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John Michael Rysbrack Modelling His Terra-Cotta Statue of Hercules
Creator:
Andrea Soldi, 1703–1771, Italian, active in Britain (from ca. 1736)
Date:
1753
Medium:
Oil on canvas
Dimensions:
45 3/16 x 35 3/4 inches (114.8 x 90.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scene in a park, with figures from the Commedia dell'Arte
Creator:
Marcellus Laroon the Younger, 1679–1772, British
Date:
ca. 1735
Medium:
Oil on canvas
Dimensions:
36 1/4 x 34 1/2 inches (92.1 x 87.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hercules
Creator:
John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720)
Date:
between 1745 and 1752
Medium:
Terracotta
Dimensions:
Overall: 22 1/2 x 21 1/2 x 9 inches (57.2 x 54.6 x 22.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sacrifice to Hercules
Creator:
Gaspar van der Hagen, active 1747–died 1769, Flemish, active in Britain (from ca. 1744)
Date:
ca. 1766
Medium:
Marble relief
Dimensions:
Overall: 24 x 28 15/16 inches (61 x 73.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund and a Gift from the Parnassus Foundation, Courtesy of Jane and Raphael Bernstein
Hercules Resting
Creator:
Ramsay Richard Reinagle, 1775–1862, British
Date:
undated
Medium:
Black chalk with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 1/2in. (22.2 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Hercules for 'Crowning the Victors at Olympia'
Creator:
James Barry, 1741–1806, Irish
Date:
between 1777 and 1780
Medium:
Pen and black ink with brown wash over black chalk on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 15 3/16 × 8 3/8 inches (38.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Centaur Nessus Carrying off Deianira
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1847
Medium:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 1/2 x 12 3/16 inches (44.4 x 30.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Alcides

Alcides
Creator:
Rev. William Warren Porter, 1776–1804, British
Date:
undated
Medium:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 7 5/8 inches (24.1 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W
The Infant Hercules
Creator:
Print made by William James Ward, ca. 1800–1840, British
Date:
1819
Medium:
Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:
Sheet: 26 × 18 3/4 inches (66 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hercules before the Temple of Janus
Creator:
Print made by Abraham Blooteling, 1640–1690, Dutch
Date:
between 1680 and 1690
Medium:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/16 × 10 11/16 inches (36 × 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hercules before the Temple of Janus
Creator:
Print made by Abraham Blooteling, 1640–1690, Dutch
Date:
between 1680 and 1690
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 × 10 11/16 inches (34.8 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Creator:
Print made by Simon Gribelin, 1662–1733, French, active in Britain
Date:
1720
Medium:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection