Genre: literary theme / Work Type: watercolor / Subject Terms: gesturing - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Genre literary theme

Work Type watercolor

Subject Terms gesturing

1. The Death of Cordelia

The Death of Cordelia

Creator:: unknown artist
Date:: undated
Medium:: Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Falstaff Disguised as Herne

Falstaff Disguised as Herne

Creator:: John Massey Wright, 1777–1866, British
Date:: undated
Medium:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 10 3/16 inches (28.9 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Macbeth and the Witches

Macbeth and the Witches

Creator:: James Northcote, 1746–1831, British
Date:: between 1777 and 1778
Medium:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 16 1/4 inches (32.4 x 41.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. The Reconciliation of the Montagues and the Capulets

The Reconciliation of the Montagues and the Capulets

Creator:: Frederic Leighton, 1830–1896, British
Date:: 1854
Medium:: Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Prospero and Miranda

Prospero and Miranda

Creator:: Mary Hoare, 1744–1820, British
Date:: 1781
Medium:: Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820, British
Date:: 1782
Medium:: Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Antigonus Disposing of Perdita

Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820, British
Date:: ca. 1781
Medium:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Three Witches from Macbeth: Double, Double, Toil and Trouble

The Three Witches from Macbeth: Double, Double, Toil and Trouble

Creator:: Mary Hoare, 1744–1820, British
Date:: 1781
Medium:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Creator:: Mary Hoare, 1744–1820, British
Date:: ca. 1781
Medium:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Lear and Cordelia

Lear and Cordelia

Creator:: Mary Hoare, 1744–1820, British
Date:: ca. 1781
Medium:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:: Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820, British
Date:: 1781
Medium:: Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Rustics Perform from "A Midsummer Night's Dream"

The Rustics Perform from "A Midsummer Night's Dream"

Creator:: John Massey Wright, 1777–1866, British
Date:: undated
Medium:: Watercolor with brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 11/16 x 9 9/16 inches (14.4 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

Creator:: Print made by John W. Gear, 1806–1866
Date:: undated
Medium:: Lithograph with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 14 9/16 inches (26.2 x 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund