Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
1825
Not on view
2
Johann Heinrich Ramberg, 1763–1840, German, active in Britain (1781–88)
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
3
John Cawse, 1779–1862, British
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Not on view
4
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
5
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
6
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
7
George Cattermole, 1800–1868, British
Scene of Three Witches from Shakespeare's Macbeth
1840
8
Augustus Welby Northmore Pugin, 1812–1852, British
Window West End, South Aisle, Saint Vincent
undated
9
After Edward Burne-Jones, 1833–1898, British
The Council Chamber
1892
10
After Edward Burne-Jones, 1833–1898, British
The Rose Bower
1892
11
Thomas Ryder, 1746–1810, Irish
Twelfth Night, Act III, Scene IV: Olivia's House
1803
12
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
13
After Edward Burne-Jones, 1833–1898, British
The Garden Court
1892
14
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
15
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death of the Strong Wicked Man
1808, published 1813
16
Peter Simon, 1750–1810
Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
1789
17
Robert Smirke, 1752–1845, British
Feste, as Sir Topas, addressing Malvolio
1822
18
Robert Smirke, 1752–1845, British
Launce with his Dog Crab
ca. 1821
19
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lovelace in Prison
1788
20
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
And Ah! Let Pity Turn Her Dewy Eyes..
1801
21
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
22
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808
23
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death of the Strong Wicked Man
1808
24
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808
25
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808
26
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808
27
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death of the Strong Wicked Man
1808
28
Print made by Luigi Schiavonetti, 1765–1810, Italian