The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off
ca. 1825
Not on view
2
Sir Alfred J. Munnings, 1878–1959, British
The Pink Jockey
ca. 1950
Not on view
3
John Willis Good, 1845–1879, British
After the Race
1875
Not on view
4
Herbert Haseltine, 1877–1962, American
Polo Pony: Perfection
cast 1963 (original model 1933)
Not on view
5
Robert Polhill Bevan, 1865–1925, British
The Kill
undated
6
John Frederick Lewis, 1804–1876, British
Game Keeper and Boy Ferreting a Rabbit
ca. 1828
7
attributed to James Ward, 1769–1859, British
Study of a Cow
undated
8
Anna Katrina Zinkeisen, 1901–1976, British
Richmond Horse Show
1934
9
Henry Thomas Alken, 1785–1851, British
Snipe Shooting
undated
10
Cecil Charles Windsor Aldin, 1870–1935, British
Full Cry
undated
11
Print made by Matthew Dubourg, active 1786–1838, British
Snipe Shooting
1822
12
Print made by Matthew Dubourg, active 1786–1838, British
Grouse Shooting
1822
13
Print made by Matthew Dubourg, active 1786–1838, British
Partridge Shooting
1822
14
Print made by Matthew Dubourg, active 1786–1838, British
Pheasant Shooting
1822
15
Cecil Charles Windsor Aldin, 1870–1935, British
Up and Over
undated
16
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
17
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "Next a Little Low Church"
undated
18
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
19
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "He Then Goes in For Baptism"
undated
20
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
21
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
22
Henry Thomas Alken, 1785–1851, British
The Huntsman and a Rider Encouraging the Hounds
undated
23
Henry Thomas Alken, 1785–1851, British
Jumping a Low Rail and a Brook
undated
24
Henry Thomas Alken, 1785–1851, British
Steeplechasing: Three Riders Taking a Brook, Spectators on Right
undated
25
Henry Thomas Alken, 1785–1851, British
Steeplechasing: The Field Jumping in and Out of a Lane
undated
26
Henry Thomas Alken, 1785–1851, British
Steeplechasing: Two Riders Taking a Wooden Fence
undated
27
Henry Thomas Alken, 1785–1851, British
Steeplechasing: The Field taking a Stone Wall and Gate
undated
28
Henry Thomas Alken, 1785–1851, British
Steeplechasing: The Field taking a Low Rail and a Brook
undated
29
Henry Thomas Alken, 1785–1851, British
Three Racehorses with Jockeys Up Galloping in a Group to Left
undated
30
Samuel Alken, 1756–1815, British
Groom with a Rearing Horse
undated
31
Samuel Alken, 1756–1815, British
Foxhunting: The Meet, With Hounds Coming Out of Kennel
undated
32
Samuel Alken, 1756–1815, British
After the Race: Owner or Trainer Riding and Conversing with Jockey on Trainer's Hack; at Right, a Racehouse Being Watered and Rugged after Racing (one of pair)
undated
33
Samuel Alken, 1756–1815, British
Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..
undated
34
Edwin Gill, active 1810, died 1868
Woodcock Shooting
undated
35
Samuel Alken, 1756–1815, British
Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right..
undated
36
John Ferneley, 1782–1860, British
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
37
Edwin Gill, active 1810, died 1868
Grouse Shooting
undated
38
Edwin Gill, active 1810, died 1868
Setters and Pheasant
undated
39
Sawrey Gilpin, 1733–1807, British
A Stable Boy rubbing down a Racehorse
undated
40
George Morland, 1763–1804, British
Fallen Horse and Rider, The Hunt Disappearing Left
undated
41
Henry Thomas Alken, 1785–1851, British
Partridge Shooting
undated
42
Henry Thomas Alken, 1785–1851, British
The St. Leger, Doncaster: Preparing to Start
undated
43
Thomas Rowlandson, 1756–1827, British
How to Vault in the Saddle
1813
44
Henry Thomas Alken, 1785–1851, British
Horse and Rider seen from the Rear
undated
45
Hablot Knight Browne, 1815–1882, British
"You're Not Going to Follow, Belle, Are You?"
undated
46
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
47
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
48
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
49
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "He Sends Mother Eve's Apples Flying"
undated
50
Henry Thomas Alken, 1785–1851, British
Jumping a Wooden Fence
undated
51
Henry Thomas Alken, 1785–1851, British
Jumping a Double Oxer - A Rider in Difficulties
undated
52
Henry Thomas Alken, 1785–1851, British
Steeplechasing: The Finish
undated
53
Samuel Alken, 1756–1815, British
Treeing a Fox
undated
54
Edwin Gill, active 1810, died 1868
Retrieving a Rabbit
undated
55
John Wootton, 1682–1764, British
Hounds in a Landscape
undated
56
unknown artist
Racing: Two Racehorses With Jockeys up, Galloping to the Right
undated
57
Sir Alfred J. Munnings, 1878–1959, British
Captain A. S. M. Summers of the 19th Hussars on Cossack II, April 3, 1909
1909
58
Print made by James T. Willmore, 1800–1863, British
Llandberis Lake, Wales
1834
59
Print made by James T. Willmore, 1800–1863, British
Winander-Mere, Westmoreland
1837
60
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
61
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
62
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
63
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
64
George Bryant Campion, 1796–1870, British
Hastings Races
undated
65
Print made by Wallerant Vaillant, 1623–1677, Dutch
Boy Holding a Dead Rabbit, Tied to a Stick, by its Hind Legs, in His Left Hand, While Holding a Dead Fowl by the Neck, in His Right Hand
between 1660 and 1675
66
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
67
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
68
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
69
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
70
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
71
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
72
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
73
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
74
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
75
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
76
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
77
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
78
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
79
Print made by James T. Willmore, 1800–1863, British
Okehampton, Devonshire
1828
80
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French