Genre: literary theme / Height [cm]: 39 / Image Use: Free to Use

George Romney, 1734–1802, British

John Henderson as Falstaff

1780

George Romney, 1734–1802, British

Miranda, Prospero, and Caliban: The Tempest

undated

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827, British

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Tom Jones Assisting Molly Seagrim

1782

Edward Burne-Jones, 1833–1898, British

Study for The Wedding Feast of Sir Degrevaunt

undated

Print made by Edward Goodall, 1795–1870, British

Valombre

1834

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745