Associated Places: City of Westminster / Image Available: Available

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by Robert William Billings, 1813–1874, British

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817, British

Impost and Base of Columns, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by John Thomas Smith, 1766–1833, British

Oak Door Discovered in the Speaker's State Dining Room

1806

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

unknown artist, nineteenth century

Grave of the Supposed William Lyndewode

1852

unknown artist

View of the Office of Ordnance with the Entrance of the House of Lords

undated

Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British

Part of the Construction in the Old House of Lords

1823

Print made by James Fittler, 1758–1835, British

The King on his Throne in the House of Lords

1804

Attributed to John Carter, 1748–1817, British

North Side, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817, British

East End, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817, British

Door on South Side of Painted Chamber

between 1793 and 1799

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

George Birch, 1842–1904, British

View of Guy Fawkes' Tower

1827

George Birch, 1842–1904, British

Sections of Room under Painted Chamber

1827

George Harley, 1791–1871, British

Ruins of Westminster Palace

1834

Print made by John Thomas Smith, 1766–1833, British

Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

1804

Print made by Henry Melville, active 1826–1841, British

House of Lords, Her Majesty Opening the Session of Parliament

ca. 1837

Attributed to John Carter, 1748–1817, British

Plan of Princes Chamber, One Pair

between 1800 and 1807

Attributed to John Carter, 1748–1817, British

East Front of Princes Chamber

between 1800 and 1807

Attributed to John Carter, 1748–1817, British

Princes Chamber, East Side with the Old House of Lords

between 1800 and 1807

Attributed to John Carter, 1748–1817, British

Princes Chamber

between 1800 and 1807

Attributed to John Carter, 1748–1817, British

South Side of Princes Chamber West

between 1800 and 1807

Attributed to John Carter, 1748–1817, British

Window Detail, Princes Chamber

between 1800 and 1807

Attributed to John Carter, 1748–1817, British

Door near Painted Chamber

between 1800 and 1807

Print made by John Woods, active 1836–1860

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

1825

Frederick Mackenzie, 1788–1854, British

Old Palace Yard

1809

Print made by unknown artist

Exterior & Interior Views of the Painted Chamber & Old House of Lords

1823

Charles James Richardson, 1806–1871, British

Drawing Room Ceiling, No. 3 Old Palace Yard

1871

Charles James Richardson, 1806–1871, British

Ceiling of Front Parlor House in Old Palace Yard

1871

Print made by unknown artist

Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

undated

Print made by unknown artist

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

1834

Print made by T. Kearnan, active 1821–1850, British

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

ca. 1835

Print made by John Collins, active ca. 1682

The North Prospect of Westminster Abbey

between 1680 and 1710

Print made by William Henry Toms, ca. 1700–ca. 1750, British

The South-East Prospect of King Henry The VII's Chapel at Westminster

1739

Print made by unknown artist

Houses of Parliament

undated

unknown artist

Henry VII Chapel, Westminster Abbey

undated

Print made by George Hawkins, active 1795–1810, British

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by Augustus Charles Pugin, 1762–1832, French

Henry VII Chapel at Westminster Showing Two Renovated Pinacles

undated

Print made by Charles J. Hullmandel, 1789–1850, British

Henry the Seventh's Chapel, North Side

undated

Attributed to John Carter, 1748–1817, British

Buildings on East Side of Dean's Yard

between 1806 and 1815

Louis Philippe Boitard, active 1734–1760

The Earthquake Scare in Piccadilly

1750

John Maurer, active 1713–1761

A Perspective View of Whitehall

unknown artist

The Royal Palace of St. James's next the Park

unknown artist

The Inside View of King Henry VII Chappel, in Westminster Abby

unknown artist

A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner

unknown artist

The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir

John Warwick Smith, 1749–1831, British

A View of St. James's Park, taken near the Stable Yard

Michael "Angelo" Rooker, 1746–1801, British

The Admiralty Building from Whitehall

1782

John Maurer, active 1713–1761

A Perspective of ye Royal Palace of Somerset next ye River

1742

John Boydell, 1720–1804, British

St. Clement Danes

1751

Thomas Bowles, ca. 1712–died 1753, British

The Inside of St. Martin's Church in the Fields

unknown artist

A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace

unknown artist

A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church

Thomas Bowles, ca. 1712–died 1753, British

A South View of Westminster Abby & St. Margarets Church

Richard Earlom, 1743–1822, British

The Exhibition of the Royal Academy of Painting 1771

1772

George Shepheard, ca. 1770–1842, British

The Banqueting House, Whitehall, from the River

ca. 1810

Julius Caesar Ibbetson, 1759–1817, British

Skating in Hyde Park

ca. 1785

George Moutard Woodward, ca. 1760–1809, British

'A Whistler!'

undated

Print made by Day & Co., 1824–1913, British

North side of the Star Chamber, Westminster

ca. 1845

unknown artist, eighteenth century

A view of the inside of Westminster Hall

ca. 1700

John Carter, 1748–1817, British

East View of Modern Buildings in Continuation from St Stephen's Chapel

between 1790 and 1802

Print made by John Thomas Smith, 1766–1833, British

Four Illustrations of Westminster

1804

Print made by John Woods, active 1836–1860

Interior of the Star Chamber, Westminster

1848

Print made by Andrew Picken, 1815–1845, British

St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834

ca. 1835

unknown artist, nineteenth century

Section of the House of Commons as it is at Present

ca. 1800

Print made by John Thomas Smith, 1766–1833, British

Eight Illustrations of Westminster

1806

unknown artist, nineteenth century

House of Commons Restored Giving Additional Sitting Room for 100 Members

ca. 1800

Print made by John Carter, 1748–1817, British

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

between 1790 and 1802

Print made by George Gladwin, active 1820s–1830s

Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834

1835

Print made by James Basire the younger, 1769–1822, British

South West view of St. Stephen's Chapel Westminster, Restored 1800

1801

Print made by James Sands, active 1813–1846

The Lower Lobby, House of Commons

1815

Print made by Robert William Billings, 1813–1874, British

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

Print made by unknown artist, (W.F. Starling)

Part of the Front of the Vestibule

1843

unknown artist, eighteenth century

Entrance Doorway in the Tower, St Stephen's Chapel

undated

John Carter, 1748–1817, British

South View in the Entrance of Porch at West End of St. Stephen's Chapel West

between 1790 and 1802

John Carter Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

between 1790 and 1802