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401. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

402. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

403. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

410. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1842
Medium:
Watercolor over etched outline, with gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 3/8 inches (12.2 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1818
Medium:
Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. "Doing the Thing: and the Thing Done:" Doing the Down Leap

"Doing the Thing: and the Thing Done:" Doing the Down Leap
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1818
Medium:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

416. "Doing the Thing: and the Thing Done:" Doing it No How

"Doing the Thing: and the Thing Done:" Doing it No How
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1818
Medium:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1818
Medium:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. "Doing the Thing: and the Thing Done:" Doing it Somehow

"Doing the Thing: and the Thing Done:" Doing it Somehow
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1818
Medium:
Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. "Doing the Thing: and the Thing Done:" The Down Leap Done

"Doing the Thing: and the Thing Done:" The Down Leap Done
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1818
Medium:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1818
Medium:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1848 and 1851
Medium:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. "Some Do and Some Don't: It is All a Notion:" Getting a Dive

"Some Do and Some Don't: It is All a Notion:" Getting a Dive
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1848 and 1851
Medium:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. "Some Do and Some Don't: It is All a Notion:" Getting into a Bog

"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1848 and 1851
Medium:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1848 and 1851
Medium:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1809 and 1823
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1822 and 1827
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. Two Pointers, Facing Right with a Sportsman

Two Pointers, Facing Right with a Sportsman
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Graphite and watercolor on thick, smooth, cream wove paper
Dimensions:
Sheet: 9 3/16 × 11 inches (23.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1822 and 1827
Medium:
Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. Point-to-Point Racing

Point-to-Point Racing
Creator:
Hablot Knight Browne, 1815–1882, British
Date:
undated
Medium:
Watercolor, charcoal, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/16 × 9 15/16 inches (13.8 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'

An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
Creator:
Henry William Bunbury, 1750–1811, British
Date:
undated
Medium:
Pen and brown ink, and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 6 5/8 inches (20.5 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

431. "The King and Noblemen Before the Stag is Turn'd Out"

"The King and Noblemen Before the Stag is Turn'd Out"
Creator:
Robert Dighton, 1752–1814, British
Date:
undated
Medium:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 13 1/2 inches (10.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. Pheasant Shooting

Pheasant Shooting
Creator:
Edward Duncan, 1803–1882, British
Date:
1825
Medium:
Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

433. Wild Duck Shooting

Wild Duck Shooting
Creator:
Edward Duncan, 1803–1882, British
Date:
1825
Medium:
Watercolor, pen and brown ink, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

434. Two Riders Conversing

Two Riders Conversing
Creator:
Sawrey Gilpin, 1733–1807, British
Date:
undated
Medium:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 9/16 inches (15.2 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

435. Seven Studies of Jockeys' Caps

Seven Studies of Jockeys' Caps
Creator:
Sawrey Gilpin, 1733–1807, British
Date:
undated
Medium:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 8 9/16 × 10 1/16 inches (21.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. Rubbing Down a Horse in a Paddock at a Racetrack

Rubbing Down a Horse in a Paddock at a Racetrack
Creator:
Sawrey Gilpin, 1733–1807, British
Date:
undated
Medium:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 11/16 × 9 11/16 inches (19.5 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

437. Hunting Sketch: Gone to Earth

Hunting Sketch: Gone to Earth
Creator:
Sawrey Gilpin, 1733–1807, British
Date:
undated
Medium:
Graphite on thin, moderately textured, laid paper
Dimensions:
Sheet: 8 5/8 × 13 5/8 inches (21.9 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

438. A Young Man with a Horse, with Studies of Hounds and Dead Hare

A Young Man with a Horse, with Studies of Hounds and Dead Hare
Creator:
John Hoppner, 1758–1810, British
Date:
ca. 1785
Medium:
Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. Woodcock Shooting

Woodcock Shooting
Creator:
William Heath, 1795–1840, British
Date:
undated
Medium:
Watercolor, pen and brown ink, gum arabic, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 × 7 3/16 inches (24.6 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

440. Coursing: Setting Out

Coursing: Setting Out
Creator:
Samuel Howitt, 1756–1822, British
Date:
1794
Medium:
Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

441. Coursing: The Kill

Coursing: The Kill
Creator:
Samuel Howitt, 1756–1822, British
Date:
1794
Medium:
Watercolor, with pen, in black ink and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

442. Going out of Kennel

Going out of Kennel
Creator:
Samuel Howitt, 1756–1822, British
Date:
undated
Medium:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

443. Going to Cover

Going to Cover
Creator:
Samuel Howitt, 1756–1822, British
Date:
undated
Medium:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

444. Full Cry

Full Cry
Creator:
Samuel Howitt, 1756–1822, British
Date:
undated
Medium:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

445. The Check

The Check
Creator:
Samuel Howitt, 1756–1822, British
Date:
undated
Medium:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

