A New Administration, or the State Quacks Administering
1783
105
James Gillray, 1756–1815, British
Egyptian Sketches
1799
106
James Gillray, 1756–1815, British
The Pigs Possessed
1807
107
James Gillray, eighteenth century, 1756–1815, British
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
108
James Gillray, 1756–1815, British
New Morality
1798
109
James Gillray, 1756–1815, British
Light Expelling Darkness
1795
110
James Gillray, 1756–1815, British
Doublûres of Characters
1798
111
James Gillray, eighteenth century, 1756–1815, British
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
112
James Gillray, 1756–1815, British
Election Troops bringing in their accounts to the Paytable
1788
113
James Gillray, 1756–1815, British
The Generae of Patriotism
1796
114
James Gillray, 1756–1815, British
Tom Paine's Nightly Pest
1792
115
James Gillray, 1756–1815, British
Playing in Parts
1801
116
James Gillray, 1756–1815, British
A Great Stream from a Petty Fountain
1806
117
James Gillray, 1756–1815, British
L'Enfant Trouve: a sample of Roman Charity
1808
118
James Gillray, 1756–1815, British
Maniac Ravings or Little Boney in a Strong Fit
1803
119
James Gillray, 1756–1815, British
A kick at the Broad Bottoms
1807
120
James Gillray, 1756–1815, British
The Friend of the People
1806
121
James Gillray, 1756–1815, British
Patriotic Petitions on the Convention
ca. 1808
122
Print made by James Gillray, 1756–1815, British
Every Man has his Hobby Horse
1784
123
James Gillray, 1756–1815, British
Le Diable Boiteaux
1806
124
James Gillray, 1756–1815, British
Maecenas, in pursuit of the Fine Arts
1808
125
James Gillray, 1756–1815, British
Visiting the Sick
1806
126
James Gillray, 1756–1815, British
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
127
James Gillray, 1756–1815, British
Britania's Assassination or The Republican's Amusement
1782
128
James Gillray, 1756–1815, British
The Nabob Rumbled or a Lord Advocates Amusement
1783
129
James Gillray, 1756–1815, British
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
130
James Gillray, 1756–1815, British
The Castle in the Moon
1782
131
James Gillray, 1756–1815, British
Wouski
1788
132
James Gillray, 1756–1815, British
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
133
James Gillray, 1756–1815, British
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
134
James Gillray, 1756–1815, British
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
135
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
136
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
137
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
138
Print made by James Gillray, 1756–1815, British
A Cognocenti Contemplating ye Beauties of ye Antique
1801
139
James Gillray, ?, 1756–1815, British
Apothecaries, Taylors & c. Conquering France and Spain
1779
140
James Gillray, ?, 1756–1815, British
National Discourse
1780
141
James Gillray, 1756–1815, British
The Nabob Rumbled or A Lord Advocates Amusement
1783
142
James Gillray, 1756–1815, British
A Scotch Poney - commonly call'd a Galloway
1803
143
James Gillray, 1756–1815, British
A Standing-dish at Boodles
1800
144
Print made by James Gillray, 1756–1815, British
The King of Brobdingnag and Gulliver
1803
145
Print made by James Gillray, 1756–1815, British
Venus Attired by the Graces
1800
146
James Gillray, 1756–1815, British
Sophia, Honour, and the Chambermaid
1780
147
unknown artist, ( John Dalrymple )
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
148
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
149
James Gillray, 1756–1815, British
A Morning Ride
1804
150
Print made by James Gillray, 1756–1815, British
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
151
unknown artist, ( J. Gerry )
Four Figures on a Sheet
undated
152
Print made by James Gillray, 1756–1815, British
Shakespeare Sacrificed; or, The Offering to Avarice
1789
153
James Gillray, 1756–1815, British
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
154
James Gillray, 1756–1815, British
United Irishmen in Training
1798
155
James Gillray, 1756–1815, British
Pylades & Orestes (Stadtholder & His Secretary)
1797
156
James Gillray, 1756–1815, British
A Dash Up St. James's Street
1797
157
James Gillray, 1756–1815, British
The Salute, - Vide, The Parade
1797
158
James Gillray, 1756–1815, British
The Republican - Hercules Defending His Country
1797
159
James Gillray, 1756–1815, British
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
160
James Gillray, 1756–1815, British
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
161
James Gillray, 1756–1815, British
French - Telegraph Making Signals in the Dark
1795
162
James Gillray, 1756–1815, British
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
163
James Gillray, 1756–1815, British
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
164
James Gillray, 1756–1815, British
John Bull Ground Down
1795
165
James Gillray, 1756–1815, British
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
166
James Gillray, 1756–1815, British
The Death of the Great Wolf
1795
167
James Gillray, 1756–1815, British
The Lover's Dream
1795
168
James Gillray, 1756–1815, British
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
169
James Gillray, 1756–1815, British
Corpor(e)al (!) Stamina
1801
170
James Gillray, 1756–1815, British
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
171
James Gillray, 1756–1815, British
A Slice of Glo'ster Cheese
1795
172
James Gillray, 1756–1815, British
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
173
James Gillray, 1756–1815, British
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
174
James Gillray, 1756–1815, British
Copenhagen House
1795
175
James Gillray, 1756–1815, British
Councellor Ego. - i.e.: - Little I, Myself, I
1798
176
James Gillray, 1756–1815, British
Presages of the Millenium
1795
177
James Gillray, 1756–1815, British
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
178
James Gillray, 1756–1815, British
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
179
James Gillray, 1756–1815, British
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
180
James Gillray, 1756–1815, British
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
181
James Gillray, 1756–1815, British
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
182
James Gillray, 1756–1815, British
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
183
James Gillray, 1756–1815, British
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
184
James Gillray, 1756–1815, British
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
185
James Gillray, 1756–1815, British
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
186
James Gillray, 1756–1815, British
What a Cur ' tis
1795
187
James Gillray, 1756–1815, British
The Prodigal Son
1787
188
James Gillray, 1756–1815, British
Love's Last Shift
1787
189
James Gillray, 1756–1815, British
Blindmans-Buff - or - Too Many for John Bull
1795
190
James Gillray, 1756–1815, British
The Noble Sans - Culotte
1794
191
James Gillray, 1756–1815, British
The Royal Society
1786
192
James Gillray, 1756–1815, British
Les Trois Magots
1791
193
James Gillray, 1756–1815, British
The Dagger Scene: - or - The Plot Discover'd
1792
194
James Gillray, 1756–1815, British
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
195
James Gillray, 1756–1815, British
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
196
James Gillray, 1756–1815, British
Miss, I Have a Monstrous Crow to Pluck with You!
1794
197
James Gillray, 1756–1815, British
Vices overlook'd in the New Proclamation
1792
198
James Gillray, 1756–1815, British
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
199
James Gillray, 1756–1815, British
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
200
James Gillray, 1756–1815, British
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes