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Walter Crane The Lady of Shalott
Walter Crane, 1845–1915, British
The Lady of Shalott
1862
Not on view
James Smetham Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
James Smetham, 1821–1889, British
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
John Atkinson Grimshaw "The Lady of Shalott"
John Atkinson Grimshaw, 1836–1893, British
"The Lady of Shalott"
ca. 1875
Not on view
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 94, "Albion cold lays on his Rock...."
1804 to 1820
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
William Blake The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
1794
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811, British
Falstaff Carrying Dead Hotspur
undated
James Northcote Study for Burying the Royal Children
James Northcote, 1746–1831, British
Study for Burying the Royal Children
ca. 1790
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820, British
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene IV
undated
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846, British
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846, British
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
William Skelton Richard III: Act IV, Scene III, Tower of London
Print made by William Skelton, 1763–1848, British
Richard III: Act IV, Scene III, Tower of London
1795
Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Simon François Ravenet, 1706–1774, French, active in Britain
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785, British
Celadon and Amelia
1766