Image Available: Unavailable / Height [cm]: 31 / Classification: Prints

Ben Nicholson, 1894–1982, British

Pisa (vertical)

1967

Print made by William Hogarth, 1697–1764, British

A Rake's Progress, Plate 8

1735

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 2

1732

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 4

1732

William Blake, 1757–1827, British

The Book of Thel

1789

William Blake, 1757–1827, British

Pl. 12: `Psyche Disobeys.'

1796

William Blake, 1757–1827, British

Pl. 19: `Aristophanes Clouds. Scene I'

1796

William Blake, 1757–1827, British

Pl. 13: `Psyche Repents.'

1796

William Blake, 1757–1827, British

Pl. 14: `Venus Counsels Cupid'

1796

William Blake, 1757–1827, British

Pl. 15: `The Conjugal Union of Cupid'

1796

William Blake, 1757–1827, British

Pl. 16: `Cupid & Psyche'

1796

William Blake, 1757–1827, British

Pl. 23: `Anacreon Ode LII'

1796

Print made by Sir Frank Short, 1857–1945, British

The Victory Coming up the Channel with the Body of Nelson

1891

Print made by James T. Willmore, 1800–1863, British

Barnard Castle

1831

Print made by Ralph Hudson, active ca. 1820, British

The Pilgrim's Progress Illustrated, Uncut Panorama

ca. 1820

Print made by Ralph Hudson, active ca. 1820, British

Pilgrim's Progress Illustrated, Uncut Panorama

ca. 1820

Print made by Thomas A. Woolnoth, 1785–1857, British

Walter Fawkes Esqr

1825

Print made by Philippe Soye, active 1565–1568, French

Urbanus VI, Papa Neapolitanus

1568

Print made by Philippe Soye, active 1565–1568, French

Gregorius XII, Papa Venetus

1568

Philippe Soye Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae

Print made by Philippe Soye, active 1565–1568, French

Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae

1568

Print made by Philippe Soye, active 1565–1568, French

Eugenius IIII, Papa Venetus

1568

Print made by Philippe Soye, active 1565–1568, French

Innocentius VII, Papa Sulmonensis

1568

Print made by Philippe Soye, active 1565–1568, French

Xystus IV, Papa Savonensis Ligur

1568

Print made by Philippe Soye, active 1565–1568, French

Calixtus III, Papa Valentinus Hispanus

1568

Print made by Philippe Soye, active 1565–1568, French

Paulus II, Papa Venetus

1568

Print made by Philippe Soye, active 1565–1568, French

Nicolaus V, Papa Sergianensis

1568

Print made by Philippe Soye, active 1565–1568, French

Innocentius VIII, Papa Genuensis

1568

Print made by Philippe Soye, active 1565–1568, French

Clemens VII, Papa Florentinus

1568

Print made by Philippe Soye, active 1565–1568, French

Pius IV, Papa Mediolanensis

1568

Print made by Philippe Soye, active 1565–1568, French

Martinus V, Papa Romanus

1568

Print made by Philippe Soye, active 1565–1568, French

Ioannes XXIII, Papa Neapolitanus

1568

Print made by Philippe Soye, active 1565–1568, French

Bonifacius IX, Papa Neapolitanus

1568

Print made by Philippe Soye, active 1565–1568, French

Alexander V, Papa Cretensis Graecus

1568

Print made by Philippe Soye, active 1565–1568, French

Pius II, Papa Senensis

1568

Print made by Philippe Soye, active 1565–1568, French

Felix IIII, dictus V Dux Sabaudiae

1568

Print made by Philippe Soye, active 1565–1568, French

Pius III, Papa Senensis

1568

Print made by Philippe Soye, active 1565–1568, French

Alexander VI, Papa Valentinus Hispanus

1568

Print made by Philippe Soye, active 1565–1568, French

Leo X, Papa Florentinus

1568

Print made by Philippe Soye, active 1565–1568, French

Iulius II, Papa Savonensis Ligur

1568

Print made by Philippe Soye, active 1565–1568, French

Paulus III, Pont Opt Max

1568

Print made by Philippe Soye, active 1565–1568, French

Iulius III, Papa Arretinus

1568

Print made by Philippe Soye, active 1565–1568, French

Adrianus VI, Papa Traiectensis Belga

1568

James Pollard, 1792–1867, British

The Fox Breaking Cover

1819

James Pollard, 1792–1867, British

A Fox Chase

1819

James Pollard, 1792–1867, British

Death of the Fox

1819

Sir David Young Cameron, 1865–1945, British

Tepidarium: Thermae of Caracalla

1925

James Pollard, 1792–1867, British

Coursing [a pair]: 2. Coursing, a View in Hatfield Park

1824

unknown artist, nineteenth century

Plan of the Proposed Improvements in Westminster

undated

unknown artist

Queen Elizabeth I

unknown artist

Samuel Johnson

Drawn by Samuel Thomas Gill, (Allan & Wigley Lithographers), 1818–1880, Australian

