Puck and Fairies, from "A Midsummer Night's Dream"
ca. 1850
Not on view
2
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
3
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
4
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
5
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
6
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
7
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
8
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
9
John Hamilton Mortimer, 1740–1779, British
Edgar, from King Lear, Act III, Scene iii
10
Print made by Thomas Bewick, 1753–1828, British
Dog and the Shadow
1909
11
William John Chamberlayne, 1821–1910
Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain