Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
undated
3
Augustus Welby Northmore Pugin, 1812–1852, British
Design for Inkstand for Westminster No. 1, End Elevation
undated
4
Augustus Welby Northmore Pugin, 1812–1852, British
Design for Branch for the Speaker's Chair
undated
5
Thomas Hosmer Shepherd, 1792–1864, British
The Houses of Parliament
undated
6
unknown artist, eighteenth century
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
7
Studio of Sir John Soane, 1753–1837, British
Section of the Court of Common Pleas and the Robery Room
1823
8
unknown artist, nineteenth century
Plan of the Old Parliament Houses, Westminster
1820
9
unknown artist, nineteenth century
Mr. Lee's House After the Fire, House of Lords
ca. 1835
10
Attributed to John Carter, 1748–1817, British
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
11
John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
12
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
13
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
14
Attributed to John Carter, 1748–1817, British
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
15
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
16
Attributed to John Carter, 1748–1817, British
Impost moldings, St Stephen's Chapel
between 1790 and 1802
17
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
18
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
19
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
20
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
21
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
22
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
23
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
24
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
25
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
26
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
27
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
28
unknown artist, nineteenth century
Grave of the Supposed William Lyndewode
1852
29
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
30
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
31
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
32
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
33
George Birch, 1842–1904, British
View of Guy Fawkes' Tower
1827
34
George Birch, 1842–1904, British
Sections of Room under Painted Chamber
1827
35
George Harley, 1791–1871, British
Ruins of Westminster Palace
1834
36
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
37
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
38
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
39
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
40
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
41
Attributed to John Carter, 1748–1817, British
Window Detail, Princes Chamber
between 1800 and 1807
42
Attributed to John Carter, 1748–1817, British
Door near Painted Chamber
between 1800 and 1807
43
Frederick Mackenzie, 1788–1854, British
Old Palace Yard
1809
44
Charles James Richardson, 1806–1871, British
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
45
Charles James Richardson, 1806–1871, British
Ceiling of Front Parlor House in Old Palace Yard
1871
46
unknown artist
Henry VII Chapel, Westminster Abbey
undated
47
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
48
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
49
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
50
John Carter, 1748–1817, British
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
51
Attributed to John Carter, 1748–1817, British
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
52
Attributed to John Carter, 1748–1817, British
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
53
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
54
Attributed to John Carter, 1748–1817, British
New East Front, St Stephen's Chapel
ca. 1801
55
Attributed to John Carter, 1748–1817, British
Capitals, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817, British
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
57
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
58
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
59
George Johann Scharf, 1788–1860, British
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
60
Attributed to William Capon, 1757–1827, British
Entrance to the House of Lords
1796
61
Attributed to John Carter, 1748–1817, British
Plan of the Basement Story under the House of Lords
between 1800 and 1807
62
Attributed to John Carter, 1748–1817, British
Parts in Stone Underhouse of Lords
between 1800 and 1807
63
Attributed to John Carter, 1748–1817, British
View in Basement Story under House of Lords
between 1800 and 1807
64
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
65
Attributed to John Carter, 1748–1817, British
Elevation of the Basement Story, House of Lords
between 1800 and 1807
66
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
67
unknown artist
Survey view of a lobby, Palace of Westminster
undated
68
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
69
unknown artist, nineteenth century
New Rooms at Westminster for the Bishops
undated
70
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Upper Floor of Lord Committee Rooms
1835
71
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Ground Floor, House of Lords
1835
72
Attributed to John Carter, 1748–1817, British
Palace at Westminster
between 1800 and 1807
73
Attributed to John Carter, 1748–1817, British
Plan of Painted Chamber
between 1793 and 1799
74
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
75
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
76
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
77
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
78
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
79
George Birch, 1842–1904, British
Plan and View of Room under the Painted Chamber
1827
80
Charles James Richardson, 1806–1871, British
Sections of Room under Painted Chamber
1827
81
Attributed to William Capon, 1757–1827, British
Elevation of Buildings Fronting Westminster Hall
1822
82
Charles James Richardson, 1806–1871, British
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
83
Charles James Richardson, 1806–1871, British
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
84
Charles James Richardson, 1806–1871, British
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
85
Attributed to John Carter, 1748–1817, British
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
86
Attributed to John Carter, 1748–1817, British
Continuation of the Preceeding Ornaments
1793
87
William Capon, 1757–1827, British
Henry VII Chapel
ca. 1793
88
John Phillipps Emslie, 1839–1913, British
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
89
John Carter, 1748–1817, British
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
90
Attributed to John Carter, 1748–1817, British
Door-way in Wall of South Precints of Westminster Abbey
undated
91
Attributed to John Carter, 1748–1817, British
Continuation of Details
between 1806 and 1815
92
Attributed to John Carter, 1748–1817, British
Window, Dean's Yard
between 1806 and 1815
93
Attributed to John Carter, 1748–1817, British
Continuation of Detail
between 1806 and 1815
94
Attributed to John Carter, 1748–1817, British
Continuation of Detail
between 1806 and 1815
95
Attributed to John Carter, 1748–1817, British
Detail, Dean's Yard
between 1806 and 1815
96
Attributed to John Carter, 1748–1817, British
Figure study, Henry VII Chapel
ca. 1793
97
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel