Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
2
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
3
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
4
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
5
after Joseph Mallord William Turner, 1775–1851, British
Tours - Looking Backward
1833
6
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
7
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
8
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
9
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
10
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
11
Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
12
Newton Limbird Smith Fielding, 1799–1856, British
Le Crotoy from the Mouth of the Somme
1825
13
Richard Parkes Bonington, 1802–1828, British
Abbeville - Vue Pris, de la route de Calais
14
Frederick Goulding, 1842–1909, British
Ruins of the Old Bridge, Vernon
1879
15
Richard Parkes Bonington, 1802–1828, British
Lillebonne - Château d'Harcourt
16
Print made by Louis Francais, 1814–1897, French
Bords de la Seine
between 1849 and 1862
17
Richard Parkes Bonington, 1802–1828, British
Bergues - La Tour du March,
18
Print made by Sigismond Himely, 1801–1872, French
Rouen, looking up the River
undated
19
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
20
Print made by Sigismond Himely, 1801–1872, French
Rouen, looking up the River
undated
21
Print made by Robert Brandard, 1805–1862, British
Quilleboeuf
1834
22
Print made by John Cousen, 1804–1880, British
Château Gaillard, from the South (Vignette)
1835
23
Print made by Robert Wallis, 1794–1878, British
Havre
1832
24
Print made by William Miller, 1796–1882, British
Nantes
1833
25
Print made by Robert Brandard, 1805–1862, British
Blois
1833
26
Print made by W. R. Smith, active 1819–1851
Amboise
1833
27
Print made by Thomas Jeavons, ca. 1800–1867, British
Canal of the Loire and Cher, near Tours
1833
28
Print made by James Baylis Allen, 1803–1876, British
Château of Amboise
1833
29
Print made by Robert Brandard, 1805–1862, British
Tours
1833
30
Print made by Robert Wallis, 1794–1878, British
Tours - looking backwards
1833
31
Print made by James Baylis Allen, 1803–1876, British
Havre
1834
32
Print made by Robert Wallis, 1794–1878, British
Havre, Tower of Francis I
1834
33
Print made by John Cousen, 1804–1880, British
Harfleur
1834
34
Print made by John Cousen, 1804–1880, British
Light Towers of the Heve
1834
35
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
36
Print made by James T. Willmore, 1800–1863, British
Lillebonne, Château
1834
37
Print made by Robert Brandard, 1805–1862, British
La Chaise de Gargantua near Duclair
1834
38
Print made by James Charles Armytage, 1802–1897, British
Jumièges
1834
39
Print made by William Miller, 1796–1882, British
Rouen, looking down the river
1834
40
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
41
Print made by James T. Willmore, 1800–1863, British
Vernon
1835
42
Print made by James T. Willmore, 1800–1863, British
Pont de l'Arche
1835
43
Print made by Robert Brandard, 1805–1862, British
View on the Seine between Mantes and Vernon
1835
44
Print made by James Baylis Allen, 1803–1876, British
St. Germains
1835
45
Print made by John Horsburgh, 1791–1869, British
Napoleon's Logement, Quai Conti
1834-1836
46
Print made by William Miller, 1796–1882, British
Pont-Neuf, Paris
1835
47
Print made by William Miller, 1796–1882, British
St. Cloud
1834
48
Print made by Robert Brandard, 1805–1862, British
Beaugency
1833
49
Print made by James T. Willmore, 1800–1863, British
Saumur
1833
50
Print made by Robert Brandard, 1805–1862, British
Rietz near Saumur
1833
51
Print made by James T. Willmore, 1800–1863, British
Montjen
1833
52
Print made by Robert Wallis, 1794–1878, British
Scene on the Loire
1833
53
Print made by William Miller, 1796–1882, British
Between Clairmont and Mauves
1833
54
Print made by Robert Brandard, 1805–1862, British
Château Hamelin
1833
55
Print made by Robert Wallis, 1794–1878, British
Coteaux de Mauves
1831
56
Print made by James T. Willmore, 1800–1863, British
Clairmont
1833
57
Print made by Robert Brandard, 1805–1862, British
Graville
1834
58
Print made by Thomas Jeavons, ca. 1800–1867, British
Lillebonne, Château and Tower
1834
59
Print made by Robert Brandard, 1805–1862, British
Château de Tancarville with Town of Quilleboeuf
1834
60
Print made by James T. Willmore, 1800–1863, British
Tancarville
1834
61
Thomas Girtin, 1775–1802, British
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
62
Sir David Young Cameron, 1865–1945, British
St. Laumer-Blois
1903
63
Sir David Young Cameron, 1865–1945, British
The North Porch, Harfleur
1904
64
Sir David Young Cameron, 1865–1945, British
The North Porch, Harfleur
1904
65
Sir David Young Cameron, 1865–1945, British
Beauvais
1910
66
Print made by Richard Parkes Bonington, 1802–1828, British
Rue du Gros-Horloge, Rouen
1824
67
Sir David Young Cameron, 1865–1945, British
Montivilliers
1903
68
Sir David Young Cameron, 1865–1945, British
The Chimera of Amiens
1910
69
Sir David Young Cameron, 1865–1945, British
Yvon
1911
70
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Notre Dame
1908
71
Thomas Girtin, 1775–1802, British
View of the Pantheon, Paris
1802
72
Thomas Girtin, (etching), 1775–1802, British
The Watermill Above the Bridge at Charenton
1803
73
Print made by Robert Brandard, 1805–1862, British
Château de la Mailleraie
1834
74
Print made by James T. Willmore, 1800–1863, British
The Lanterne of St. Cloud
1835
75
Print made by John Horsburgh, 1791–1869, British
Napoleon's Logement, Quai Conti
1834
76
Print made by William Miller, 1796–1882, British
Brienne
1834
77
Print made by William Miller, 1796–1882, British
Hotel de Ville, Paris
1834
78
Print made by James T. Willmore, 1800–1863, British
Nantes
1828-1837
79
Print made by Robert Wallis, 1794–1878, British
Saumur
1830
80
Print made by Robert Wallis, 1794–1878, British
Saumur
1830
81
Print made by James T. Willmore, 1800–1863, British
Nantes
1828-1837
82
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1828-1837
83
Print made by John Cousen, 1804–1880, British
Honfleur
1834
84
Print made by James T. Willmore, 1800–1863, British
Nantes
1828-1837
85
Print made by James T. Willmore, 1800–1863, British
Nantes
1828-1832
86
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1828-1837
87
Print made by William Miller, 1796–1882, British
Palace of La Belle Gabrielle
1828-1837
88
Print made by William Miller, 1796–1882, British
Palace of La Belle Gabrielle
1828-1837
89
Print made by James Baylis Allen, 1803–1876, British
Château of Amboise
1833
90
Print made by Charles Meryon, 1821–1868, French
La Morgue Paris
1854
91
Print made by Robert Brandard, 1805–1862, British
Château Hamelin
1833
92
Print made by Robert Wallis, 1794–1878, British
Scene on the Loire
1833
93
Print made by James Charles Armytage, 1802–1897, British
Confluence of the Seine and Marne
1835
94
Print made by William Miller, 1796–1882, British
Pont-Neuf, Paris
1835
95
Print made by William Miller, 1796–1882, British
Melun
1835
96
Print made by James Charles Armytage, 1802–1897, British
Confluence of the Seine and Marne
1835
97
Print made by James Charles Armytage, 1802–1897, British
Troyes
1834
98
Print made by William Miller, 1796–1882, British
Melun
1835
99
Print made by James Charles Armytage, 1802–1897, British