The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
303
James Gillray, 1756–1815, British
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
304
James Gillray, 1756–1815, British
A Block for the Wigs - or, The New State Whirligig
1783
305
James Gillray, 1756–1815, British
Jack A Both Sides!
1783
306
Print made by James Gillray, 1756–1815, British
A Coalition of Parties, Give Justice Her Claims
1783
307
Print made by James Gillray, 1756–1815, British
Scene Le Vrog House
1782
308
Print made by James Gillray, 1756–1815, British
The Minister In - The Minister Out
1782
309
Print made by James Gillray, 1756–1815, British
Evacuation Before Resignation
1782
310
Print made by James Gillray, 1756–1815, British
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
311
James Gillray, 1756–1815, British
Two New Sliders for the State Magic Lanthern
1783
312
James Gillray, 1756–1815, British
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
313
James Gillray, 1756–1815, British
Paille d'Avoine - Paille d'Avoine
1786
314
Print made by James Gillray, 1756–1815, British
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
315
James Gillray, 1756–1815, British
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
316
James Gillray, 1756–1815, British
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
317
James Gillray, 1756–1815, British
The R't Hon'ble Catch Singers
1783
318
Print made by James Gillray, 1756–1815, British
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
319
James Gillray, 1756–1815, British
The Prince at Grass --- The Prince in Clover
1787
320
James Gillray, 1756–1815, British
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
321
James Gillray, 1756–1815, British
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
322
Print made by James Gillray, 1756–1815, British
The Dutch Divisions
1787
323
Print made by James Gillray, 1756–1815, British
The Sick Prince
1787
324
James Gillray, 1756–1815, British
The (Prince's) Nursery or Nine Months After
1786
325
James Gillray, 1756–1815, British
The Funeral Procession of Miss Regency
1789
326
Print made by James Gillray, 1756–1815, British
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
327
Print made by James Gillray, 1756–1815, British
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
328
Print made by James Gillray, 1756–1815, British
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
329
James Gillray, 1756–1815, British
The High German Method of Destroying Vermin at Rat-Stadt
1799
330
James Gillray, 1756–1815, British
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
331
James Gillray, 1756–1815, British
The Leadenhall Volunteer, Drest in his Shawl
1797
332
James Gillray, 1756–1815, British
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
333
James Gillray, 1756–1815, British
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
334
James Gillray, 1756–1815, British
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
335
James Gillray, 1756–1815, British
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
336
James Gillray, 1756–1815, British
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
337
James Gillray, 1756–1815, British
Field Marshall Count Suwarrow-Rominskoy ---
1799
338
James Gillray, 1756–1815, British
Buonaparte Leaving Egypt
1800
339
James Gillray, 1756–1815, British
Homer Singing His Verses to the Greeks
1797
340
James Gillray, 1756–1815, British
A Man of Importance
1799
341
James Gillray, 1756–1815, British
Extirpation of the Plagues of Egypt
1798
342
James Gillray, 1756–1815, British
Independence
1799
343
James Gillray, 1756–1815, British
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
344
James Gillray, 1756–1815, British
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
345
James Gillray, 1756–1815, British
The - Battle Royal, or Who Wears the Breeches
1784
346
James Gillray, 1756–1815, British
The Royal Academy
1786
347
James Gillray, 1756–1815, British
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
348
James Gillray, 1756–1815, British
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
349
James Gillray, 1756–1815, British
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
350
James Gillray, 1756–1815, British
Gloria Mundi, or - The Devil Addressing the Sun
1782
351
James Gillray, 1756–1815, British
The Soliloquy
1782
352
James Gillray, 1756–1815, British
The Legacy
1786
353
James Gillray, 1756–1815, British
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
354
James Gillray, 1756–1815, British
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
355
James Gillray, 1756–1815, British
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
356
James Gillray, 1756–1815, British
The Doctor Indulged with his Favorite Scene ---
ca. 1790
357
James Gillray, 1756–1815, British
The Tottering Pyramid
1784
358
James Gillray, 1756–1815, British
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
359
James Gillray, 1756–1815, British
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
360
James Gillray, 1756–1815, British
The English Regency
1789
361
James Gillray, 1756–1815, British
The Battle of Bow-Street
1788
362
Print made by James Gillray, 1756–1815, British
The Butchers of Freedom
1788
363
James Gillray, 1756–1815, British
A Modern Cherub, - Vide Peters
1791
364
James Gillray, 1756–1815, British
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
365
James Gillray, 1756–1815, British
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
366
James Gillray, 1756–1815, British
The Apotheosis of Hoche
1798
367
James Gillray, 1756–1815, British
Destruction of the French Collossus
1798
368
James Gillray, 1756–1815, British
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
369
James Gillray, 1756–1815, British
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
370
James Gillray, 1756–1815, British
The Republican - Attack
1795
371
James Gillray, 1756–1815, British
A Collection of Caricatures, Volume II
1799
372
Possibly James Gillray, 1756–1815, British
James Gillray
373
James Gillray, 1756–1815, British
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
374
James Gillray, 1756–1815, British
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
375
James Gillray, 1756–1815, British
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
376
James Gillray, 1756–1815, British
Caricatures. London, 1782-1800
1782-1800
377
James Gillray, 1756–1815, British
A Prince of the Old School (Boothby Clopton)
1800
378
Print made by James Gillray, 1756–1815, British
The King of Brobdingnag and Gulliver
1804
379
James Gillray, 1756–1815, British
The Nursery, with, Britannia Reposing in Peace
1802
380
James Gillray, 1756–1815, British
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
381
James Gillray, 1756–1815, British
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
382
James Gillray, 1756–1815, British
Introduction of Citizen Volpone - and His Suite, at Paris
1802
383
James Gillray, 1756–1815, British
German - Nonchalence: - or - The Vexation of Little Boney
1803
384
James Gillray, 1756–1815, British
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
385
James Gillray, 1756–1815, British
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
386
James Gillray, 1756–1815, British
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
387
James Gillray, 1756–1815, British
Half Natural
1799
388
James Gillray, 1756–1815, British
Pen-etration
1799
389
James Gillray, 1756–1815, British
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
390
James Gillray, 1756–1815, British
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
391
James Gillray, 1756–1815, British
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
392
James Gillray, 1756–1815, British
Overthrow of the Republican-Babel
1809
393
James Gillray, 1756–1815, British
An Old English-Gentleman pester'd by Servants wanting Places
1809
394
James Gillray, 1756–1815, British
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
395
James Gillray, 1756–1815, British
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
396
James Gillray, 1756–1815, British
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
397
James Gillray, 1756–1815, British
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
398
James Gillray, 1756–1815, British
Sketch of the Interior of St. Stephen's, as It Now Stands. -