attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study of Waves
undated
2
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Shepherd and his Flock under the Moon and Stars
ca. 1827
3
George Romney, 1734–1802, British
Glade in a Forest
undated
4
George Romney, 1734–1802, British
River God
undated
5
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
6
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
7
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
8
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
9
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
10
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
11
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
12
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
13
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
14
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
15
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
16
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
17
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
18
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
19
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
20
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
21
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
22
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
23
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
24
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
25
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
26
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
27
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
28
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
29
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
30
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
31
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
32
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
33
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
34
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
36
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
37
Ceri Richards, 1903–1971, British
Piano Recital
1943
38
James Bruce, 1730–1794, British
Plate XV Back of Temple at Sheitla [sic]
undated
39
James Bruce, 1730–1794, British
XVLL Arch at Makther
undated
40
Andrew Fyfe, 1752–1824, British
Eragrostis Tef
1775
41
Sir Charles Barry, 1795–1860, British
Perspective View: the New Houses of Parliament
ca. 1840-1849
42
Samuel Austin, 1796–1834, British
Church of Notre Dame, Bruges
undated
43
Thomas Barker, 1769–1847, British
Woodland Landscape
undated
44
William Green, 1760–1823, British
Landscape with River and a Bridge
undated
45
William Green, 1760–1823, British
The Devil's Bridge, Kirkby Lonsdale
undated
46
William Green, 1760–1823, British
Landscape with Vale and Mountains
undated
47
William Alexander, 1767–1816, British
Wigmore Castle, Herefordshire
undated
48
George Moutard Woodward, ca. 1760–1809, British
The Royal Rush Light
1798
49
Samuel Prout, 1783–1852, British
The Monnow Bridge, Monmouthshire
before 1814
50
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
51
Arthur Bradley, active 1740, British
Record Drawing of the 1639 Altarpiece in Exeter Cathedral
undated
52
James Wyatt, 1746–1813, British
Goodwood, West Sussex: Ceiling Design
undated
53
Sir John Soane, 1753–1837, British
Design for Hyde Park and St. James' Park Entrance
ca. 1826
54
George Richardson, ca.1738–ca.1813, British
Design for a Ceiling
undated
55
George Vicat Cole, 1833–1893, British
The Mill Pond, Evelyn Woods
1860
56
William Green, 1760–1823, British
Landscape, Castle and Cattle
undated
57
Julius Caesar Ibbetson, 1759–1817, British
Robbing the Mail
ca. 1790
58
James Bruce, 1730–1794, British
Arch and Corinthian Temple of Assuras mod. Zanfour
undated
59
James Bruce, 1730–1794, British
Constantine
undated
60
William Green, 1760–1823, British
Landscape, Castle by a River
undated
61
Richard Henry Nibbs, 1816–1893, British
Hay and Log Barges on the Conway
undated
62
John Buckler FSA, 1770–1851, British
The Spanish Pointer
ca. 1799
63
Luigi Balugani, 1737–1770, Italian
African Wildcat or Serval
undated
64
James Bruce, 1730–1794, British
Arch of Trajan Makther
undated
65
Luigi Balugani, 1737–1770, Italian
Thamnolaea semirufa (White-winged Cliff-chat)
undated
66
Luigi Balugani, 1737–1770, Italian
Ploceus ocularis (Spectacled Weaver)
undated
67
Luigi Balugani, 1737–1770, Italian
Common Fiscal
undated
68
Luigi Balugani, 1737–1770, Italian
Unidentified Sunbird
undated
69
Luigi Balugani, 1737–1770, Italian
Euplectes afer (Yellow-Crowned Bishop)
undated
70
Frederic Leighton, 1830–1896, British
The Reconciliation of the Montagues and the Capulets
1854
71
Unknown artist (Company style), nineteenth century, Indian
Widow with the Burning Corpse of her Husband Becoming a Sati, Patna
between 1820 and 1830
72
Attributed to John Ruskin, 1819–1900, British
Study after the Story of Apollo and Daphne
undated
73
Unknown artist (Company style), nineteenth century, Indian
A Muslim Wedding Procession by Night, Patna
between 1820 and 1830
74
Edward Duncan, 1803–1882, British
Study of Fishermen and Gear
undated
75
Thomas Daniell, 1749–1840, British, active in India
Brimham Crags
ca. 1780
76
unknown artist, eighteenth century
A Georgian Mansion, front and side elevations
ca. 1790
77
Lionel Grimston Fawkes, 1849–1931, British
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
1881
78
Lionel Edwards, 1878–1966, British
The Lodge Gate
1922
79
Joseph Crawhall, 1861–1913, British
Tangier
1887
80
Sydenham Teast Edwards, 1768–1819, British
Hound Standing: profile, facing left
1795
81
Attributed to John Leech, 1817–1864, British
The Hunting Doctor
undated
82
Sir William Chambers, 1723–1796, British
Headfort House, Ireland: Elevations of the North and South Fronts
1765
83
Sir William Chambers, 1723–1796, British
Headfort House, Ireland: Sections of the House and Offices
1765
84
Samuel Davis, 1760–1819, British
Two Men with Telescope Looking Across A River
1777
85
Samuel Davis, 1760–1819, British
Ceapen Pichan Bridge, Moelwyn Mawr
undated
86
Alexander Cozens, 1717–1786, British
Fantastic Landscape
1780 to 1785
87
Samuel Davis, 1760–1819, British
River Scene and Bridge with Artist Sketching in Foreground
1777
88
Samuel Scott, 1701/2–1772, British
A Wood Yard on the Thames at Nine Elms
undated
89
Samuel Scott, 1701/2–1772, British
A View of the Estate at Esholt Hall, Yorkshire
undated
90
Studio of Sir Jeffry Wyatville, 1766–1840, British
Elevation of an Unidentified Church
undated
91
Luigi Balugani, 1737–1770, Italian
Caracal caracal (desert lynx)
undated
92
Luigi Balugani, 1737–1770, Italian
Unidentified Chameleon
undated
93
Luigi Balugani, 1737–1770, Italian
Columba guinea (Speckled Pigeon, African Rock Pigeon)
undated
94
Luigi Balugani, 1737–1770, Italian
Oena capensis (Namaqua Dove)
undated
95
Luigi Balugani, 1737–1770, Italian
Lissotis hartlaubii (Hartlaub's Bustard)
undated
96
Luigi Balugani, 1737–1770, Italian
Album of 34 Drawings of Animals and Birds from The Bruce Archive