Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
The Blacksmith's Shop
1771
2
Thomas Stothard, 1755–1834, British
An Unfinished Study of Venus and Adonis
between 1800 and 1820
Not on view
3
Sir James Thornhill, 1675–1734, British
Jacob's Dream
1705
Not on view
4
William Hilton, 1786–1839, British
Cupid Armed
ca. 1833
Not on view
5
George Richmond, 1809–1896, British
The Agony in the Garden
1858
Not on view
6
Henry Howard, 1769–1847, British
Venus and Cupid
1809
Not on view
7
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
The Angel Binding Satan
ca. 1797
Not on view
8
unknown artist, eighteenth century
The Choir, Canterbury Cathedral
between 1712 and 1715
Not on view
9
John Martin, 1789–1854, British
The Last Judgement (study)
between 1851 and 1853
Not on view
10
Joseph Highmore, 1692–1780, British
The Angel of Mercy
ca. 1746
Not on view
11
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
12
Unknown artist, fifteenth century (Nottinghamshire)
The Assumption and Coronation of the Virgin
1450 to 1500
Not on view
13
George Romney, 1734–1802, British
Fall of the Rebel Angels
undated
14
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
15
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
16
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
17
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
18
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
19
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
20
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
21
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
22
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
23
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
24
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
25
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
26
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
27
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
28
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
29
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
30
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
31
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
32
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
33
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
34
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
36
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
37
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
38
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
39
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
40
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
41
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
42
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
43
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
44
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
45
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
46
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
47
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
48
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
49
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
50
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
51
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
52
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
53
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
54
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
55
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
56
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
57
Isaac Taylor, 1730–1807, British
Unidentified Periodical/Play Illustration
undated
58
Simon Gribelin, 1662–1733, French, active in Britain
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
59
Edward Francis Burney, 1760–1848, British
Allegory of Napoleonic Battles
undated
60
Sir James Thornhill, 1675–1734, British
Design for a Ceiling
undated
61
George Henry Harlow, 1787–1819, British
Queen Katherine's Dream
1807
62
George Richardson, ca.1738–ca.1813, British
Design for a Ceiling
undated
63
Attributed to John Martin, 1789–1854, British
The Release of Saint Peter from Prison
undated
64
Sir James Thornhill, 1675–1734, British
A Design for a Ceiling
undated
65
Thomas Carwitham, active 1723, British
Design for a Ceiling Decoration
1723
66
Edward Francis Burney, 1760–1848, British
Allegory of Steam
undated
67
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
68
Sir James Thornhill, 1675–1734, British
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
69
Sir James Thornhill, 1675–1734, British
The Birth of Venus
undated
70
unknown artist, nineteenth century
The Destruction of Sodom and Gomorrah
undated
71
Augustus Welby Northmore Pugin, 1812–1852, British
Sketches of the Butler-Bowden cope
undated
72
Augustus Welby Northmore Pugin, 1812–1852, British
Elevation of a Baptismal Font
undated
73
Bernard Lens III, 1682–1740, British
Victorious Hero Takes Occasion to Conclude Peace
1720
74
Giovanni Battista Cipriani, 1727–1785, Italian, active in Britain (1755-85)
Selling of Cupids
undated
75
Stella Marsden, active 1955, British
Engraved Brasses
1955
76
Isaac Fuller, 1606/20–1672, British
The Nymph Galatea
undated
77
Attributed to Mauritius Lowe, 1746–1793, British
Classical Figures in Battle
undated
78
John Flaxman, 1755–1826, British
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
79
John Flaxman, 1755–1826, British
To Phoebus at His Birth, From Aeschylus, Furies
undated
80
John Flaxman, 1755–1826, British
The Creation of the Heavens
ca. 1790
81
John Flaxman, 1755–1826, British
Get Thee Behind Me, Satan
between 1783 and 1787
82
Print made by Sir Muirhead Bone, 1876–1953, British
The Garden Front
1901
83
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
84
James Gillray, 1756–1815, British
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
85
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
For the Benefit of Mr. Borghi
1789
86
Thomas Carwitham, active 1723, British
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
87
Richard Cosway, 1742–1821, British
Cupid Overpowering a Satyr
undated
88
Richard Cosway, 1742–1821, British
Flight into Egypt
undated
89
Print made by Johann Philip Koch, ca. 1716–1796, German
Le Ete - Der Sommer
undated
90
Print made by John Smith, 1652–1743, British
Plaudit Ave Regina
undated
91
Edward Francis Burney, 1760–1848, British
Female Figures and Putti Playing Musical Instruments
undated
92
Edward Francis Burney, 1760–1848, British
Heavenly Orchestra
undated
93
Edward Francis Burney, 1760–1848, British
Apollo and Phaeton
undated
94
Print made by Charles Howard Hodges, 1764–1837, British
Guardian Angels
1786
95
Print made by William Say, 1768–1834, British
The Ecstasy of St. Francis
1809
96
Print made by William Say, 1768–1834, British
Hagar and Ishmael
1812
97
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808, published 1813
98
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808, published 1813
99
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)