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Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1877

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Willow

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by William Hogarth, 1697–1764, British

Emerald Vessel

1723

George Romney, 1734–1802, British

Sketch of a Landscape with Figures

undated

William Blake, 1757–1827, British

The Pastorals of Virgil, London, 1821

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

1821, reprinted 1977

William Blake, 1757–1827, British

Each creature, Thenot, to his task is born

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

1821, reprinted 1977

William Blake, 1757–1827, British

Or blasting winds o'er blossom'd hedge-rows pass

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

1821, reprinted 1977

William Blake, 1757–1827, British

My sheep quite spent through travel and ill fare

1821, reprinted 1977

William Blake, 1757–1827, British

And now behold the sun's departing ray

1821, reprinted 1977

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

1821, reprinted 1977

John Godfrey

Herstmonceux Castle, Sussex Pl. 3

undated

George Cruikshank, 1792–1878, British

Pocket Sketchbook

undated

Thomas D. W. Dearn, 1777–1853

Two Small Cottages

1830

Thomas D. W. Dearn, 1777–1853

Woman Standing by a Trough

1829

Thomas D. W. Dearn, 1777–1853

Two Thatched Cottages

1833

John Godfrey

Herstmonceux Castle, Sussex Pl. 2

undated

John Godfrey

Herstmonceux Castle, Sussex Pl. 1

undated

John Godfrey

Herstmonceux Castle Pl. I

1779

Henry Moses, ca. 1782–1870, British

[One from] An Album containing 11 drawings from marine subjects

Thomas D. W. Dearn, 1777–1853

Cottage near Calvert

Thomas D. W. Dearn, 1777–1853

A Country House

1830

Thomas D. W. Dearn, 1777–1853

Riverside Cottage with Figures on a Stone Bridge

Thomas D. W. Dearn, 1777–1853

Ruins of a Cottage

J. J. Rurie, active 1843

In the Queen's Prison 1843 June

1843

J. J. Rurie, active 1843

Prison Buildings

unknown artist, nineteenth century

Albion House Hammersmith Academy

undated

J. J. Rurie, active 1843

Five Prisoners

unknown artist

South View of the Same - when the Spire was Standing

unknown artist

Vue de la Partie exterieure du Choeur, du Cote D'Accident Avant le feu de Tot

J. J. Rurie, active 1843

Two Figures

Thomas D. W. Dearn, 1777–1853

Thatched Cottage with an Old Man in the Yard

unknown artist

Lodge (North), Deepdene

unknown artist, nineteenth century

A Knight (St. George?) and a Dragon

undated

unknown artist, nineteenth century

Nude Boy

undated

J. J. Rurie, active 1843

Two Men in Brown Coats

J. J. Rurie, active 1843

Two Men in Top Hats

unknown artist, nineteenth century

Coal Harbour House

undated

J. J. Rurie, active 1843

Three Men

J. J. Rurie, active 1843

In the Queen's Prison July / 1843

1843

J. J. Rurie, active 1843

Prisoners Q.P. June 1843

1843

J. J. Rurie, active 1843

Prisoners in the Queen' s Prison June 1843

1843

J. J. Rurie, active 1843

Queen's Prison July 1843

1843

J. J. Rurie, active 1843

Queen's Prison July 1843

1843

Henry Moses, ca. 1782–1870, British

[One from] An Album containing 11 drawings from marine subjects