446. The Death

The Death
Creator:
Samuel Howitt, 1756–1822, British
Date:
undated
Medium:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 7/16 × 11 3/4 inches (24 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

447. Woodcock Shooting

Woodcock Shooting
Creator:
Samuel Howitt, 1756–1822, British
Date:
undated
Medium:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 inches (14.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

448. The Sporting Undergraduate

The Sporting Undergraduate
Creator:
Henry William Bunbury, 1750–1811, British
Date:
1772
Medium:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 3 1/8 inches (9.5 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

449. Sportsman and Two Dogs

Sportsman and Two Dogs
Creator:
Sir Edwin Henry Landseer, 1802–1873, British
Date:
undated
Medium:
Pen in brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 3/4 inches (11.1 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

450. Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
Creator:
James Pollard, 1792–1867, British
Date:
undated
Medium:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 14 1/16 inches (14.9 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

451. 'How to Twist Your Neck'

'How to Twist Your Neck'
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. An English Postilion

An English Postilion
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1785
Medium:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

453. The Annual Sculling Race for Doggett's Coat and Badge

The Annual Sculling Race for Doggett's Coat and Badge
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1805 and 1810
Medium:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

454. Breakfast before the Hunt

Breakfast before the Hunt
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1785 and 1790
Medium:
Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. Man Leading a Trotting Stallion to Right

Man Leading a Trotting Stallion to Right
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Graphite and black chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/16 × 9/16 inches (18.3 × 1.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. Riders and Hounds in an Open Landscape

Riders and Hounds in an Open Landscape
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 13/16 × 16 5/8 inches (27.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. A Boar Hunt

A Boar Hunt
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

458. Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left

Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:
Contemporary drawn border: 6 5/8 × 7 1/8 inches (16.8 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. Studies of a Jockey Whipping-On

Studies of a Jockey Whipping-On
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 6 1/2 inches (23.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. A Hunting Accident

A Hunting Accident
Creator:
Sir Edwin Henry Landseer, 1802–1873, British
Date:
1836
Medium:
Brown and red ink with brown wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 1/4 x 9 inches (18.4 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

461. Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar

Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 11/16 × 19 13/16 inches (24.6 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. Victorious, with Jockey Up

Victorious, with Jockey Up
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 × 7 1/2 inches (13.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. Racing: a Match in Progress

Racing: a Match in Progress
Creator:
Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708)
Date:
undated
Medium:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. Hare Hunting

Hare Hunting
Creator:
Francis Barlow, 1622–1704, British
Date:
undated
Medium:
Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

465. Galloping Rider With Whip Under His Arm

Galloping Rider With Whip Under His Arm
Creator:
Julius Caesar Ibbetson, 1759–1817, British
Date:
undated
Medium:
Gray wash, black wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 9 5/8 inches (21.6 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. Partridge Shooting

Partridge Shooting
Creator:
James Pollard, 1792–1867, British
Date:
undated
Medium:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 15 7/8 inches (14.9 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. Over the Gate: Lady Huntsman Taking a Fence

Over the Gate: Lady Huntsman Taking a Fence
Creator:
Gilbert Joseph Holiday, 1879 –1937, British
Date:
undated
Medium:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 6 3/4 inches (10.8 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

468. Snipe Shooting

Snipe Shooting
Creator:
James Pollard, 1792–1867, British
Date:
undated
Medium:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 14 5/16 inches (15.2 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

469. Three Racehorses Approaching the Winning Post

Three Racehorses Approaching the Winning Post
Creator:
William Lock II, 1767–1847, British
Date:
undated
Medium:
Pen and brown ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 16 inches (26 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

470. Grouse Shooting

Grouse Shooting
Creator:
James Pollard, 1792–1867, British
Date:
undated
Medium:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 16 5/8 inches (16 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. 'Join the Hickers Old Boy - You're Well Rid of the Brute'

'Join the Hickers Old Boy - You're Well Rid of the Brute'
Creator:
Gilbert Joseph Holiday, 1879 –1937, British
Date:
undated
Medium:
Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 13/16 × 5 3/4 inches (9.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. Skating in the Park

Skating in the Park
Creator:
John James Chalon, 1778–1854, French, active in Britain
Date:
undated
Medium:
Sepia wash and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 3/16 × 17 1/4 inches (33.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

473. "The Poacher's Progress:" Poachers Before the Magistrates

"The Poacher's Progress:" Poachers Before the Magistrates
Creator:
C. Blake, active 1825–1826
Date:
undated
Medium:
Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

474. Foxhunting: Breaking Cover

Foxhunting: Breaking Cover
Creator:
Samuel Howitt, 1756–1822, British
Date:
undated
Medium:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 15/16 inches (31.8 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

