David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
2
George Cruikshank, 1792–1878, British
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
Not on view
3
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
4
James Stephanoff, 1787–1874, British
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
5
Pieter van Bleeck, 1700–1764, Dutch, active in Britain (from 1723)
Mrs. Cibber as Cordelia
ca. 1755
Not on view
6
Francis Danby, 1793–1861, Irish
Oberon and Titania
1837
7
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
9
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
10
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
begun ca. 1880
11
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
12
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
13
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
14
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
between 1880 and 1883
15
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
16
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
17
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
18
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 100
1804 to 1820
19
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
20
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
21
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
22
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
23
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
24
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
25
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
26
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
27
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
28
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
29
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
30
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 21 (Bentley 27)
1794
31
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
32
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
1794
33
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 28 (Bentley 27)
1794
34
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
36
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
37
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
38
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
39
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
40
George Fennell Robson, 1788–1833, British
Macbeth and Banquo on the Heath
ca. 1830
41
Mary Hoare, 1744–1820, British
Lady Percy Watching the Sleeping Hotspur
1781
42
Henry Thomas Alken, 1785–1851, British
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
43
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
44
Print made by George Cruikshank, 1792–1878, British
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
45
Print made by George Cruikshank, 1792–1878, British
The Murder on the Thames
1839
46
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard's Escape from the Cage at Willesden
1839
47
Print made by George Cruikshank, 1792–1878, British
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
48
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
49
William Marshall Craig, 1763 or 1764–1829, British
Hamlet and the Ghost
ca. 1820
50
unknown artist
Mrs. Yates in the Character of Medea
after 1771
51
James Gillray, 1756–1815, British
Sophia, Honour, and the Chambermaid
1780
52
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
53
Print made by Charles Ansell, ca.1752–active 1790, British
Hamlet
1809
54
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
55
Print made by imitator of George Baxter, 1804–1867, British
Little Red Riding Hood
after 1856
56
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
57
Simon François Ravenet, 1706–1774, French, active in Britain
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet