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Sign for a Paviour
Creator:
Unknown artist, eighteenth century
Date:
18th century
Medium:
Oil on panel
Dimensions:
22 x 22 inches (55.9 x 55.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lynmouth Harbor and Grattan Hill-Devon
Creator:
Unknown artist, early nineteenth century
Date:
undated
Medium:
Watercolor, over graphite on medium, moderately textured, beige wove paper
Dimensions:
Mount: 18 1/8 × 21 15/16 inches (46 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
In the Devil’s Glen, County Wicklow
Creator:
unknown artist, nineteenth century
Date:
ca. 1870
Medium:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
Creator:
unknown artist, eighteenth century
Date:
1770
Medium:
Engraving
Dimensions:
Sheet: 17 3/4 x 21 7/8in. (45.1 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire the younger, 1769–1822, British
Date:
1795
Medium:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scenographia Americana: Untitled view (perhaps of Boston?)
Creator:
unknown artist, eighteenth century
Date:
1758-1760
Medium:
Engraving
Dimensions:
Sheet: 15 1/4 × 22 1/16 inches (38.7 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate VIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802, British
Date:
1795
Medium:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802, British
Date:
1795
Medium:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766
Creator:
unknown artist, eighteenth century
Date:
1770
Medium:
Engraving
Dimensions:
Sheet: 17 5/8 x 22in. (44.8 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island
Creator:
unknown artist, eighteenth century
Date:
1769-1770
Medium:
Engraving
Dimensions:
Sheet: 16 3/4 x 21 7/8in. (42.5 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802, British
Date:
1795
Medium:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Falls from the Western End of the Chasm
Creator:
Print made by Day & Co., 1824–1913, British
Date:
1856
Medium:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 3/8 x 22 1/8 inches (36.5 x 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953
The Launch of the Iron Steamship 'The Great Britain' at Bristol
Creator:
unknown artist, ( Thomas Dunhill )
Date:
1843
Medium:
Colored lithograph
Dimensions:
Sheet: 14 x 22in. (35.6 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots
Creator:
after George Vertue, 1684–1756, British
Date:
1738
Medium:
Stipple engraving, line engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 23 3/16 inches (47.6 × 58.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Royal Military College
Creator:
William James Bennett, 1787–1844, British
Date:
ca. 1813
Medium:
Colored aquatint
Dimensions:
Sheet: 14 5/8 x 22in. (37.1 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Jane Grey
Creator:
after George Vertue, 1684–1756, British
Date:
1748
Medium:
Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 1/2 × 23 5/8 inches (49.5 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist, nineteenth century
Date:
1851
Medium:
Hand colored engraving
Dimensions:
Sheet: 10 1/2 x 21 7/8in. (26.7 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist, twentieth century
Date:
ca. 1928
Medium:
Watercolor, gouache, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 21 7/8 inches (42.5 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
No cover image available
Creator:
unknown artist, nineteenth century
Date:
1850
Medium:
Engraving, hand-colored
Dimensions:
Sheet: 14 1/2 x 22in. (36.8 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection