Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
214
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
215
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
216
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
undated
217
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
218
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
219
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
220
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
221
unknown artist
Design for Table Top or Ceiling, with fringed flap on corner suggesting alterntive border pattern
undated
222
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
223
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
224
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
225
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
226
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
227
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
228
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
229
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
230
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
231
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
232
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
233
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
234
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
235
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
236
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
237
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
238
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
239
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
240
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
241
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
242
unknown artist, (J Rothmuller)
Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar
undated
243
unknown artist, (J Rothmuller)
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
244
unknown artist, (J Rothmuller)
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
245
Thomas Hope, 1769–1831, British
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
246
David Simson, 1803–1874, British
At Haddon Hall (view of upper landing)
1861
247
David Simson, 1803–1874, British
Dining Room in Haddon Hall
1861
248
David Simson, 1803–1874, British
At Tunbridge Wells (city street)
1863
249
David Simson, 1803–1874, British
At Tunbridge Wells (view of house)
1863
250
unknown artist, nineteenth century
Church with Town, Cliffs and Sea Beyond
undated
251
unknown artist, nineteenth century
East Matting (?) Church 1848 (?)
ca. 1848
252
unknown artist, nineteenth century
Pevensy Castle
undated
253
unknown artist, nineteenth century
Entrance to a Village Below an Abbey
undated
254
unknown artist, (? Rowbotham)
Porch of Kingsbury Church/ Middlesex (?)
undated
255
Attributed to Gideon Yates, active 1825–1837, British
Kingston Bridge
1832
256
Lewis Kennedy, active 1775–1811
Flower Garden at Middleton Park, Oxfordshire
1811
257
David Simson, 1803–1874, British
Craigmillar Castle
1861
258
David Simson, 1803–1874, British
At Stirling (view with tools and turret)
1861
259
David Simson, 1803–1874, British
At Haddon Hall (view of fireplace)
1861
260
David Simson, 1803–1874, British
At Haddon Hall (view of armor)
1861
261
David Simson, 1803–1874, British
At Haddon Hall (window)
1861
262
David Simson, 1803–1874, British
Bidborough Kent
1863
263
David Simson, 1803–1874, British
At Penshurst Kent (view with cloaked figure)
1863
264
David Simson, 1803–1874, British
At Tunbridge
1863
265
David Simson, 1803–1874, British
The Haunted House
1863
266
unknown artist, ( M. N. )
Tomb Effigy of Three Knights in Medieval Armor
undated
267
unknown artist, nineteenth century
Castle Howard
undated
268
unknown artist, nineteenth century
Designs for Emblem
undated
269
unknown artist, nineteenth century
Ousden Church Suffolk
undated
270
unknown artist, nineteenth century
Dallington Church Interior
undated
271
unknown artist, nineteenth century
Brighton from the Church
undated
272
unknown artist, nineteenth century
Country House
undated
273
unknown artist, nineteenth century
North View of the Refectory Battle Abbey
undated
274
unknown artist, nineteenth century
The Choir St. Marys (with ms. notes)
undated
275
unknown artist, nineteenth century
Coal Harbour House
undated
276
unknown artist
Great Oakley Hall, Northamptonshire
ca. 1840
277
Robert Streatfeild, 1786–1852
View of a House
undated
278
unknown artist, nineteenth century
A Half-Timbered House
ca. 1800
279
unknown artist
Alms-Houses at Greenhithe, Kent
1774
280
unknown artist, nineteenth century
Design for a Lodge
undated
281
Formerly David Loggan, 1633–1692, British
Designs for a Stables
undated
282
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
283
unknown artist
Design for a Classical House
undated
284
Unknown artist, early eighteenth century
Paultons, Hampshire
undated
285
John Yenn, 1750–1821, British
Design for Wall Decoration
ca. 1800
286
John Yenn, 1750–1821, British
Designs for Wall Decoration
ca. 1800
287
John Yenn, 1750–1821, British
Design for Wall Decoration
ca. 1800
288
John Yenn, 1750–1821, British
Design for Wall Decoration
ca. 1800
289
John Yenn, 1750–1821, British
Design for a Doorway
ca. 1781
290
unknown artist, eighteenth century
Design for a Saloon
undated
291
unknown artist
Design for a Clock Case
undated
292
unknown artist, eighteenth century
Design for a Library
undated
293
George Richardson, ca.1738–ca.1813, British
Design for a Chimney Piece
1773
294
Isaac Johnson, 1754–1835, British
Survey of Beauthorp-Hall Estates
1753
295
Thomas Anburey, 1759–1840, British
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
296
Thomas Anburey, 1759–1840, British
Ruins of Baugnee-Ghur near Hydrabad (1 of 6)
ca. 1792
297
James Bruce, 1730–1794, British
Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
298
Print made by unknown artist
Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church