Set of three: Kangaroo Hunting. No 2. The Chase

1858

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

Henry Thomas Alken, 1785–1851, British

The Quorn Hunt: The Whissendine Appears in View

undated

James Gillray, 1756–1815, British

Political Mathematician's Shaking the Broad Bottom'd Hemispheres

ca. 1811

George Hunt, active 1820–1840, British

Skittles

undated

James Pollard, 1792–1867, British

Coursing [a pair]: 1.Coursers taking the Field at Hatfield Park

1824

Thomas Sutherland, ca. 1785–1838, British

Set of seven [Fox Hunting]. Hark to Old Danger

1818

after Henry Thomas Alken, 1785–1851, British

Set of seven [Fox Hunting]. The Pleasure of a view Holla

1818

after Henry Thomas Alken, 1785–1851, British

Set of seven [Fox Hunting]. Taking the thing easy

1818

Thomas Sutherland, ca. 1785–1838, British

Set of seven [Fox Hunting]. Taking the lead in defiance of Speed

1818

Thomas Sutherland, ca. 1785–1838, British

Set of seven [Fox Hunting]. The Refreshment

1818

Thomas Sutherland, ca. 1785–1838, British

Set of seven [Fox Hunting]. The Toast

1818

Thomas Sutherland, ca. 1785–1838, British

Set of seven [Fox Hunting]. The reward of a bold push

1818

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

March

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

July

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

June

1789

Henry Thomas Alken, 1785–1851, British

The Quorn Hunt: Drawing Cover

undated

Henry Thomas Alken, 1785–1851, British

The Quorn Hunt: The Pace Begins to Tell

undated

Henry Thomas Alken, 1785–1851, British

The Quorn Hunt: Full Cry

undated

Martin Hardie, 1875–1952, British

The Remains of San Salvatore

1918

Thomas Rowlandson, 1756–1827, British

A Volume containing 10 soft ground etchings after Gainsborough

1789

William Lee Hankey, 1869–1952, British

Mere et son fils

undated

David Hockney, born 1937, British

A Rake's Progress: Title Page: A Graphic Tale Comprising Sixteen Etchings 1961 to 1963

1963

David Hockney, born 1937, British

A Rake's Progress: Colophon B

1963

David Hockney, born 1937, British

A Rake's Progress: Colophon A

1963

Drawn by Samuel Thomas Gill, (Allan & Wigley Lithographers), 1818–1880, Australian

Set of three: Kangaroo Hunting. No 3. The Death

1858

unknown artist

Apollo and the Muses inflicting Penence on Dr. Pomposo, round Parnasus

unknown artist

The Irish Stubble, Alias Bubble Goose

unknown artist

Samuel Johnson

James Pollard, 1792–1867, British

Epsom Races

1818

James Pollard Racing: Emilius / was bred by J.R. Udny Esq. in 1820, got by Orville, his dam Emily by Stamford, grand dam by Whiskey, out of Grey Dorimont by Dorimont - Dizzy by Blank - Dizzy by Driver. In 1823, at Newmarket Craven Meeting...

James Pollard, 1792–1867, British

Racing: Emilius / was bred by J.R. Udny Esq. in 1820, got by Orville, his dam Emily by Stamford, grand dam by Whiskey, out of Grey Dorimont by Dorimont - Dizzy by Blank - Dizzy by Driver. In 1823, at Newmarket Craven Meeting..

1823

Print made by Sir Hubert von Herkomer, 1849–1914, British

Babes in the Wood

1880

Print made by unknown artist

The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery

1827

Print made by Philippe Soye, active 1565–1568, French

Marcellus II, Papa Politianensis Tuscus

1568

Print made by Philippe Soye, active 1565–1568, French

Paulus IV, Papa Neapolitanus

1568

Print made by Philippe Soye, active 1565–1568, French

Pius V, Papa Alexandrinus

1568

Print made by unknown artist, sixteenth century

Gregorius XIII, Pon. Op. Max

1568

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

George Cumberland, 1754–1848, British

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

1796

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