475. Myles Sandys' Hounds and Huntsmen Starting a Hare

Myles Sandys' Hounds and Huntsmen Starting a Hare
Creator:
Thomas Sunderland, 1744–1828, British
Date:
undated
Medium:
Pen and brown ink, blue ink, blue wash, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/16 × 17 13/16 inches (30.6 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

476. The Exeter College Eight on the Isis, Oxford

The Exeter College Eight on the Isis, Oxford
Creator:
William Turner of Oxford, 1789–1862, British
Date:
1824
Medium:
Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

477. Snipe Shooting

Snipe Shooting
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Graphite and watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

478. The St. Leger, Doncaster: The Finish

The St. Leger, Doncaster: The Finish
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

479. Full Cry

Full Cry
Creator:
Cecil Charles Windsor Aldin, 1870–1935, British
Date:
undated
Medium:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Image: 9 11/16 × 14 3/16 inches (24.6 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

480. `Hold Back, Sir!'

`Hold Back, Sir!'
Creator:
Cecil Charles Windsor Aldin, 1870–1935, British
Date:
1904
Medium:
Pen and black ink, graphite, black chalk, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 15/16 inches (25.1 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

481. `Ar Never Gets Off' - Hunting Scene

`Ar Never Gets Off' - Hunting Scene
Creator:
Cecil Charles Windsor Aldin, 1870–1935, British
Date:
undated
Medium:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Image: 11 5/8 × 18 15/16 inches (29.5 × 48.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. Going at a Rank of Hurdles with Temper and Resolution

Going at a Rank of Hurdles with Temper and Resolution
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1827
Medium:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

483. "Topping a Park fence and doing the thing easy"

"Topping a Park fence and doing the thing easy"
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1827
Medium:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

484. Grouse Shooting: The Right Sort

Grouse Shooting: The Right Sort
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor, pen and red ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 13/16 inches (21.6 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

485. Foxhunting: The Death

Foxhunting: The Death
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
ca. 1830
Medium:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 9/16 × 26 15/16 inches (24.3 × 68.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

486. Foxhunting: The Meet

Foxhunting: The Meet
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1822
Medium:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 7/16 × 26 7/8 inches (24 × 68.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

487. Grouse Shooting: The Wrong Sort

Grouse Shooting: The Wrong Sort
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

488. Taking a Fence Side-Saddle

Taking a Fence Side-Saddle
Creator:
George Denholm Armour, 1864–1949, British
Date:
undated
Medium:
Watercolor, graphite, gouahce and pen with black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 9/16 × 10 3/4 inches (37 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

489. Some Have Greatness Thrust Upon Them

Some Have Greatness Thrust Upon Them
Creator:
George Denholm Armour, 1864–1949, British
Date:
undated
Medium:
Watercolor, graphite, and gouache, with pen and brown ink on linen
Dimensions:
Sheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

490. Newmarket - Pulling Up

Newmarket - Pulling Up
Creator:
Lionel Edwards, 1878–1966, British
Date:
1933
Medium:
Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

491. The Kill

The Kill
Creator:
Samuel Howitt, 1756–1822, British
Date:
undated
Medium:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

492. Tom Conolly of Castletown Hunting with His Friends

Tom Conolly of Castletown Hunting with His Friends
Creator:
Robert Healy, 1743–1771, British
Date:
1769
Medium:
Pastel, chalk, and white gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 53 1/2 inches (51.4 × 135.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

493. Racehorse at Exercise, Ridden by a Training-Groom

Racehorse at Exercise, Ridden by a Training-Groom
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Gouache, pen and ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/16 × 6 5/8 inches (13.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

494. Anglers Packing Up

Anglers Packing Up
Creator:
Robert Pollard, 1755–1838, British
Date:
undated
Medium:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 13 inches (10.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

495. Bottom Fishing Near Totten Mill

Bottom Fishing Near Totten Mill
Creator:
Robert Pollard, 1755–1838, British
Date:
undated
Medium:
Graphite and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 12 7/8 inches (10.8 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

496. Foxhunting

Foxhunting
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Gouache, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/16 × 6 3/4 inches (13.8 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

497. Barnett Fair, putting him through his paces

Barnett Fair, putting him through his paces
Creator:
Joseph Crawhall, 1861–1913, British
Date:
1896
Medium:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 10 7/8 inches (25.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

498. Horse and Rider: a Stout Huntsman on a Galloping Horse

Horse and Rider: a Stout Huntsman on a Galloping Horse
Creator:
Joseph Crawhall, 1861–1913, British
Date:
undated
Medium:
Pen and brown ink, and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 5 3/16 × 5 3/4 inches (13.2 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

499. The Loose Shoe

The Loose Shoe
Creator:
Joseph Crawhall, 1861–1913, British
Date:
undated
Medium:
Watercolor, gouache, and pen and black ink on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

500. A Dangerous Leap

A Dangerous Leap
Creator:
unknown artist
Date:
ca. 1850
Medium:
Pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 9/16 × 4 5/16 inches (9 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection