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Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
1880-1883
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
between 1880 and 1883
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802, British
MacBeth: Banquet Scene
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
Richard Wilson Gulliver Bound by the Lilliputians
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Gulliver Bound by the Lilliputians
undated
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845, British
Falstaff Instructing Bardolph
1825
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845, British
Falstaff Dragging the Body of Hotspur
1825
Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere
Dante Gabriel Rossetti, 1828–1882, British
Illustration to the Maids of Elfen-Mere
1854
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845, British
Falstaff in the Boar's Head
1807
Thomas Carwitham The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723, British
The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
1723
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845, British
Falstaff at Herne's Oak
1807
unknown artist Grandpapa's Story or The Witches Frolick
Print made by unknown artist, (A. Dick)
Grandpapa's Story or The Witches Frolick
1838
unknown artist Titania and Bottom from A Midsummer Night's Dream
unknown artist
Titania and Bottom from A Midsummer Night's Dream
undated
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835, British
'The Gamester,' Act V, Scene IV
1792
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845, British
She Never Told Her Love, But Sat Like Patience on a Monument
1827
unknown artist Robin Hood and Clarinda hunting deer in a wooded landscape
unknown artist, eighteenth century
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
Robert Smirke Illustration for Don Quixote (with figures on a donkey)
Robert Smirke, 1752–1845, British
Illustration for Don Quixote (with figures on a donkey)
undated
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845, British
Malvolio Dancing
1827
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845, British
Malvolio abusing Maria, Fabian and Sir Toby
1822
Robert Smirke Isabella and Mariana Kneeling Before the Duke
Robert Smirke, 1752–1845, British
Isabella and Mariana Kneeling Before the Duke
1822
Robert Smirke Master William Page and Sir Hugh Evans
Robert Smirke, 1752–1845, British
Master William Page and Sir Hugh Evans
1821
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845, British
Falstaff at Herne's Oak
1821
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845, British
Hotspur and the Plotters at Bangor
1825
Robert Smirke Claudio and Isabella
Robert Smirke, 1752–1845, British
Claudio and Isabella
1823
Robert Smirke Ferdinand Reunited with his Father
Robert Smirke, 1752–1845, British
Ferdinand Reunited with his Father
1821
Robert Smirke Prospero Conjuring a Masque for Ferdinand and Miranda
Robert Smirke, 1752–1845, British
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
Robert Smirke Christopher Sly and the Page, as His Wife
Robert Smirke, 1752–1845, British
Christopher Sly and the Page, as His Wife
1821
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845, British
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Capulet Railing at his Daughter, Juliet
Robert Smirke, 1752–1845, British
Capulet Railing at his Daughter, Juliet
1825
Robert Smirke Juliet About to Take her Sleeping Draught
Robert Smirke, 1752–1845, British
Juliet About to Take her Sleeping Draught
1825
Robert Smirke Katherina and Grumio
Robert Smirke, 1752–1845, British
Katherina and Grumio
1821