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George Romney Tempest, Version A
George Romney, 1734–1802, British
Tempest, Version A
undated
George Romney Sketch for Canidia and the Youth
George Romney, 1734–1802, British
Sketch for Canidia and the Youth
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth
George Romney, 1734–1802, British
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
Richard Wilson Gulliver Bound by the Lilliputians
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Gulliver Bound by the Lilliputians
undated
Thomas Stothard The Tenth Day of the Decameron
Thomas Stothard, 1755–1834, British
The Tenth Day of the Decameron
ca. 1825
Henry Fuseli Study for 'Finding of the Body of Bassanio'
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Study for 'Finding of the Body of Bassanio'
1804
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852, British
Window West End, South Aisle, Saint Vincent
undated
unknown artist Study for the Damned
unknown artist
Study for the Damned
undated
unknown artist Scene from the Inferno Dramatic Landscape
unknown artist
Scene from the Inferno Dramatic Landscape
undated
unknown artist Scene from the Inferno
unknown artist
Scene from the Inferno
undated
unknown artist Study for the Damned
unknown artist
Study for the Damned
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
unknown artist Scene from Macbeth: Apparition of Banquo
unknown artist
Scene from Macbeth: Apparition of Banquo
undated
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821, British
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
unknown artist Troilus and Cessida: Six Women on the Walls of Illion
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
Robert Smirke Scene from Don Quixote
Robert Smirke, 1752–1845, British
Scene from Don Quixote
undated