Jerusalem, Plate 67, "By those who drink their blood...."
1804 to 1820
102
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
1804 to 1820
103
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
104
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
105
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
106
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
107
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
108
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
109
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
110
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
111
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
112
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
113
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
114
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 98, "Then each an Arrow flaming...."
1804 to 1820
115
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
116
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
117
Luigi Balugani, 1737–1770, Italian
Study of a Bird
undated
118
Print made by John Boydell, 1720–1804, British
Noon
1753
119
Print made by J. Carwitham, active 1720–1740
A New Drawing Book of Variety of Landskips
ca. 1730
120
Print made by Louis Francais, 1814–1897, French
Bords de la Seine
between 1849 and 1862
121
Print made by James Clark, 19th century
Cowdray Ruins
1824
122
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
123
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
124
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
125
Paul Sandby, 1731–1809, British
Bothwell Castle, from the South
ca. 1777
126
Samuel Jackson, 1794–1869, British
The Avon near Bristol
undated
127
Thomas Hearne, 1744–1817, British
The Cheesecake House, Hyde Park
ca. 1795
128
John Bewick, 1760–1795, British
A Magpie
undated
129
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Section of the drawing room
ca. 1790
130
William Simpson, 1823–1899, British
The Ganges
1863
131
Cornelius Varley, 1781–1873, British
Hartwell, Buckinghamshire
1833
132
Print made by Stanley Anderson, 1884–1966, British
Somerset House, London
1910
133
Print made by Robert Sargent Austin, 1895–1973, British
Church Tower at Stretton, Leicestershire
1915
134
Print made by Robert Sargent Austin, 1895–1973, British
Romance
1922
135
Print made by Robert Sargent Austin, 1895–1973, British
The Bell, No.1 at Wareham, Dorest
1927
136
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943, British
The Pilot
1925
137
Sir David Young Cameron, 1865–1945, British
A Venetian Fountain [North Italian Set: No. 7]
1894
138
Print made by Robert Sargent Austin, 1895–1973, British
Springtime at Fulham
1921
139
Print made by Robert Sargent Austin, 1895–1973, British
Plane Tree Cottage
1926
140
Print made by Thomas Shotter Boys, 1803–1874, British
Buckingham Palace from St. James's Park
1842
141
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943, British
At the Tiller
1929
142
George Vicat Cole, 1833–1893, British
The Mill Pond, Evelyn Woods
1860
143
Print made by Robert Sargent Austin, 1895–1973, British
Early Spring, Gloucestershire
1922
144
John Frederick Lewis, 1804–1876, British
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
145
unknown artist
View of the Bridge over Uduanulla, near Rahamahal, Bihar
undated
146
Thomas Hearne, 1744–1817, British
The Back of a Farm House
undated
147
John Varley, 1778–1842, British
Bamburgh Castle, Northumberland
undated
148
Thomas Shotter Boys, 1803–1874, British
A Storm on the Coast
between 1840 and 1850
149
William Turner of Oxford, 1789–1862, British
View from the Dean's Garden, Christ Church, Oxford
undated
150
James Northcote, 1746–1831, British
Study for a Tiger and Monkeys
undated
151
George Morland, 1763–1804, British
Landscape with Cottage and Figures on Horseback
1793
152
John Varley, 1778–1842, British
Boat Building
1806
153
Richard Bentley, 1708–1782, British
A Prospect of Vapourland
1759
154
Cornelius Varley, 1781–1873, British
Farm Buildings with Stack Makers
ca. 1810
155
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
undated
156
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
157
James de Carle Sowerby, 1787–1871, British
Three Toucans
undated
158
James Sowerby, 1756–1822, British
European Green Woodpecker
undated
159
unknown artist
Five Birds
undated
160
unknown artist
Two Small Birds
undated
161
James Sowerby, 1756–1822, British
Two Tree Creepers
undated
162
James Sowerby, 1756–1822, British
Two Birds on a Branch
undated
163
Edward Burne-Jones, 1833–1898, British
The Land of Beulah
1881
164
George Sidney Shepherd, 1784–1862, British
The Times and Evening Mail Office
1811
165
after George Baxter, 1804–1867, British
The Miraculous Draught of Fishes
after 1855
166
after George Baxter, 1804–1867, British
The Miraculous Draught of Fishes
after 1855
167
John Aldridge, 1905–1983, British
Shell Guide to Norfolk
undated
168
Print made by Clare Leighton, 1898–1989, American, born in Britain
Gull and Wave
ca. 1954
169
unknown artist
Distant View of Whitbarrow Scar, Westmoreland
after 1814
170
Gaynor Chapman, 1935–2000, British
Country Walks: The Naturalist
1963
171
unknown artist
Loch-na-Gael, near Knock on Mull
after 1814
172
unknown artist
Lighthouse on Flambro' head, Yorkshire
after 1814
173
unknown artist
Dungeness Light-House
after 1814
174
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
175
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
176
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers
ca. 1770
177
Harry Stevens, 1919–2008, British
London Parks: In those Vernal Seasons of the Year
1961
178
Thomas Shotter Boys, 1803–1874, British
The Pont Neuf
undated
179
unknown artist
Cottage at Sutton Coldfield
undated
180
James Pattison Cockburn, 1779–1847, British
Cavalry Exercising
undated
181
Unknown artist (Company style), nineteenth century, Indian
Khansamah
undated
182
Augustus Edwin John, 1878–1961, British
Sketch of the Deposition
undated
183
Thomas Gainsborough, 1727–1788, British
Travellers on Horseback Approaching a Village with a Spire
between 1765 and 1770
184
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Country Cart and Figures Walking down a Lane
ca. 1760
185
Prince Hoare, 1755–1834, British
Prometheus
undated
186
imitator of Thomas Gainsborough, 1727–1788, British
Landscape with Cows
undated
187
Peter DeWint, 1784–1849, British
On the Thames
undated
188
François Louis Thomas Francia, 1772–1839, French, active in Britain
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
189
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
190
Francis Barlow, 1622–1704, British
Hare Hunting
undated
191
James Pollard, 1792–1867, British
Snipe Shooting
undated
192
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Before the Magistrates
undated
193
Print made by George Cruikshank, 1792–1878, British
Sagittarius - The Archer (Not "Venus' Son Divine.")
undated
194
Print made by John Copley, 1875–1950, British
Tennis Players
1918
195
unknown artist
A View of the Orangerie in Lord Burlington's Garden at Chiswick
196
Print made by Matthew Dubourg, active 1786–1838, British
Grouse Shooting
1822
197
Print made by Matthew Dubourg, active 1786–1838, British
Partridge Shooting
1822
198
Print made by Matthew Dubourg, active 1786–1838, British
Pheasant Shooting
1822
199
Print made by Alfred Henry Forrester, 1804–1872, British
Why... Because..
undated
200
Print made by David Allan, 1744–1796, British, born in Scotland