Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
602
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
603
Studio of Sir John Soane, 1753–1837, British
Section of the Court of Common Pleas and the Robery Room
1823
604
unknown artist, nineteenth century
Plan of the Old Parliament Houses, Westminster
1820
605
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
606
unknown artist
Westminster Hall
ca. 1850
607
Print made by John Thomas Smith, 1766–1833, British
Ceiling of the Star Chamber
1805
608
unknown artist, nineteenth century
Westminster Hall
ca. 1820
609
Print made by Day & Co., 1824–1913, British
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
610
Print made by B. Winkles, active 1830–1840, British
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
611
Print made by Day & Co., 1824–1913, British
Chimney piece, Star Chamber, Westminster
ca. 1845
612
Print made by B. Winkles, active 1830–1840, British
Longitudinal Section of Westminster Hall
ca. 1821
613
unknown artist, nineteenth century
St. Stephen's Chapel, Speaker's House, &c. from the River
ca. 1835
614
Print made by John Thomas Smith, 1766–1833, British
Cotton Garden, Westminster
1804
615
unknown artist, nineteenth century
Mr. Lee's House After the Fire, House of Lords
ca. 1835
616
Print made by William Francis Starling, active first half 19th century, British
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
1843
617
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
618
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
619
Attributed to John Carter, 1748–1817, British
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
620
Print made by James Basire the younger, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
621
Print made by James Basire, 1730–1802, British
Plate IX: St Stephen's Chapel
1795
622
Print made by John Thomas Smith, 1766–1833, British
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
623
John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
624
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
625
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
626
Print made by John Le Keux, 1783–1846, British
Compartment on One Side, St Stephen's Chapel
1825
627
Print made by James Basire, 1730–1802, British
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
628
Attributed to John Carter, 1748–1817, British
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
629
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
630
Attributed to John Carter, 1748–1817, British
Impost moldings, St Stephen's Chapel
between 1790 and 1802
631
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
632
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
633
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
634
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
635
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
636
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
637
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
638
Print made by Robert William Billings, 1813–1874, British
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
639
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
640
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
641
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
642
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
643
Print made by John Thomas Smith, 1766–1833, British
Oak Door Discovered in the Speaker's State Dining Room
1806
644
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
645
unknown artist, nineteenth century
Grave of the Supposed William Lyndewode
1852
646
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
647
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
648
Print made by James Fittler, 1758–1835, British
The King on his Throne in the House of Lords
1804
649
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
650
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
651
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
652
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
653
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
654
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
655
George Birch, 1842–1904, British
View of Guy Fawkes' Tower
1827
656
George Birch, 1842–1904, British
Sections of Room under Painted Chamber
1827
657
George Harley, 1791–1871, British
Ruins of Westminster Palace
1834
658
Print made by John Thomas Smith, 1766–1833, British
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
659
Print made by Henry Melville, active 1826–1841, British
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
660
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
661
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
662
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
663
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
664
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
665
Attributed to John Carter, 1748–1817, British
Window Detail, Princes Chamber
between 1800 and 1807
666
Attributed to John Carter, 1748–1817, British
Door near Painted Chamber
between 1800 and 1807
667
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
668
Frederick Mackenzie, 1788–1854, British
Old Palace Yard
1809
669
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
670
Charles James Richardson, 1806–1871, British
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
671
Charles James Richardson, 1806–1871, British
Ceiling of Front Parlor House in Old Palace Yard
1871
672
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
673
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
674
Print made by T. Kearnan, active 1821–1850, British
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
675
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
676
Print made by William Henry Toms, ca. 1700–ca. 1750, British
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
677
Print made by unknown artist
Houses of Parliament
undated
678
unknown artist
Henry VII Chapel, Westminster Abbey
undated
679
Print made by George Hawkins, active 1795–1810, British
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
680
Print made by Augustus Charles Pugin, 1762–1832, French
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
681
Print made by Charles J. Hullmandel, 1789–1850, British
Henry the Seventh's Chapel, North Side
undated
682
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
683
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The "Adam and Eve," Old Chelsea
1879
684
John Maurer, active 1713–1761
A Perspective View of Covent Garden
685
unknown artist
The Lord Mayor's Mansion House, shewing the Front of the House & the West Side
686
Thomas Bowles, ca. 1712–died 1753, British
The South West Prospect of London, from Somerset Gardens to the Tower
687
Thomas Bowles, ca. 1712–died 1753, British
An Inside View of the Church of St. Stephen Walbrooke London
688
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
689
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
690
Thomas Rowlandson, 1756–1827, British
The Canterbury-Dover Coach Passing Vanbrugh Castle
between 1795 and 1800
691
William Beilby, 1740–1819, British
Syon House, London
undated
692
Thomas Bowles, ca. 1712–died 1753, British
The Choir of St. Paul's Cathedral
693
Nathaniel Parr, active 1742–1751, British
A Prospect of St. James's Park
694
John Maurer, active 1713–1761
A Perspective View of Whitehall
695
unknown artist
The Royal Palace of St. James's next the Park
696
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
697
unknown artist
The Inside of St. Paul's Cathedral from the West End to the Choir
698
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
699
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
700
unknown artist
View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation