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The Siege of Namur
Creator:
Print made by Henry William Bunbury, 1750–1811, British
Date:
between 1773 and 1817
Medium:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 17 13/16 inches (28.5 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Battle of the Cataplasm
Creator:
Print made by Henry William Bunbury, 1750–1811, British
Date:
between 1773 and 1817
Medium:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Overthrow of Dr. Slop
Creator:
Print made by Henry William Bunbury, 1750–1811, British
Date:
between 1773 and 1817
Medium:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caerlaverock Castle
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/4 × 17 5/8 inches (23.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falstaff Carrying Dead Hotspur
Creator:
Henry William Bunbury, 1750–1811, British
Date:
undated
Medium:
Watercolor, pen and black ink, gray ink, gouache, and gum arabic on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 3/8 x 20 1/4 inches (41.6 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Launce Teaching His Dog Crab
Creator:
Henry William Bunbury, 1750–1811, British
Date:
undated
Medium:
Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 5/16 x 20 3/8 inches (41.5 x 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for The Wedding Feast of Sir Degrevaunt
Creator:
Edward Burne-Jones, 1833–1898, British
Date:
undated
Medium:
Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:
Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Prospero and Miranda
Creator:
Mary Hoare, 1744–1820, British
Date:
1781
Medium:
Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ophelia's Death
Creator:
Mary Hoare, 1744–1820, British
Date:
ca. 1781
Medium:
Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:
Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lear and Cordelia
Creator:
Mary Hoare, 1744–1820, British
Date:
ca. 1781
Medium:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:
Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sigismonda
Creator:
Print made by Benjamin Smith, 1775–1833, British
Date:
1795
Medium:
Etching with aquatint
Dimensions:
Sheet: 19 × 25 inches (48.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
Creator:
Print made by Nathaniel Hone, 1718–1784, Irish
Date:
1772
Medium:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Creator:
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1789
Medium:
Line engraving and stipple engraving
Dimensions:
Sheet: 25 1/4 x 17 3/4in. (64.1 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Creator:
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1789
Medium:
Line engraving and stipple engraving
Dimensions:
Sheet: 25 1/4 x 17 3/4in. (64.1 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Taming the Shrew, Act III, Scene II
Creator:
William S. Leney, 1769–1831, British
Date:
1793
Medium:
Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 9/16 × 19 1/8 inches (42.1 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Creator:
Robert Mitchell Meadows, Died before 1812, British
Date:
1794
Medium:
Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Fallstaff Playing the Prince, The Prince Playing the King
Creator:
Print made by Thomas Macklin, active 1779–1793, British
Date:
1796
Medium:
Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 11/16 × 19 3/8 inches (42.4 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Falstaff Reproved by King Henry
Creator:
unknown artist, ( Shenner )
Date:
1792
Medium:
Engraving and stipple engraving
Dimensions:
Sheet: 13 7/8 x 17 9/16in. (35.2 x 44.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Creator:
Peltro W. Tomkins, 1760–1840, British
Date:
1792
Medium:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Great Executioner
Creator:
Print made by Prince Rupert, 1619–1682, British
Date:
1658
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 17 1/2 inches (63.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874, British
Date:
1834
Medium:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
Creator:
Print made by James Watson, 1740–1790, British
Date:
between 1762 and 1764
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 3/8 × 17 3/4 inches (67 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Damnation of Obadiah
Creator:
Print made by Henry William Bunbury, 1750–1811, British
Date:
between 1773 and 1817
Medium:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fall of Agandecca
Creator:
Print made by James Parker, 1750–1805, British
Date:
1783
Medium:
Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 21 1/8 × 30 1/8 inches (53.7 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fainasollis, Borbar and Fingal
Creator:
James Parker, 1750–1805, British
Date:
1783
Medium:
Line-engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 20 inches (44.5 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by J. P. Quilley, active 1828
Date:
1830
Medium:
Mezzotint; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1793
Medium:
Line engraving and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/4 × 17 7/8 inches (40 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund