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James Stephanoff Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
James Stephanoff, 1787–1874, British
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
John Raphael Smith Bellsane and Parcival under the Enchantment of Urma
John Raphael Smith, 1752–1812, British
Bellsane and Parcival under the Enchantment of Urma
1782
Robert Wallis Tornaro
Print made by Robert Wallis, 1794–1878, British
Tornaro
1834
Edward Goodall St. Pierre's Cottage
Print made by Edward Goodall, 1795–1870, British
St. Pierre's Cottage
1834
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870, British
St. Julienne's Chapel
1834
Edward Goodall A Tempest – Voyage of Columbus
Print made by Edward Goodall, 1795–1870, British
A Tempest – Voyage of Columbus
1834
James Henry Watt St. Cecilia
James Henry Watt, 1799–1867, British
St. Cecilia
1834
William Finden The Sailor
William Finden, 1787–1852, British
The Sailor
1834
Edward Alfred Goodall A Tomb
Edward Alfred Goodall, 1819–1908, British
A Tomb
1830
Daniel Allen Buondelmonte
Print made by Daniel Allen, active 1830s, British
Buondelmonte
1830
William Finden The Pilgrim's Return
Print made by William Finden, 1787–1852, British
The Pilgrim's Return
1830
John Henry Robinson The Death of Raphael
Print made by John Henry Robinson, 1796–1871, British
The Death of Raphael
1830
John Henry Robinson The Tarentella
Print made by John Henry Robinson, 1796–1871, British
The Tarentella
1830
Daniel Allen Cristina
Print made by Daniel Allen, active 1830s, British
Cristina
1830
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
Edward Goodall St. Anne's Hill, No. I
Print made by Edward Goodall, 1795–1870, British
St. Anne's Hill, No. I
1834
Edward Goodall St. Pierre's Cottage
Print made by Edward Goodall, 1795–1870, British
St. Pierre's Cottage
1834
Edward Goodall Shipbuilding (An Old Oak Dead)
Print made by Edward Goodall, 1795–1870, British
Shipbuilding (An Old Oak Dead)
1833
Edward Goodall St. Anne's Hill, No. II
Print made by Edward Goodall, 1795–1870, British
St. Anne's Hill, No. II
1834
Edward Goodall Datur Hora Quieti
Print made by Edward Goodall, 1795–1870, British
Datur Hora Quieti
1834
Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
Print made by Robert Thew, 1758–1802, British
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
Edward Goodall The Landing of Columbus
Print made by Edward Goodall, 1795–1870, British
The Landing of Columbus
1834
Francesco Bartolozzi The Cottagers
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Cottagers
1794
Richard Earlom Mordecai
Print made by Richard Earlom, 1743–1822, British
Mordecai
1787
John Blackmore Samuel Foote
John Blackmore, active 1740–1780
Samuel Foote
1771
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785, British
Celadon and Amelia
1766
James Parker Fainasollis, Borbar and Fingal
James Parker, 1750–1805, British
Fainasollis, Borbar and Fingal
1783
Giuseppe Marchi Samuel Dyer
Giuseppe Marchi, ca. 1735–1808, Italian
Samuel Dyer
1773
Robert Pollard The Hermitage of Warkworth
Robert Pollard, 1755–1838, British
The Hermitage of Warkworth
1787
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802, British
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
John Watts Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy
John Watts, active 1766–1786
Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy
1780
Francesco Bartolozzi Queen Katherine's Dream
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Queen Katherine's Dream
1788
Robert Thew Shakespeare's Tempest Act IV Scene I. Prospero's Cell.
Robert Thew, 1758–1802, British
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
Samuel Middiman Shakespeare's Winter Tale Act III Scene III
Samuel Middiman, ca. 1750–1831, British
Shakespeare's Winter Tale Act III Scene III
1794
Thomas Watson Resignation
Thomas Watson, 1743–1781, British
Resignation
1772
William Woollett Dido and Aeneas
William Woollett, 1735–1785, British
Dido and Aeneas
1787
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785, British
Celadon and Amelia
1766
Johann Jacobus Haid Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
Johann Jacobus Haid, 1704–1767
Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
1765
Charles Lutwidge Dodgson [pseud. Lewis Carroll] Marion "Polly" Terry as Fitz-James
Charles Lutwidge Dodgson [pseud. Lewis Carroll], 1832–1898, British
Marion "Polly" Terry as Fitz-James
1875, printed ca.1980
James McArdell Ghismonda
Print made by James McArdell, ca. 1729–1765, Irish
Ghismonda
undated
William Ward The late Mrs Pope as Juliet
William Ward, 1766–1826, British
The late Mrs Pope as Juliet