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Creator Blake, William, 1757–1827

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William Blake Pl. 23: `Anacreon Ode LII'
William Blake, 1757–1827, British
Pl. 23: `Anacreon Ode LII'
1796
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827, British
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827, British
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827, British
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
William Blake Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
William Blake Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
William Blake Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
William Blake Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
Print made by William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
William Blake Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
William Blake Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
William Blake Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
William Blake Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
William Blake Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
William Blake Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
William Blake, 1757–1827, British
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826
William Blake Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
William Blake Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
William Blake Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
William Blake Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
William Blake Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
William Blake And now behold the sun's departing ray
William Blake, 1757–1827, British
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
William Blake Pl. 12: 'Psyche Disobeys'
William Blake, 1757–1827, British
Pl. 12: 'Psyche Disobeys'
1796
William Blake Pl. 13: `Psyche Repents'
William Blake, 1757–1827, British
Pl. 13: `Psyche Repents'
1796
William Blake Pl. 14: `Venus Councels Cupid'
William Blake, 1757–1827, British
Pl. 14: `Venus Councels Cupid'
1796
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
William Blake Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
unknown artist God Creating the Universe
Unknown artist
God Creating the Universe
ca. 1800
Sir Joseph Ayloffe An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
Attributed to Sir Joseph Ayloffe, 1709–1781, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
Engraved by James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
James Basire the younger, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
John Linnell Illustrations of the Book of Job
John Linnell, 1792–1882, British
Illustrations of the Book of Job
undated
unknown artist Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'
unknown artist
Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'
ca. 1808
George Richmond Reproduction of "William Blake in Youth and Age"
Print made by George Richmond, 1809–1896, British
Reproduction of "William Blake in Youth and Age"
ca. 1830
George Richmond Reproduction of "William Blake in Youth and Age"
Print made by George Richmond, 1809–1896, British
Reproduction of "William Blake in Youth and Age"
ca. 1830
Whittington and Griggs, Chiswick Facsimile of plate number 76 from "Jerusalem"
Whittington and Griggs, Chiswick, active 1921
Facsimile of plate number 76 from "Jerusalem"
1921
unknown artist Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'
unknown artist
Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'
ca. 1808
unknown artist Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]
unknown artist
Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]
ca. 1808
unknown artist Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'
unknown artist
Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'
ca. 1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death's Door
1808, published 1813
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810, Italian
Robert Blair, The Grave, Title Page
1808, published 1813
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death of the Strong Wicked Man
1808, published 1813
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810, Italian
Christ Descending into the Grave
1808, published 1813
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Descent of Man into the Vale of Death
1808, published 1813
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808, published 1813
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808, published 1813
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Exploring the Recesses of the Grave
1808, published 1813
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808, published 1813
John Linnell Behemoth and Leviathan
circle of John Linnell, 1792–1882, British
Behemoth and Leviathan
undated
John Linnell Job Accepting Charity
circle of John Linnell, 1792–1882, British
Job Accepting Charity
undated
John Linnell Job and His Wife Restored to Prosperity
circle of John Linnell, 1792–1882, British
Job and His Wife Restored to Prosperity
undated
John Linnell Title Page: Illustrations of the Book of Job
circle of John Linnell, 1792–1882, British
Title Page: Illustrations of the Book of Job
after 1825
John Linnell The Vision of Eliphaz
circle of John Linnell, 1792–1882, British
The Vision of Eliphaz
undated
John Linnell Job Rebuked by His Friends
circle of John Linnell, 1792–1882, British
Job Rebuked by His Friends
undated
John Linnell Job's Evil Dreams
circle of John Linnell, 1792–1882, British
Job's Evil Dreams
undated
John Linnell The Wrath of Elihu
circle of John Linnell, 1792–1882, British
The Wrath of Elihu
undated
John Linnell The Lord Answering Job out of the Whirlwind
circle of John Linnell, 1792–1882, British
The Lord Answering Job out of the Whirlwind
undated
John Linnell The Creation
circle of John Linnell, 1792–1882, British
The Creation
undated
John Linnell The Fall of Satan
circle of John Linnell, 1792–1882, British
The Fall of Satan
undated
John Linnell The Vision of God
circle of John Linnell, 1792–1882, British
The Vision of God
undated
John Linnell Job's Sacrifice
circle of John Linnell, 1792–1882, British
Job's Sacrifice
undated
John Linnell Satan Smiting Job with Boils
circle of John Linnell, 1792–1882, British
Satan Smiting Job with Boils
undated
John Linnell Job's Despair
circle of John Linnell, 1792–1882, British
Job's Despair
undated
John Linnell Job's Comforters
circle of John Linnell, 1792–1882, British
Job's Comforters
undated
John Linnell The Messengers Tell Job of the Misfortunes that Have Befallen Him
circle of John Linnell, 1792–1882, British
The Messengers Tell Job of the Misfortunes that Have Befallen Him
undated
John Linnell Job and His Family
circle of John Linnell, 1792–1882, British
Job and His Family
undated
John Linnell Job and His Daughters
circle of John Linnell, 1792–1882, British
Job and His Daughters
undated
John Linnell Satan before the Throne of God
circle of John Linnell, 1792–1882, British
Satan before the Throne of God
undated
John Linnell The Destruction of Job's Sons
circle of John Linnell, 1792–1882, British
The Destruction of Job's Sons
undated
John Linnell Satan Going Forth from the Presence of the Lord
circle of John Linnell, 1792–1882, British
Satan Going Forth from the Presence of the Lord
undated
Christian Gotthilf Salzmann Gymnastics for Youth
Christian Gotthilf Salzmann, 1744–1811, German
Gymnastics for Youth
1800
Christian Gotthilf Salzmann Gymnastics for Youth
Christian Gotthilf Salzmann, 1744–1811, German
Gymnastics for Youth
1800
Christian Gotthilf Salzmann Gymnastics for Youth
Christian Gotthilf Salzmann, 1744–1811, German
Gymnastics for Youth
1800
Christian Gotthilf Salzmann Gymnastics for Youth
Christian Gotthilf Salzmann, 1744–1811, German
Gymnastics for Youth
1800
Christian Gotthilf Salzmann Gymnastics for Youth
Christian Gotthilf Salzmann, 1744–1811, German
Gymnastics for Youth
1800
Christian Gotthilf Salzmann Gymnastics for Youth
Christian Gotthilf Salzmann, 1744–1811, German
Gymnastics for Youth
1800
Christian Gotthilf Salzmann Gymnastics for Youth
Christian Gotthilf Salzmann, 1744–1811, German
Gymnastics for Youth
1800
Christian Gotthilf Salzmann Gymnastics for Youth
Christian Gotthilf Salzmann, 1744–1811, German
Gymnastics for Youth
1800
Christian Gotthilf Salzmann Gymnastics for Youth
Christian Gotthilf Salzmann, 1744–1811, German
Gymnastics for Youth
1800
Christian Gotthilf Salzmann Gymnastics for Youth
Christian Gotthilf Salzmann, 1744–1811, German
Gymnastics for Youth
1800
Michael Phillips Songs of Innocence, Titlepage
Michael Phillips, born 1940, American
Songs of Innocence, Titlepage
1996