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The Gunpowder Magazine, Hyde Park
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1793
Medium:
Watercolor, pen and gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The 48th Regiment with Casemate, Gibraltar
Creator:
George Lothian Hall, 1825–1888, British
Date:
1844
Medium:
Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Review on Epson Downs
Creator:
John Nixon, ca. 1760–1818, British
Date:
undated
Medium:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Château de Blois
Creator:
attributed to Thomas Shotter Boys, 1803–1874, British
Date:
undated
Medium:
Watercolor with pen in brown ink over graphite with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 x 25 5/16 inches (45.7 x 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Queen Elizabeth Gate
Creator:
Paul Sandby, 1731–1809, British
Date:
1767
Medium:
Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pass in the Mountains Between Nisa and Villa Velha
Creator:
William Bradford, active 1809
Date:
1809
Medium:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Paris Diligence
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black, gray and red-brown ink over graphite; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 x 14 1/8 inches (23.3 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newport High Street, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1797 and 1800
Medium:
Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor and gouache on medium, moderately textured brown laid paper mounted to thick, card
Dimensions:
Sheet: 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount Edgecombe, from the Citadel, Plymouth
Creator:
unknown artist
Date:
after 1814
Medium:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Limbourg, Belgium
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1791 and 1792
Medium:
Watercolor with pen and brown ink and pen and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Soldiers in St. James Park
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodmin Cornwall: The Arrival of the Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1795
Medium:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Dock
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1817
Medium:
Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:
Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Review on Blackheath, May 1785
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1785
Medium:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Military Encampment in Hyde Park
Creator:
James Malton, 1761–1803, British
Date:
1785
Medium:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/4 × 11 7/16 inches (21 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Creator:
Charles Claude Pyne, 1802–1878
Date:
1872
Medium:
Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1794
Medium:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Manning the Navy
Creator:
Samuel Collings, active 1784–1795, British
Date:
undated
Medium:
Pen and black ink with gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Hussars

Hussars
Creator:
James Pattison Cockburn, 1779–1847, British
Date:
ca. 1832
Medium:
Brown ink, brown wash, and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Review in a Market Place
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1790
Medium:
Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Encampment in St. James Park
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1780
Medium:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower of London
Creator:
Thomas Hearne, 1744–1817, British
Date:
1801
Medium:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 14 3/4 inches (22.5 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection