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101
- Sailing Boats and Pier, with a Steeple in the Distance
- 1819 to 1821
102
- Church of St. Mary Magadalene, Newark-on-Trent
- 1819 to 1821
103
- House beyond Trees
- 1819 to 1821
104
- Estate House and Trees
- 1819 to 1821
105
- Hillside View towards the Sea
- 1819 to 1821
106
- Walkers in a Landscape
- 1819 to 1821
107
- Close, No. 31 Saltmarket
- between 1868 and 1877
108
- Foreign Department at the Great Exhibition, Hyde Park
- 1853
109
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
110
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
111
- Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists
- 1796
112
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
113
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
114
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
115
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
116
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
117
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
118
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
119
- Compton Mackenzie
- 1913
120
- H. M. Tomlinson
- 1922
121
- J.C. Squire
- 1917
122
- Leonard Merrick
- 1918
123
- Mary Sinclair
- 1920
124
- Sir W. Robertson Nicoll
- 1913
125
- Untitled, (Nude with Birdcage)
- 1922
126
- W. H. Davies
- 1929
127
- Country Road
- ca. 1925
128
- Birijick, from the North, May 1835
- 1835
129
- Port William, Aug. 1835
- 1835
130
- Antioch - Above The Bridge
- 1835 to 1836
131
- Aleppo - January 1836
- 1836
132
- [Landscape]
- 1835-1836
133
- [Landscape]
- 1835-1836
134
- Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
135
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
136
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
137
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
138
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
139
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
140
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
141
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
142
- Samuel Johnson
143
- Samuel Johnson
144
- Dr. Samuel Johnson
- 1822
145
- "Curtius Leaping into the Gulph"
- undated
146
- The Mill at Woodbridge
- 1930
147
- Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
148
- James Graham, Marquess of Montrose
- 1740
149
- Algernoon Piercy Earl of Northumberland
- 1738
150
- William Cavendish, 1st Duke of Newcastle upon Tyne
- 1739
151
- Untitled Study of Trees
- undated
152
- The Church at Bettws-Y-Coed
- 1870
153
- The Penny Trumpeter!
- 1832
154
- The Great Exhibition "Wot is to be"
- 1850
155
- Ventimiglia on the Cornice Road
- ca. 1875
156
- Photographic Immortality
- before 1992
157
- The Painter's Pool, 17 February 2002 (Part 1 of Diptych)
- 2002
158
- The Painter's Pool, 14 August 2002
- 2002
159
- Sir Laurence Olivier
- 1973
160
- The Finishing Kick Out of the Privy Council
- 1805
161
- The Brazen Image erected on a Pedestal wrought by Himself
- 1802
162
- Recrimination
- 1801
163
- The Locust-plague of Political Correctness / Creating a Viable Dialogue Situation
- before 1992
164
- Photography As a Spectator Sport / Keeping the Photograph at Arms Length
- before 1992
165
- Figure Drawing
- 1969
166
- Chinoiserie Design
- undated
167
- Perimeter Fence, Auschwitz, Poland
- 1989
168
- Ratcliffe Power Station, Study 26, Nottinghamshire, England
- 1986
169
- Ratcliffe Power Station, Study 57, Nottinghamshire, England
- 1993
170
- The Temple of Aphaia at Aegina: Front Elevation
- 1860
171
- Bridge near the Beach, Old Panama
- between 1875 and 1877
172
- Dover
- 1827
173
- The Father's Leave-Taking
- 1879
174
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
175
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
176
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
177
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
178
- Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina
- 1717
179
- The 'Old Cheshire Cheese' Wine Office Court, Fleet Street
- ca. 1886
180
- Ochre/Pink
- 1971
181
- Bookplate for Prime Minister’s Library
- 1931
182
- Guard Tower & Wall, Sachsenhausen, Germany
- 1999
183
- Ratcliffe Power Station, Study 24, Nottinghamshire, England
- 1986
184
- Ratcliffe Power Station, Study 25, Nottinghamshire, England
- 1984
185
- The Painter's Pool, 17 November 2002
- 2002
186
- Untitled, Wooden Bridge, Java
- ca. 1870
187
- Running Away with an Heiress
- 1802
188
- Ratcliffe Power Station, Study 14, Nottinghamshire, England
- 1985
189
- Ratcliffe Power Station, Study 17, Nottinghamshire, England
- 1985
190
- Ratcliffe Power Station, Study 33, Nottinghamshire, England
- 1985
191
- Ratcliffe Power Station, Study 50, Nottinghamshire, England
- 1987
192
- Ratcliffe Power Station, Study 58, Nottinghamshire, England
- 1984
193
- Ratcliffe Power Station, Study 60, Nottinghamshire, England
- 1993
194
- Untitled, River and Bridge
- ca. 1845
195
- Sketchbook, 10 September, 1819
- 1819 to 1821
196
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
197
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
198
- Study of Trees and Sheep Overlooking a Valley Town
- undated
199
- View of a Cathedral at the End of a Street
- ca. 1830
200
- Robert Rich, Earl of Warwick
- 1747