Etched by Joseph Mallord William Turner, 1775–1851, British
The Drawing of the Clyde
1809
10
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
11
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
12
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
13
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
14
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
15
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
16
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
17
Print made by David Lucas, 1802–1881, British
Hadleigh Castle, Large Plate
1830 to 1832
18
Print made by Sir Frank Short, 1857–1945, British
Crowhurst, Sussex
1902
19
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
20
John Grant, Died 1873
Rocket Practice in the Marshes
1845
21
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
22
Print made by Thomas Frye, 1710–1762, Irish
Portrait of a Man Wearing Turban
1760
23
Print made by George Cooke, 1781–1834, British
Brighton
1825
24
Print made by William Bernard Cooke, 1778–1855, British
Views in Sussex, Publisher's Printed Wrapper
1819
25
Print made by William Bernard Cooke, 1778–1855, British
Bodiham Castle, Sussex
1817
26
Print made by James C. Allen, active 1821–1831, British
The Ivy Bridge, Devonshire
1816
27
Print made by James C. Allen, active 1821–1831, British
Ivy Bridge, Devonshire
1816
28
Print made by Edward Goodall, 1795–1870, British
Old London Bridge and Vicinity
1827
29
Print made by James C. Allen, active 1821–1831, British
Orfordness
ca. 1830
30
Print made by John Cousen, 1804–1880, British
The Acropolis of Athens
1832-1834
31
Gerard Edelinck, 1640–1707, Flemish
Édouard Colbert, Marquis de Villacerf
1696
32
Sir David Young Cameron, 1865–1945, British
Venice from the Lido [North Italian Set: No. 17]
1896
33
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Tom Jones Assisting Molly Seagrim
1782
34
Sir David Young Cameron, 1865–1945, British
Dinant [Belgian Set: No. 9]
1907
35
Print made by William Byrne, 1743–1805, British
Distant View of Chester
1810
36
Print made by John Scott, 1774–1828, British
Crypt in Kirkstall Abbey, Yorkshire
1814
37
Print made by William Bernard Cooke, 1778–1855, British
Falmouth, Cornwall
1816
38
Print made by William Bernard Cooke, 1778–1855, British
Dartmouth, Devon
1814 to 1826
39
Print made by George Cooke, 1781–1834, British
Pendennis Castle and Entrance of Falmouth Harbour
1814-1826
40
Print made by George Cooke, 1781–1834, British
Florence from the Chiesa al Monte
1820
41
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
42
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
43
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
44
Print made by W. E. Albutt, active 1836–1863, British
High Street, Oxford (small replica)
1828
45
Print made by John Byrne, 1786–1847, British
Rome from Monte Testaccio
1818-1820
46
Print made by David Lucas, 1802–1881, British
Mill Near Colchester
1845
47
Print made by David Lucas, 1802–1881, British
Flatford Mill
1844
48
Print made by David Lucas, 1802–1881, British
Noon
1830
49
Print made by David Lucas, 1802–1881, British
Summer Morning
1831
50
Print made by David Lucas, 1802–1881, British
Hampstead Heath, Harrow in the Distance
1845
51
Print made by James C. Allen, active 1821–1831, British
Ehrenbreitstein
1824
52
Print made by James C. Allen, active 1821–1831, British
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
53
Print made by John Raphael Smith, 1752–1812, British
A Lady at Haymaking
1780
54
Print made by Adam Ludwig Wirsing, 1733–1797, German
Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768
1768
55
Thomas Gaugain, 1748–1812, French
Turnips and Carrots
1797
56
Print made by Samuel Halle, 1824–1889, French or German
Carl August Struensee von Carlsbach
undated
57
John Raphael Smith, 1752–1812, British
A Maid - Une Pucelle
1791
58
John Raphael Smith, 1752–1812, British
A Widow - Une Veuve
1791
59
Print made by Jacobus Houbraken, 1698–1780, Dutch
Joseph Addison
1748
60
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
61
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Black Lion Wharf
1859
62
Print made by George Cruikshank, 1792–1878, British
Mr. B seeking the Bubble reputation - Plate 5
1820
63
Print made by George Cruikshank, 1792–1878, British
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
64
Print made by George Cruikshank, 1792–1878, British
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
65
Print made by Thomas Frye, 1710–1762, Irish
Portrait of a Man Wearing a Turban, Leaning on Book
1760
66
Print made by Ernest Stephen Lumsden, 1883–1948, British
Jaipur, Morning
1913
67
Print made by Sir Frank William Brangwyn, 1867–1956, British
A Bend in the River
1926
68
Print made by James McBey, 1883–1959, British
A Flood in the Fens
1922
69
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
70
John Dixon, ca. 1740–1811, Irish
David Garrick, Esq
1779
71
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
72
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
73
Print made by George Hawkins, active 1795–1810, British
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
74
Print made by Paul Fourdrinier, 1698–1758, French
A Sea Engagement between the English and Algerines
ca. 1743
75
Print made by Matthew Dubourg, active 1786–1838, British
Snipe Shooting
1822
76
Print made by Matthew Dubourg, active 1786–1838, British
Pheasant Shooting
1822
77
Print made by Remi Parr, active 1723–1750, British
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
78
Print made by Gainsborough Dupont, 1754–1797, British
Elizabeth Ann (Linley) Sheridan
between 1787 and 1797
79
Print made by Samuel William Reynolds, 1773–1835, British
James Northcote
1802
80
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
81
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I
1800
82
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
83
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
84
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
85
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
86
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
87
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
88
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
89
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
90
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
91
Print made by Remi Parr, active 1723–1750, British
The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
undated
92
Print made by Paul Fourdrinier, 1698–1758, French
Sweet William's Farewell to Black Eyed Susan
undated
93
Thomas Malton the Younger, 1748–1804, British
Banqueting House, Whitehall
undated
94
Print made by George Cruikshank, 1792–1878, British
Finding things not exactly what he expected - Plate 2
1820
95
Print made by George Cruikshank, 1792–1878, British
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
96
Print made by George Cruikshank, 1792–1878, British
Frontispiece: The Progress of a Midshipman
1820
97
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
98
Print made by unknown artist
Key to Life School at the Royal Academy
1794
99
Print made by Thomas Rowlandson, 1756–1827, British