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Associated Places English Channel

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Calais Jetty, France
Creator:
Richard Parkes Bonington, 1802–1828, British
Date:
ca. 1824
Medium:
Oil on panel
Dimensions:
11 3/4 x 13 7/8 inches (29.8 x 35.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Channel Coast
Creator:
Ruskin Spear, 1911–1990, British
Date:
ca. 1975
Medium:
Oil on masonite board
Dimensions:
20 x 24 inches (50.8 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

3. Dover

Dover
Creator:
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Date:
between 1746 and 1747
Medium:
Oil on canvas
Dimensions:
17 x 21 1/2 inches (43.2 x 54.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brighton
Creator:
William Henry Stothard Scott, 1783–1850, British
Date:
1817
Medium:
Oil on canvas
Dimensions:
21 5/16 x 28 3/16 inches (54.1 x 71.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brighton Town and Church
Creator:
unknown artist
Date:
ca. 1780
Medium:
Watercolor with black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 18 13/16 inches (30 × 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fishing Boats at Hastings
Creator:
Print made by James Dobie, 1849–1911, British
Date:
1882
Medium:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 16 11/16 inches (31.4 x 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Landing a Catch of Mackerel, Hastings
Creator:
Joshua Cristall, 1768–1847, British
Date:
undated
Medium:
Watercolor, gouache, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection