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Genre religious and mythological subject

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Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734, British
Jacob's Dream
1705
Not on view
William Hilton Cupid Armed
William Hilton, 1786–1839, British
Cupid Armed
ca. 1833
Not on view
George Richmond The Agony in the Garden
George Richmond, 1809–1896, British
The Agony in the Garden
1858
Not on view
Henry Howard Venus and Cupid
Henry Howard, 1769–1847, British
Venus and Cupid
1809
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
The Angel Binding Satan
ca. 1797
Not on view
Joseph Highmore The Angel of Mercy
Joseph Highmore, 1692–1780, British
The Angel of Mercy
ca. 1746
Not on view
Henry Fuseli The Mandrake: A Charm
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Mandrake: A Charm
exhibited RA 1785
Not on view
Sir James Thornhill A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
Sir James Thornhill, 1675–1734, British
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
Alfred Gilbert St. George
Alfred Gilbert, 1854–1934, British
St. George
1891 to 1896
Not on view
William Hogarth Tail Piece, or the Bathos
Print made by William Hogarth, 1697–1764, British
Tail Piece, or the Bathos
1764
William Hogarth Paul Before Felix Burlesqued
Print made by William Hogarth, 1697–1764, British
Paul Before Felix Burlesqued
1751
William Blake The Man Sweeping the Interpreter's Parlour
William Blake, 1757–1827, British
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake Europe. A Prophecy, Frontispiece Proof Impression
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 2, Title Page
1804 to 1820
William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
William Blake Jerusalem, Plate 3, "To the Public...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
William Blake Jerusalem, Plate 30, "And the Two that escaped...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 30, "And the Two that escaped...."
1804 to 1820
William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
William Blake Jerusalem, Plate 48, "These were his last words...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 48, "These were his last words...."
1804 to 1820
William Blake Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 6, "His Spectre driv'n...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 44, "With one accord...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
William Blake Jerusalem, Plate 46, "Bath, mild Physician...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 46, "Bath, mild Physician...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
Benjamin West St. Michael and Lucifer
Benjamin West, 1738–1820, American, active in Britain (from 1763)
St. Michael and Lucifer
undated
unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
Thomas Carwitham Design for a Ceiling Decoration
Thomas Carwitham, active 1723, British
Design for a Ceiling Decoration
1723
Sir James Thornhill The Birth of Venus
Sir James Thornhill, 1675–1734, British
The Birth of Venus
undated
Lady Diana Beauclerk An Allegory of Love
Lady Diana Beauclerk, 1734–1808, British
An Allegory of Love
Undated
Bernard Lens III Victorious Hero Takes Occasion to Conclude Peace
Bernard Lens III, 1682–1740, British
Victorious Hero Takes Occasion to Conclude Peace
1720
Francis Cleyn Dido and Aeneas Sheltering in a Cave
Francis Cleyn, 1582–1658, German
Dido and Aeneas Sheltering in a Cave
undated
John Deare Study of a sculptural group: Mars, Venus and Cupid
John Deare, 1759–1798, British
Study of a sculptural group: Mars, Venus and Cupid
undated
Mauritius Lowe Study of Classical Figures
attributed to Mauritius Lowe, 1746–1793, British
Study of Classical Figures
undated
Mauritius Lowe Classical Figures in Battle
Attributed to Mauritius Lowe, 1746–1793, British
Classical Figures in Battle
undated
Henry Fuseli Selling of Cupids
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Selling of Cupids
between 1775 and 1776
Thomas Rowlandson Venus Crowned by Cupid
Thomas Rowlandson, 1756–1827, British
Venus Crowned by Cupid
between 1810 and 1815
John Doyle ('H.B.') The Harpies Attacking the Daughters of Pandarus
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Harpies Attacking the Daughters of Pandarus
1848
Thomas Burke Cupid and Cephisa: "One Day as I was Walking in the Woods..."
Print made by Thomas Burke, 1749–1815, British
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to Westminster Abbey
before 1791
Edward Burne-Jones Cupid and Psyche
Edward Burne-Jones, 1833–1898, British
Cupid and Psyche
ca. 1870
Richard Cosway Time raising Truth, after Rubens’s “The Triumph of Truth”
Attributed to Richard Cosway, 1742–1821, British
Time raising Truth, after Rubens’s “The Triumph of Truth”
undated
Richard Cosway Cupid Overpowering a Satyr
Richard Cosway, 1742–1821, British
Cupid Overpowering a Satyr
undated
Richard Cosway Flight into Egypt
Richard Cosway, 1742–1821, British
Flight into Egypt
undated
Thomas Girtin The Archangel Gabriel Awaiting Night
Thomas Girtin, 1775–1802, British
The Archangel Gabriel Awaiting Night
ca. 1799
John Dixon The Oracle, Representing Britannia, Hibernia, Scotia and America
Print made by John Dixon, ca. 1740–1811, Irish
The Oracle, Representing Britannia, Hibernia, Scotia and America
1774
Charles Grignion Britannia Allegory
Charles Grignion, 1717–1810, British
Britannia Allegory
between 1743 and 1747
Edward Fisher Hope Nursing Love
Edward Fisher, 1722–1785, British
Hope Nursing Love
1771
Anthony Cardon Cupid Wounded
Print made by Anthony Cardon, 1772–1813, Flemish
Cupid Wounded
1801
John Smith The Triumph of Galatea
Print made by John Smith, 1652–1743, British
The Triumph of Galatea
1701
Bernard Lens II Cupid and Psyche
Print made by Bernard Lens II, 1659–1725, British
Cupid and Psyche
undated
John Smith Pieta
Print made by John Smith, 1652–1743, British
Pieta
between 1681 and 1688
John Smith Cupid
Print made by John Smith, 1652–1743, British
Cupid
undated
John Smith Venus Holding the Apple of Paris
Print made by John Smith, 1652–1743, British
Venus Holding the Apple of Paris
1695
Bernard Lens II Madonna, Child, and Angel
Print made by Bernard Lens II, 1659–1725, British
Madonna, Child, and Angel
undated
Bernard Lens II Madonna, Child, and Angel
Print made by Bernard Lens II, 1659–1725, British
Madonna, Child, and Angel
undated
Bernard Lens II Cupid and Psyche
Print made by Bernard Lens II, 1659–1725, British
Cupid and Psyche
undated
Bernard Lens II Cupid and Psyche
Print made by Bernard Lens II, 1659–1725, British
Cupid and Psyche
between 1690 and 1699
Bernard Lens II Cupid and Psyche
Print made by Bernard Lens II, 1659–1725, British
Cupid and Psyche
undated
Bernard Lens II Venus and Adonis
Print made by Bernard Lens II, 1659–1725, British
Venus and Adonis
ca. 1690
Bernard Lens II Tobit and the Angel
Print made by Bernard Lens II, 1659–1725, British
Tobit and the Angel
undated
Elias Nessenthaler S. Matthaus
Print made by Elias Nessenthaler, 1664–1714
S. Matthaus
undated
unknown artist Virgin
Print made by unknown artist, seventeenth century-eighteenth century
Virgin
undated
John Smith Cupids Trying Out a Bow
Print made by John Smith, 1652–1743, British
Cupids Trying Out a Bow
undated