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Genre religious and mythological subject

Remove constraint Genre: religious and mythological subject

Creator Blake, William, 1757–1827

Remove constraint Creator: Blake, William, 1757–1827

Subject Terms book

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William Blake Moses Receiving the Law
William Blake, 1757–1827, British
Moses Receiving the Law
ca. 1780
William Blake Jerusalem, Plate 41, "Bath who is Legions...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 64, "Of the Mundane Shell...."
1804 to 1820
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
1794
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808, published 1813
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808
Arnold Fawcus First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job
Published by Arnold Fawcus, 1917–1979, British
First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job
1972