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Creator Romney, George, 1734–1802

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Subject Terms curls

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Head of a Man in Profile
Creator:
George Romney, 1734–1802, British
Date:
undated
Medium:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/8 x 2 7/8 inches (9.8 x 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Study of the Head of a Young Man
Creator:
attributed to George Romney, 1734–1802, British
Date:
undated
Medium:
Pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 x 5 3/4 inches (8.3 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Hamilton as The Sempstress
Creator:
Print made by Thomas Cheesman, 1760–1834/35, British
Date:
1787
Medium:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/4 × 11 5/16 inches (37.5 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Ann Parry
Creator:
Print made by John Dean, 1754–1798, British
Date:
1777
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.9 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Anna Crouch
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1788
Medium:
Stipple engraving, on medium, moderately textured, cream laid paper, laid on mount
Dimensions:
Mount: 12 11/16 x 8 5/8 inches (32.2 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Dickinson, 1746–1823, British
Date:
1779
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 16 5/8 x 12 11/16 inches (42.3 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund