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Creator Blake, William, 1757–1827

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William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake Rev. John Caspar Lavater (1787-1801)
Print made by William Blake, 1757–1827, British
Rev. John Caspar Lavater (1787-1801)
1800
William Blake An Angel with a Trumpet
William Blake, 1757–1827, British
An Angel with a Trumpet
between 1805 and 1808
William Blake A Visionary Head
William Blake, 1757–1827, British
A Visionary Head
1819 to 1820
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827, British
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Moses Receiving the Law
William Blake, 1757–1827, British
Moses Receiving the Law
ca. 1780
William Blake Socrates, a Visionary Head
William Blake, 1757–1827, British
Socrates, a Visionary Head
ca. 1820
William Blake Study for a Destroying Deity
William Blake, 1757–1827, British
Study for a Destroying Deity
1820 to 1825
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827, British
Songs of Innocence and of Experience
1789-1794
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
unknown artist God Creating the Universe
Unknown artist
God Creating the Universe
ca. 1800
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810, Italian
Robert Blair, The Grave, Title Page
1808, published 1813
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810, Italian
Christ Descending into the Grave
1808, published 1813
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Exploring the Recesses of the Grave
1808, published 1813
John Linnell The Messengers Tell Job of the Misfortunes that Have Befallen Him
circle of John Linnell, 1792–1882, British
The Messengers Tell Job of the Misfortunes that Have Befallen Him
undated
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810, Italian
Robert Blair, The Grave, Title Page
1808
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Reunion of the Soul & the Body
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death's Door
1808
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death of the Strong Wicked Man
1808
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Reunion of the Soul & the Body
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810, Italian
Robert Blair, The Grave, Title Page
1808
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death's Door
1808
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death of the Strong Wicked Man
1808
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death's Door
1808
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810, Italian
Robert Blair, The Grave, Title Page
1808
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death of the Strong Wicked Man
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808
Arnold Fawcus First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job
Published by Arnold Fawcus, 1917–1979, British
First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job
1972