Sketch for 'The Last Supper,' St. Mary's, Weymouth
between 1719 and 1720
Not on view
2
Sir James Thornhill, 1675–1734, British
Jacob's Dream
1705
Not on view
3
Sir James Thornhill, 1675–1734, British
St. Paul before Agrippa
ca. 1710
Not on view
4
Attributed to Sir James Thornhill, 1675–1734, British
Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
ca. 1718
Not on view
5
Attributed to Sir James Thornhill, 1675–1734, British
Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
ca. 1720
Not on view
6
Sir James Thornhill, 1675–1734, British
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
7
Sir James Thornhill, 1675–1734, British
Sheet of Classical Figure Studies
undated
8
Attributed to George Perfect Harding, 1780–1853, British
Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley
undated
9
Sir James Thornhill, 1675–1734, British
Design for a Ceiling
undated
10
Sir James Thornhill, 1675–1734, British
Design for a portrait of an architect or a painter
undated
11
Sir James Thornhill, 1675–1734, British
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
12
Sir James Thornhill, 1675–1734, British
Portrait bust of a man in full-length wig
undated
13
Sir James Thornhill, 1675–1734, British
A Scene at Windsor
undated
14
Sir James Thornhill, 1675–1734, British
Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion
undated
15
Sir James Thornhill, 1675–1734, British
The Blinding of Elymas
between 1709 and 1717
16
follower of Sir James Thornhill, 1675–1734, British
Diana and Actaeon: A Study for a Panel on a Staircase
undated
17
follower of Sir James Thornhill, 1675–1734, British
The Fall of Phaeton: A Study for a Ceiling
undated
18
Sir James Thornhill, 1675–1734, British
Neptune
undated
19
unknown artist, eighteenth century
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
20
Sir James Thornhill, 1675–1734, British
Design for a Ceiling
undated
21
Sir James Thornhill, 1675–1734, British
Design for a Mythological Scene, with Jupiter and Juno
undated
22
Attributed to Sir James Thornhill, 1675–1734, British
Portrait of a Man Wearing a Full-Bottomed Wig
undated
23
Sir James Thornhill, 1675–1734, British
Design for a Lunette
undated
24
Sir James Thornhill, 1675–1734, British
Design of Apollo and the Python for a Painted over-door Decoration
undated
25
unknown artist
Design for the Decoration of a Staircase
undated
26
Sir James Thornhill, 1675–1734, British
A Design for a Ceiling
undated
27
Sir James Thornhill, 1675–1734, British
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
28
Sir James Thornhill, 1675–1734, British
Apollo and the Muses
undated
29
Thomas Carwitham, active 1723, British
Illustration to Homer's Iliad
1723
30
Sir James Thornhill, 1675–1734, British
The House of Commons
after 1731
31
Sir James Thornhill, 1675–1734, British
The Sermon on the Mount
undated
32
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
33
Sir James Thornhill, 1675–1734, British
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
34
Sir James Thornhill, 1675–1734, British
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
35
Sir James Thornhill, 1675–1734, British
A Niche for Mr. Portman's House at Sherborne
ca. 1720
36
Sir James Thornhill, 1675–1734, British
The Birth of Venus
undated
37
Sir James Thornhill, 1675–1734, British
Design for Ceiling Walls and Staircase
between 1712 and 1713
38
Sir James Thornhill, 1675–1734, British
Design for a Ceiling Decoration (with a Parrot)
undated
39
Sir James Thornhill, 1675–1734, British
Design for a Wall Panel
undated
40
unknown artist
Classical Scene: Minerva as the Goddess of Arts and Sciences