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Edward Goodall Columbus and his Son
Print made by Edward Goodall, 1795–1870, British
Columbus and his Son
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870, British
The Boy of Egremond
1834
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898, British
Study for The Wedding Feast of Sir Degrevaunt
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898, British
The Land of Beulah
1881
Richard Parkes Bonington Portia and Bassanio
Richard Parkes Bonington, 1802–1828, British
Portia and Bassanio
ca. 1826
James H. Kernot Wolf's Hope
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1836
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882, British
Abbotsford from the Northern Bank of the Tweed
1839
William Miller Abbotsford, Large Vignette
Print made by William Miller, 1796–1882, British
Abbotsford, Large Vignette
1841
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882, British
Sandy Knowe, or Smailholm Tower
1839
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882, British
Loch Achray
1834
Edward Goodall The Nile
Print made by Edward Goodall, 1795–1870, British
The Nile
1839
Thomas Rowlandson Henderson in the Character of Falstaff
Thomas Rowlandson, 1756–1827, British
Henderson in the Character of Falstaff
undated
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896, British
The Reconciliation of the Montagues and the Capulets
1854
unknown artist The Death of Juliet
Print made by unknown artist
The Death of Juliet
unknown
unknown artist Infant Shakespeare, wih Comedy and Tragedy
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
unknown artist Troilus and Cressida?
unknown artist
Troilus and Cressida?
undated
unknown artist A Midsummer Night's Dream: Three Figures
unknown artist
A Midsummer Night's Dream: Three Figures
undated
unknown artist Scene from the Inferno Dramatic Landscape
unknown artist
Scene from the Inferno Dramatic Landscape
undated
unknown artist Scene from the Inferno
unknown artist
Scene from the Inferno
undated
unknown artist Study for the Damned
unknown artist
Study for the Damned
undated
Sawrey Gilpin Study for the Figure of Gulliver
Sawrey Gilpin, 1733–1807, British
Study for the Figure of Gulliver
ca. 1769
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882, British
Loch Achray
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882, British
Sandy Knowe, or Smailholm Tower
1839
William Miller Abbotsford, Large Vignette
Print made by William Miller, 1796–1882, British
Abbotsford, Large Vignette
1841
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
James H. Kernot Wolf's Hope
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1836
William Miller Sandy Knowe, or Smailholm Tower (Vignette)
Print made by William Miller, 1796–1882, British
Sandy Knowe, or Smailholm Tower (Vignette)
1839
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
William Miller Loch Achray (Vignette)
Print made by William Miller, 1796–1882, British
Loch Achray (Vignette)
1853 reprint
M. H. Long St. Herbert's Chapel
Print made by M. H. Long
St. Herbert's Chapel
1884
Thomas A. Woolnoth Mrs. W. West as Cordelia
Print made by Thomas A. Woolnoth, 1785–1857, British
Mrs. W. West as Cordelia
1820
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882, British
Loch Achray
1834
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834, British
"This is fairy gold, boy, and will prove so"
1804
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: Anacreontic Society Meeting
1773
Edward Burne-Jones The Council Chamber
After Edward Burne-Jones, 1833–1898, British
The Council Chamber
1892
Edward Burne-Jones The Briar Wood
After Edward Burne-Jones, 1833–1898, British
The Briar Wood
1892
Edward Burne-Jones The Rose Bower
After Edward Burne-Jones, 1833–1898, British
The Rose Bower
1892
unknown artist When Swift They Saw John Gilpin Ride, Bare-Headed as Before
unknown artist
When Swift They Saw John Gilpin Ride, Bare-Headed as Before
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
John Flaxman Illustration to Pilgrim's Progress
John Flaxman, 1755–1826, British
Illustration to Pilgrim's Progress
1792
unknown artist Hudibras and Rolpho
unknown artist, nineteenth century
Hudibras and Rolpho
undated
John Flaxman The Morn, All Beauteous to Behold, from Aeschylus, The Persians
after John Flaxman, 1755–1826, British
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
unknown artist Fluellen Forcing Pistol to Eat His Leek
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836, British
Alcibiades and Timon
ca. 1805
Mary Hoare Lady Percy Watching the Sleeping Hotspur
Mary Hoare, 1744–1820, British
Lady Percy Watching the Sleeping Hotspur
1781
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820, British
Prospero and Miranda
1781
Mary Hoare Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820, British
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
Mary Hoare Antigonus Disposing of Perdita
Mary Hoare, 1744–1820, British
Antigonus Disposing of Perdita
ca. 1781
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820, British
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843, British
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, (landscape), 1747–1821, British
Shakespearean Scene (?): A Pilgrim
1796
Mary Hoare Ophelia's Death
Mary Hoare, 1744–1820, British
Ophelia's Death
ca. 1781
Mary Hoare Lady Macbeth, Sleepwalking
Mary Hoare, 1744–1820, British
Lady Macbeth, Sleepwalking
1781
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
Richard Westall Theatrical Figures About a Throne
Richard Westall, 1765–1836, British
Theatrical Figures About a Throne
undated
John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
John Flaxman, 1755–1826, British
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826, British
To Phoebus at His Birth, From Aeschylus, Furies
undated
Henry Fuseli The Peasant's Dream, Paradise Lost, Book 1, 781-8
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820, British
The Apparition of the Armed Head: Macbeth
ca. 1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
Mary Hoare Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820, British
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
Mary Hoare Ferdinand and Ariel
Mary Hoare, 1744–1820, British
Ferdinand and Ariel
ca. 1781
David Cox Pirate's Isle
David Cox, 1783–1859, British
Pirate's Isle
1826
Charles Gauthier Playter Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851, British
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896, British
The Fatal Bellman
1827
George Cruikshank Jack Sheppard Committing the Robbery in Willesden Church
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard Committing the Robbery in Willesden Church
1839
George Cruikshank Audacity of Jack Sheppard
Print made by George Cruikshank, 1792–1878, British
Audacity of Jack Sheppard
1839
George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
Print made by George Cruikshank, 1792–1878, British
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Print made by George Cruikshank, 1792–1878, British
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Twelfth Night, Act V, Scene I: The Street
1803
Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House
Thomas Ryder, 1746–1810, Irish
Twelfth Night, Act III, Scene IV: Olivia's House
1803
George Cruikshank Mr. Wood Offers to Adopt Little Jack Sheppard
Print made by George Cruikshank, 1792–1878, British
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
George Cruikshank The Murder on the Thames
Print made by George Cruikshank, 1792–1878, British
The Murder on the Thames
1839
George Cruikshank Mrs. Sheppard Expostulating with her Son
Print made by George Cruikshank, 1792–1878, British
Mrs. Sheppard Expostulating with her Son
1839
George Cruikshank Jack Sheppard's Escape from the Cage at Willesden
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard's Escape from the Cage at Willesden
1839