Genre: literary theme / Height [cm]: 30 - YCBA Collections Search Search Results

Vanessa Bell, 1879–1961, British

Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf

ca. 1941

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 22 (Bentley 24)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 24 (Bentley 26)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 14 (Bentley 14)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 16 (Bentley 17)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 21 (Bentley 27)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 18 (Bentley 21)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 5 (Bentley 12)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 8 (Bentley 9)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 12 (Bentley 22)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

Print made by Edward Goodall, 1795–1870, British

Datur Hora Quieti

1834

Print made by William Miller, 1796–1882, British

An Old Manor House

1834

William Hamilton, 1751–1801, British

Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

undated

Print made by Edward Goodall, 1795–1870, British

The Landing of Columbus

1834

Print made by William Miller, 1796–1882, British

A Garden

1834

Print made by William Miller, 1796–1882, British

Venice, The Rialto - Moonlight

1834

Print made by Edward Goodall, 1795–1870, British

Greenwich Hospital

1834

Print made by William Miller, 1796–1882, British

Venice, The Rialto - Moonlight

1834

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834

Print made by Edward Goodall, 1795–1870, British

The Alps at Daybreak

1834

Edward Burne-Jones, 1833–1898, British

Study for The Wedding Feast of Sir Degrevaunt

undated

Print made by Henry Le Keux, 1787–1868, British

Loch Coriskin

1834

Print made by Robert Wallis, 1794–1878, British

Kelso

1834

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

Print made by Robert Brandard, 1805–1862, British

Jedburgh Abbey

1834

Print made by Edward Goodall, 1795–1870, British

Caerlaverock Castle

1834

Print made by William Miller, 1796–1882, British

Edinburgh from Blackford Hill

1834

Print made by William Miller, 1796–1882, British

Melrose

1834

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882, British

Skiddaw

1834

Print made by William Miller, 1796–1882, British

Berwick on Tweed

1834

Print made by William Miller, 1796–1882, British

Edinburgh from Blackford Hill

1834

Print made by Edward Goodall, 1795–1870, British

Traitor's Gate - Tower of London

1834

Print made by Edward Goodall, 1795–1870, British

Captivity

1834

Mary Hoare, 1744–1820, British

The Three Witches from Macbeth: Though the Bark Cannot be Lost..

ca. 1781

Print made by Edward Goodall, 1795–1870, British

Land Discovered by Columbus

1832-1834

Print made by Edward Goodall, 1795–1870, British

Cortes and Pizarro

1834

Samuel Howitt, 1756–1822, British

Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Samuel Howitt, 1756–1822, British

The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by unknown artist

William Cavendish, first Duke of Newcastle-upon-Tyne

undated

Print made by Anker Smith, 1759–1819, British

Vortigern & Rowena

1816

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Print made by Thomas Watson, 1743–1781, British

Maria

1796

Print made by Edward Fisher, 1722–1785, British

Edwin

1776

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808, published 1813

Print made by Charles Ansell, ca.1752–active 1790, British

Hamlet

1809

Print made by Robert Wallis, 1794–1878, British

Kelso

1834

Robert Smirke, 1752–1845, British

Virgilia and Volumnia Plead with Coriolanus

ca. 1795

William Faithorne the Younger, ca. 1669–1703, British

John Smith, Writing Master in London

undated

George White, ca.1684–1732, British

Sir Richard Blackmore

undated

Print made by Edward Goodall, 1795–1870, British

Keswick Lake

1834

Print made by Edward Goodall, 1795–1870, British

Traitor's Gate - Tower of London

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. I

1834

Print made by William Miller, 1796–1882, British

Venice, The Rialto - Moonlight

1834

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834

Print made by Edward Goodall, 1795–1870, British

The Alps at Daybreak

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. II

1834

Print made by Edward Goodall, 1795–1870, British

A Hurricane in the Desert

1834

Print made by Edward Goodall, 1795–1870, British

Greenwich Hospital

1834

Print made by Robert Wallis, 1794–1878, British

Tornaro

1834

Print made by Edward Goodall, 1795–1870, British

A Village Fair

1834

Print made by Edward Goodall, 1795–1870, British

The Landing of Columbus

1834

Print made by Edward Goodall, 1795–1870, British

A Tempest – Voyage of Columbus

1834

Print made by Edward Goodall, 1795–1870, British

Cortes and Pizarro

1834

Print made by William Miller, 1796–1882, British

A Garden

1834

Print made by Edward Goodall, 1795–1870, British

Leaving Home

1834

Print made by Edward Goodall, 1795–1870, British

The Gipsy

1834

Print made by Edward Goodall, 1795–1870, British

A Village – Evening

1834

Print made by William Miller, 1796–1882, British

An Old Manor House

1834

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

Print made by Edward Goodall, 1795–1870, British

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870, British

Captivity

1834

Print made by Edward Goodall, 1795–1870, British

The Vision of Columbus

1834

Print made by Edward Goodall, 1795–1870, British

Valombre

1834

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