undated
66
James Ward, 1769–1859, British
A Shepherd Boy
undated
67
James Ward, 1769–1859, British
Sky Study
undated
68
James Ward, 1769–1859, British
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825
69
James Ward, 1769–1859, British
A View near Hamilton
undated
70
James Ward, 1769–1859, British
An Outhouse Wall
undated
71
James Ward, 1769–1859, British
An Old Oak Tree
undated
72
James Ward, 1769–1859, British
A Stunted Oak
1822
73
James Ward, 1769–1859, British
A Satyr's Head
1836
74
James Ward, 1769–1859, British
Mrs. Morland's Portrait
ca. 1802
75
James Ward, 1769–1859, British
Studies of Horses
undated
76
James Ward, 1769–1859, British
A Tree Trunk on the Ground
undated
77
James Ward, 1769–1859, British
Two Girls (or Lady and Child) on a Garden Terrace near an Ornamental Urn
undated
78
James Ward, 1769–1859, British
Back View of Country Woman in Hat and Shawl
undated
79
James Ward, 1769–1859, British
A Rustic Carrying Ducks
undated
80
James Ward, 1769–1859, British
Head of a Man Blowing a Pipe
undated
81
James Ward, 1769–1859, British
View Overlooking Fields to Distant Mountains, with a Cottage at Right
undated
82
James Ward, 1769–1859, British
Farm Workers Flailing Corn
undated
83
James Ward, 1769–1859, British
A Boy Leaning against a Table
undated
84
James Ward, 1769–1859, British
Sea Breaking on Stony Cliffs at Left
undated
85
James Ward, 1769–1859, British
A Thatched Cottage and Trees at the Turn of a Country Road
undated
86
James Ward, 1769–1859, British
Study of a Hill Top and Sky
undated
87
James Ward, 1769–1859, British
Ben Lomond, August 17
ca. 1805
88
James Ward, 1769–1859, British
The Quarry
undated
89
James Ward, 1769–1859, British
Head and Shoulders of a Cart Horse
undated
90
James Ward, 1769–1859, British
Study for The Mother's Bribe, or The Temptation to be Washed
undated
91
James Ward, 1769–1859, British
Landscape with Cottages and Figures
undated
92
James Ward, 1769–1859, British
A Cedar on a Rise with a Herd of Deer Grouped Beneath its Shade