Claude de Jongh, ca. 1600–1663, Dutch, active in Britain (1615, 1625, 1627, 1628)
The Thames at Westminster Stairs
1631
Not on view
3
Daniel Turner, active 1782–1805, British
A View of Westminster Bridge
early 19th century
Not on view
4
Sir Charles Barry, 1795–1860, British
Perspective View: the New Houses of Parliament
ca. 1840-1849
5
Print made by Thomas Shotter Boys, 1803–1874, British
Westminster Abbey, Hospital &c
1842
6
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
undated
7
Augustus Welby Northmore Pugin, 1812–1852, British
Design for Inkstand for Westminster No. 1, End Elevation
undated
8
Augustus Welby Northmore Pugin, 1812–1852, British
Design for Branch for the Speaker's Chair
undated
9
Thomas Hosmer Shepherd, 1792–1864, British
The Houses of Parliament
undated
10
Print made by James T. Willmore, 1800–1863, British
Destruction of Both Houses of Parliament
1835
11
Print made by James T. Willmore, 1800–1863, British
Destruction of Both Houses of Parliament
1835
12
unknown artist, eighteenth century
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
13
Print made by Charles J. Hullmandel, 1789–1850, British
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
14
unknown artist, eighteenth century
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
15
unknown artist, nineteenth century
View of the Coronation Procession of George IV
ca. 1821
16
Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
17
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
18
Studio of Sir John Soane, 1753–1837, British
Section of the Court of Common Pleas and the Robery Room
1823
19
unknown artist, nineteenth century
Plan of the Old Parliament Houses, Westminster
1820
20
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
21
Print made by John Thomas Smith, 1766–1833, British
Ceiling of the Star Chamber
1805
22
unknown artist, nineteenth century
Westminster Hall
ca. 1820
23
Print made by Day & Co., 1824–1913, British
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
24
Print made by B. Winkles, active 1830–1840, British
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
25
Print made by Day & Co., 1824–1913, British
Chimney piece, Star Chamber, Westminster
ca. 1845
26
Print made by B. Winkles, active 1830–1840, British
Longitudinal Section of Westminster Hall
ca. 1821
27
unknown artist, nineteenth century
St. Stephen's Chapel, Speaker's House, &c. from the River
ca. 1835
28
Print made by John Thomas Smith, 1766–1833, British
Cotton Garden, Westminster
1804
29
unknown artist, nineteenth century
Mr. Lee's House After the Fire, House of Lords
ca. 1835
30
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
31
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
32
Attributed to John Carter, 1748–1817, British
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
33
Print made by James Basire the younger, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
34
Print made by James Basire, 1730–1802, British
Plate IX: St Stephen's Chapel
1795
35
Print made by John Thomas Smith, 1766–1833, British
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
36
John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
37
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
38
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
39
Print made by John Le Keux, 1783–1846, British
Compartment on One Side, St Stephen's Chapel
1825
40
Print made by James Basire, 1730–1802, British
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
41
Attributed to John Carter, 1748–1817, British
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
42
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
43
Attributed to John Carter, 1748–1817, British
Impost moldings, St Stephen's Chapel
between 1790 and 1802
44
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
45
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
46
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
47
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
48
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
49
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
50
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
51
Print made by Robert William Billings, 1813–1874, British
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
52
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
53
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
54
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
55
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
56
Print made by John Thomas Smith, 1766–1833, British
Oak Door Discovered in the Speaker's State Dining Room
1806
57
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
58
unknown artist, nineteenth century
Grave of the Supposed William Lyndewode
1852
59
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
60
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
61
Print made by James Fittler, 1758–1835, British
The King on his Throne in the House of Lords
1804
62
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
63
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
64
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
65
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
66
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
67
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
68
George Birch, 1842–1904, British
View of Guy Fawkes' Tower
1827
69
George Birch, 1842–1904, British
Sections of Room under Painted Chamber
1827
70
George Harley, 1791–1871, British
Ruins of Westminster Palace
1834
71
Print made by John Thomas Smith, 1766–1833, British
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
72
Print made by Henry Melville, active 1826–1841, British
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
73
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
74
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
75
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
76
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
77
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
78
Attributed to John Carter, 1748–1817, British
Window Detail, Princes Chamber
between 1800 and 1807
79
Attributed to John Carter, 1748–1817, British
Door near Painted Chamber
between 1800 and 1807
80
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
81
Frederick Mackenzie, 1788–1854, British
Old Palace Yard
1809
82
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
83
Charles James Richardson, 1806–1871, British
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
84
Charles James Richardson, 1806–1871, British
Ceiling of Front Parlor House in Old Palace Yard
1871
85
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
86
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
87
Print made by T. Kearnan, active 1821–1850, British
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
88
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
89
Print made by William Henry Toms, ca. 1700–ca. 1750, British
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
90
Print made by unknown artist
Houses of Parliament
undated
91
Print made by George Hawkins, active 1795–1810, British
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
92
Print made by Augustus Charles Pugin, 1762–1832, French
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
93
Print made by Charles J. Hullmandel, 1789–1850, British
Henry the Seventh's Chapel, North Side
undated
94
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
95
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
96
Print made by Day & Co., 1824–1913, British
North side of the Star Chamber, Westminster
ca. 1845
97
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
98
Print made by John Thomas Smith, 1766–1833, British
Four Illustrations of Westminster
1804
99
Print made by John Woods, active 1836–1860
Interior of the Star Chamber, Westminster
1848
100
Print made by Andrew Picken, 1815–1845, British
St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834