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Associated Places Belgium

Subject Terms labor

1. The Horse of Ostend

The Horse of Ostend

Creator:: Print made by Robert Sargent Austin, 1895–1973, British
Date:: 1921
Medium:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 8 3/8 x 10 3/4 inches (21.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. Ghent: Street with Figures, Leading Up to the Cathedral

Ghent: Street with Figures, Leading Up to the Cathedral

Creator:: William Frome Smallwood, 1806–1834, British
Date:: 1832
Medium:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 9 5/8 inches (32.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Meuse and Sambre, from the Gate of the Sambre

Meuse and Sambre, from the Gate of the Sambre

Creator:: Print made by George Arnald, 1763–1841, British
Date:: 1822
Medium:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841, British
Date:: between 1818 and 1828
Medium:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841, British
Date:: between 1818 and 1828
Medium:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund