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Creator Mercier, Philippe, 1689 or 1691–1760

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Subject Terms child

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The Sense of Hearing
Creator:
Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716)
Date:
1744 to 1747
Medium:
Oil on canvas
Dimensions:
52 x 60 1/2 inches (132.1 x 153.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sense of Touch
Creator:
Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716)
Date:
1744 to 1747
Medium:
Oil on canvas
Dimensions:
52 x 60 1/2 inches (132.1 x 153.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Swain's Amusement
Creator:
Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Date:
between 1748 and 1756
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 10 1/4 inches (36 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young Male Shearing a Sheep
Creator:
Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Date:
undated
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Swain's Amusement
Creator:
Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Date:
between 1748 and 1756
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 9 3/16 inches (33.7 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Youth Playing Bagpipes
Creator:
Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Date:
undated
Medium:
Mezzotint on medium, moderately thick, cream laid paper
Dimensions:
Sheet: 12 13/16 × 8 7/8 inches (32.6 × 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund