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Creator Gillray, James, 1756–1815

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James Gillray Ah, Grant A Me Von Letel Bite
James Gillray, 1756–1815, British
Ah, Grant A Me Von Letel Bite
1780
James Gillray The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
James Gillray, 1756–1815, British
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
James Gillray Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
James Gillray, 1756–1815, British
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
James Gillray A Block for the Wigs - or, The New State Whirligig
James Gillray, 1756–1815, British
A Block for the Wigs - or, The New State Whirligig
1783
James Gillray Jack A Both Sides!
James Gillray, 1756–1815, British
Jack A Both Sides!
1783
James Gillray A Coalition of Parties, Give Justice Her Claims
Print made by James Gillray, 1756–1815, British
A Coalition of Parties, Give Justice Her Claims
1783
James Gillray Scene Le Vrog House
Print made by James Gillray, 1756–1815, British
Scene Le Vrog House
1782
James Gillray The Minister In - The Minister Out
Print made by James Gillray, 1756–1815, British
The Minister In - The Minister Out
1782
James Gillray Evacuation Before Resignation
Print made by James Gillray, 1756–1815, British
Evacuation Before Resignation
1782
James Gillray Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
Print made by James Gillray, 1756–1815, British
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
James Gillray Two New Sliders for the State Magic Lanthern
James Gillray, 1756–1815, British
Two New Sliders for the State Magic Lanthern
1783
James Gillray Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
James Gillray, 1756–1815, British
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
James Gillray Paille d'Avoine - Paille d'Avoine
James Gillray, 1756–1815, British
Paille d'Avoine - Paille d'Avoine
1786
James Gillray The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
Print made by James Gillray, 1756–1815, British
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
James Gillray Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
James Gillray, 1756–1815, British
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
James Gillray Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc.
James Gillray, 1756–1815, British
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
James Gillray The R't Hon'ble Catch Singers
James Gillray, 1756–1815, British
The R't Hon'ble Catch Singers
1783
James Gillray The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
Print made by James Gillray, 1756–1815, British
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
James Gillray The Prince at Grass --- The Prince in Clover
James Gillray, 1756–1815, British
The Prince at Grass --- The Prince in Clover
1787
James Gillray The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
James Gillray, 1756–1815, British
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
James Gillray The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
James Gillray, 1756–1815, British
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
James Gillray The Dutch Divisions
Print made by James Gillray, 1756–1815, British
The Dutch Divisions
1787
James Gillray The Sick Prince
Print made by James Gillray, 1756–1815, British
The Sick Prince
1787
James Gillray The (Prince's) Nursery or Nine Months After
James Gillray, 1756–1815, British
The (Prince's) Nursery or Nine Months After
1786
James Gillray The Funeral Procession of Miss Regency
James Gillray, 1756–1815, British
The Funeral Procession of Miss Regency
1789
James Gillray Mason, The Duke's Confectioner Disposing of the Trinkets
Print made by James Gillray, 1756–1815, British
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
James Gillray Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
Print made by James Gillray, 1756–1815, British
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
James Gillray John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
Print made by James Gillray, 1756–1815, British
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
James Gillray The High German Method of Destroying Vermin at Rat-Stadt
James Gillray, 1756–1815, British
The High German Method of Destroying Vermin at Rat-Stadt
1799
James Gillray Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
James Gillray, 1756–1815, British
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
James Gillray The Leadenhall Volunteer, Drest in his Shawl
James Gillray, 1756–1815, British
The Leadenhall Volunteer, Drest in his Shawl
1797
James Gillray The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
James Gillray, 1756–1815, British
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
James Gillray The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
James Gillray, 1756–1815, British
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
James Gillray The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
James Gillray, 1756–1815, British
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
James Gillray The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
James Gillray, 1756–1815, British
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
James Gillray Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
James Gillray, 1756–1815, British
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
James Gillray Field Marshall Count Suwarrow-Rominskoy ---
James Gillray, 1756–1815, British
Field Marshall Count Suwarrow-Rominskoy ---
1799
James Gillray Buonaparte Leaving Egypt
James Gillray, 1756–1815, British
Buonaparte Leaving Egypt
1800
James Gillray Homer Singing His Verses to the Greeks
James Gillray, 1756–1815, British
Homer Singing His Verses to the Greeks
1797
James Gillray A Man of Importance
James Gillray, 1756–1815, British
A Man of Importance
1799
James Gillray Extirpation of the Plagues of Egypt
James Gillray, 1756–1815, British
Extirpation of the Plagues of Egypt
1798
James Gillray Independence
James Gillray, 1756–1815, British
Independence
1799
James Gillray And The' - Tisick, - The Colic, Punch Cures The Gout
James Gillray, 1756–1815, British
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
James Gillray John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
James Gillray, 1756–1815, British
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
James Gillray The - Battle Royal, or Who Wears the Breeches
James Gillray, 1756–1815, British
The - Battle Royal, or Who Wears the Breeches
1784
James Gillray The Royal Academy
James Gillray, 1756–1815, British
The Royal Academy
1786
James Gillray Gloria Mundi, or The Devil Addressing the Sun
James Gillray, 1756–1815, British
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
James Gillray Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
James Gillray, 1756–1815, British
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
James Gillray Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
James Gillray, 1756–1815, British
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
James Gillray Gloria Mundi, or - The Devil Addressing the Sun
James Gillray, 1756–1815, British
Gloria Mundi, or - The Devil Addressing the Sun
1782
James Gillray The Soliloquy
James Gillray, 1756–1815, British
The Soliloquy
1782
James Gillray The Legacy
James Gillray, 1756–1815, British
The Legacy
1786
James Gillray The Loves of the Fox and the Badger, - or The Coalition Wedding
James Gillray, 1756–1815, British
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
James Gillray The Loves of the Fox and the Badger, - or The Coalition Wedding
James Gillray, 1756–1815, British
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
James Gillray Swearing to the Cutting Monster or - A Scene in Bow Street
James Gillray, 1756–1815, British
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
James Gillray The Doctor Indulged with his Favorite Scene ---
James Gillray, 1756–1815, British
The Doctor Indulged with his Favorite Scene ---
ca. 1790
James Gillray The Tottering Pyramid
James Gillray, 1756–1815, British
The Tottering Pyramid
1784
James Gillray The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
James Gillray, 1756–1815, British
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
James Gillray The Fall of Dagon - or Rare News for Leaden-Hall Street
James Gillray, 1756–1815, British
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
James Gillray The English Regency
James Gillray, 1756–1815, British
The English Regency
1789
James Gillray The Battle of Bow-Street
James Gillray, 1756–1815, British
The Battle of Bow-Street
1788
James Gillray The Butchers of Freedom
Print made by James Gillray, 1756–1815, British
The Butchers of Freedom
1788
James Gillray A Modern Cherub, - Vide Peters
James Gillray, 1756–1815, British
A Modern Cherub, - Vide Peters
1791
James Gillray Fatal Effect of the French Defeat - Hanging (and) Drowning
James Gillray, 1756–1815, British
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
James Gillray Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
James Gillray, 1756–1815, British
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
James Gillray The Apotheosis of Hoche
James Gillray, 1756–1815, British
The Apotheosis of Hoche
1798
James Gillray Destruction of the French Collossus
James Gillray, 1756–1815, British
Destruction of the French Collossus
1798
James Gillray The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
James Gillray, 1756–1815, British
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
James Gillray Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
James Gillray, 1756–1815, British
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
James Gillray The Republican - Attack
James Gillray, 1756–1815, British
The Republican - Attack
1795
Gillray, James, 1756-1815, printmaker. A new edition considerably enlarged, of Attitudes faithfully copied from nature :
Gillray, James, 1756-1815
A new edition considerably enlarged, of Attitudes faithfully copied from nature
[1807]