Genre: literary theme / Work Type: intaglio print / Subject Terms: man

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

Print made by Edward Goodall, 1795–1870, British

St. Julienne's Chapel

1834

James Heath, 1757–1834, British

"This is fairy gold, boy, and will prove so"

1804

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Anacreontic Society Meeting

1773

After Edward Burne-Jones, 1833–1898, British

The Council Chamber

1892

After Edward Burne-Jones, 1833–1898, British

The Briar Wood

1892

Print made by George Cruikshank, 1792–1878, British

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

John Henderson as Iago

1786

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Print made by Bernard Lens II, 1659–1725, British

Venus and Adonis

ca. 1690

Print made by Bernard Lens II, 1659–1725, British

The Judgement of Paris

undated

Print made by Bernard Lens II, 1659–1725, British

Acteon and Diana

undated

Print made by Bernard Lens II, 1659–1725, British

Venus and Adonis

undated

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Kitty Clive as Lady Easy in "The Careless Husband"

1739

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by Cornelis Apostool, 1762–1844, Dutch

Here Nature List'ning Stood

1795

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German

'Henry IV, Part I,' Act II, Scene IV

undated

Simon François Ravenet, 1706–1774, French, active in Britain

Isaac Watts

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German

'Henry IV, Part I,' Act II, Scene III

undated

Print made by Prince Rupert, 1619–1682, British

The Little Executioner

ca. 1662

Print made by Bernard Lens II, 1659–1725, British

Diana and Acteon

undated

Print made by Robert Blyth, 1750–1784

The Captive

1781

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Reverend Hugh Blair, D.D

1801

Valentine Green, 1739–1813, British

Rinaldo and Armida

1775

Print made by Philip Dawe, ca.1745–ca.1809, British

Gadshill

1796

Robert Thew, 1758–1802, British

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Print made by Sir Frank Short, 1857–1945, British

Procris and Cephalus

1885

Print made by Richard Ansdell, 1815–1885, British

Sleepest or Wakest Thou?

ca. 1853

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lovelace in Prison

1788

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Anacreontic Society Meeting

1779

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

Valentine Green, 1739–1813, British

Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III

1776

Johann Jacobus Haid, 1704–1767

Mr. Garrick in "The Farmer's Return"

1766

Giuseppe Marchi, ca. 1735–1808, Italian

Portrait of John Moody as Foigard

between 1769 and 1771

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

John Henderson as Iago

before 1786

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Celadon and Amelia

1782

Print made by unknown artist

The Bay of Baiae - Apollo and the Sibyl

between 1852 and 1856

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Robert Cooper, ca. 1800–1836, British

Reverend William Mason

undated

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

Print made by Thomas Abiel Prior, 1809–1886, British

The Bay of Baiae - Apollo and the Sibyl

1873

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

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