Genre: religious and mythological subject / Subject Terms: trees

1. "The Lady of Shalott"

Creator:: John Atkinson Grimshaw, 1836–1893, British
Date:: ca. 1875
Medium:: Oil on canvas
Dimensions:: 24 × 36 inches (61 × 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Pamela Askew

2. Venus and Cupid

Creator:: Henry Howard, 1769–1847, British
Date:: 1809
Medium:: Oil on canvas
Dimensions:: 36 x 28 1/4 inches (91.4 x 71.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus

Creator:: Attributed to Michael Chuke, 1679–1742, British
Date:: ca. 1715
Medium:: Bronzed limewood
Dimensions:: Overall: 54 5/16 x 37 13/16 inches (138 x 96 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: 1852
Medium:: Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: 1852
Medium:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 5/16 inches (12 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: 1852
Medium:: Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: 1852
Medium:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. The Cypress Grove

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: plate etched between ca. 1880 and 1883; impression printed in 1924
Medium:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: 1860-1861
Medium:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: 1860-1861
Medium:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1813 and 1823
Medium:: Etching and mezzotint, printed in brown ink Engraver's proof (h) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1813 and 1823
Medium:: Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1813 and 1823
Medium:: Etching, printed in brown ink; Modern impression, canceled plate on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1819
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1813 and 1823
Medium:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1813 to 1823
Medium:: Etching and mezzotint, printed in brown ink Modern Impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 16 5/8 inches (33.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Deluge

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1813 and 1823
Medium:: Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Procris and Cephalus

Creator:: Print made by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Jason

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1807
Medium:: Etching and mezzotint, printed in brown ink First published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Poems of Thomas Gray, Design 97, "Ode for Music."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Jerusalem, Plate 11, "To labours mighty...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Jerusalem, Plate 38, "His face and bosom...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. America. A Prophecy, Plate 14, "So Cried He...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. America. A Prophecy, Plate 18, "Over the Hills...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. America. A Prophecy, Plate 4, "Silent as despairing love...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Jerusalem, Plate 37, "And One stood forth...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Jerusalem, Plate 49, "The secret coverts of Albion...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Jerusalem, Plate 76

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Poems of Thomas Gray, Design 53, "The Bard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Poems of Thomas Gray, Design 55, "The Bard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Poems of Thomas Gray, Design 57, "The Bard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. For the Sexes: The Gates of Paradise, Plate 4, "Water"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Tobias and the Angel

Creator:: Print made by John Smith, 1652–1743, British
Date:: ca. 1685
Medium:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Illustration to Tonson's Ovid Metamorphosis (two of four)

Creator:: unknown artist
Date:: ca. 1710
Medium:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834, British
Date:: 1820
Medium:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Diana and Actaeon: A Study for a Panel on a Staircase

Creator:: follower of Sir James Thornhill, 1675–1734, British
Date:: undated
Medium:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 6 1/4in. (15.2 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. One of eighteen designs for a series of plates illustrating Venus and Adonis

Creator:: Hablot Knight Browne, 1815–1882, British
Date:: undated
Medium:: Graphite, brown chalk, watercolor and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. One of eighteen designs for a series of plates illustrating Venus and Adonis

Creator:: Hablot Knight Browne, 1815–1882, British
Date:: undated
Medium:: Graphite, brown chalk, watercolor, and white gouache on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Cain and Abel

Creator:: Attributed to John Martin, 1789–1854, British
Date:: undated
Medium:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Rescue of Lot

Creator:: John Martin, 1789–1854, British
Date:: 1833
Medium:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854, British
Date:: 1834
Medium:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Woman at the Well

Creator:: Attributed to John Martin, 1789–1854, British
Date:: undated
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Christ with Three Figures

Creator:: Attributed to John Martin, 1789–1854, British
Date:: undated
Medium:: Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Baptism of Christ

Creator:: Attributed to John Martin, 1789–1854, British
Date:: undated
Medium:: Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Romance

Creator:: Print made by Robert Sargent Austin, 1895–1973, British
Date:: 1922
Medium:: Etching with gouache and graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 x 11 inches (38 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

77. Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723, British
Date:: ca. 1723
Medium:: Pen and brown ink and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 5/16 x 3 3/4 inches (11 x 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

78. The Rising of the Waters

Creator:: Attributed to John Martin, 1789–1854, British
Date:: undated
Medium:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Apollo and Daphne

Creator:: Master of the Giants, active 1779, British
Date:: between 1770 and 1799
Medium:: Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Rape of Persephone

Creator:: William P. Sherlock, c.1780–1850
Date:: undated
Medium:: Pen and brown ink and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 23 1/8 inches (43.5 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834, British
Date:: 1820
Medium:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Adam and Eve

Creator:: attributed to John Martin, 1789–1854, British
Date:: undated
Medium:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Madonna with a Rabbit

Creator:: William Callow, 1812–1908, British, active in France
Date:: undated
Medium:: Watercolor with gum arabic and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 3/4 inches (12.1 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Classical Scene: Minerva as the Goddess of Arts and Sciences

Creator:: unknown artist
Date:: undated
Medium:: Gray wash with black and red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/16 × 11 1/8 inches (38.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. An Allegory of Love

Creator:: Lady Diana Beauclerk, 1734–1808, British
Date:: Undated
Medium:: Watercolor and colored chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 x 24 7/16 inches (49.5 x 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Lot and His Family

Creator:: Print made by John Alexander, 1686–before 1768, British
Date:: ca. 1718
Medium:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 15 1/16 inches (28.8 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. A Large Christmas Card

Creator:: Print made by unknown artist
Date:: 1895
Medium:: Line block print on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 x 6 1/8 inches (23.5 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834, British
Date:: 1820
Medium:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Miraculous Draught of Fishes

Creator:: after George Baxter, 1804–1867, British
Date:: after 1855
Medium:: Etching and stipple engraving with aquatint on cream card
Dimensions:: Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Miraculous Draught of Fishes

Creator:: after George Baxter, 1804–1867, British
Date:: after 1855
Medium:: Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:: Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Death of Ananias

Creator:: after George Baxter, 1804–1867, British
Date:: after 1855
Medium:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:: Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Frontispiece design for John Fayram's "Eight Views after Nature"

Creator:: John Fayram, op.1713–1743, British
Date:: ca. 1739
Medium:: Pen, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 5 7/8 inches (18.1 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Mrs. Abington as Thalia

Creator:: Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:: 1783
Medium:: Stipple engraving printed in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 8 1/4 inches (26.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Holy Tree of Metereeah

Creator:: Print made by David Roberts, 1796–1864, British
Date:: 1856
Medium:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 7/16 x 7 13/16 inches (29 x 19.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

95. Expulsion from Eden

Creator:: John Martin, 1789–1854, British
Date:: undated
Medium:: Brown wash and graphite with pen and brown ink on moderately thick, smooth, beige wove paper mounted on board
Dimensions:: Mount: 7 11/16 x 10 1/4 inches (19.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

96. Sensibility

Creator:: Print made by Richard Earlom, 1743–1822, British
Date:: 1789
Medium:: Color-printed stipple engraving and etching with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 9 5/8 inches (31.5 × 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Sensibility

Creator:: Print made by Richard Earlom, 1743–1822, British
Date:: 1789
Medium:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 13 9/16 inches (44.2 x 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Hope Nursing Love

Creator:: Edward Fisher, 1722–1785, British
Date:: 1771
Medium:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 7/8 × 14 1/8 inches (50.5 × 35.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A Landscape, with the Story of Europa

Creator:: Print made by Richard Earlom, 1743–1822, British
Date:: 1802
Medium:: Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

100. Epiphany

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938, British
Date:: 1919
Medium:: Etching; 2nd state on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 10 × 7 1/4 inches (25.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

YCBA Collections Search

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Search Constraints

Genre religious and mythological subject

Subject Terms trees

Search Results

1. "The Lady of Shalott"

2. Venus and Cupid

3. The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus

4. The Vine

5. The Vine

6. The Vine

7. The Vine

8. The Cypress Grove

9. The Morning of Life

10. The Morning of Life

11. Glaucus and Scylla

12. Apuleia in Search of Apuleius

13. Apuleia in Search of Apuleius

14. Christ and the Woman of Samaria

15. Glaucus and Scylla

16. Glaucus and Scylla

17. The Deluge

18. Procris and Cephalus

19. Rispah: 2nd Book of Samuel, Chap. 21

20. Jason

21. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

22. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

23. The Poems of Thomas Gray, Design 65, "The Bard."

24. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

25. The Poems of Thomas Gray, Design 97, "Ode for Music."

26. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

27. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

28. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

29. Jerusalem, Plate 11, "To labours mighty...."

30. Jerusalem, Plate 38, "His face and bosom...."

31. America. A Prophecy, Plate 14, "So Cried He...."

32. America. A Prophecy, Plate 16, "In the Flames Stood...."

33. America. A Prophecy, Plate 18, "Over the Hills...."

34. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

35. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

36. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

37. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

38. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

39. America. A Prophecy, Plate 4, "Silent as despairing love...."

40. Jerusalem, Plate 37, "And One stood forth...."

41. Jerusalem, Plate 49, "The secret coverts of Albion...."

42. Jerusalem, Plate 76

43. The Poems of Thomas Gray, Design 53, "The Bard."

44. The Poems of Thomas Gray, Design 55, "The Bard."

45. The Poems of Thomas Gray, Design 57, "The Bard."

46. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

47. The Book of Thel, Plate 4, "Why should the mistress . . . ."

48. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

49. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

50. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

51. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

52. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

53. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

54. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

55. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

56. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

57. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

58. For the Sexes: The Gates of Paradise, Plate 4, "Water"

59. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

60. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

61. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

62. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

63. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

64. Tobias and the Angel

65. Illustration to Tonson's Ovid Metamorphosis (two of four)

66. Florence, from the Chiesa al Monte

67. Diana and Actaeon: A Study for a Panel on a Staircase

68. One of eighteen designs for a series of plates illustrating Venus and Adonis

69. One of eighteen designs for a series of plates illustrating Venus and Adonis

70. Cain and Abel

71. The Rescue of Lot

72. The Daughters of Jerusalem Weeping by the Waters of Babylon

73. The Woman at the Well

74. Christ with Three Figures