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Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

William Blake, 1757–1827, British

Illustrations to Dante's Divine Comedy

1827

Print made by William Blake, 1757–1827, British

William Cowper, Author of "The Task"

1802

Print made by William Blake, 1757–1827, British

The Life, and Posthumous Writings, of William Cowper, (volume 1)

1803-1804

Print made by William Blake, 1757–1827, British

The Life, and Posthumous Writings, of William Cowper (volume 2)

1803-1804

Print made by William Blake, 1757–1827, British

The Peasants' Nest: Cowper's tame Hares

1802

Print made by William Blake, 1757–1827, British

William Cowper

1803-1804

Print made by William Blake, 1757–1827, British

Mrs Cowper Mother of the Poet

1803-1804

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

1821, reprinted 1977

Peter Simon, 1750–1810

Tempest, Act I, Scene II. The Enchanted Island

1803

Print made by unknown artist

The Bay of Baiae - Apollo and the Sibyl

between 1852 and 1856

Print made by unknown artist

Italy - Childe Harold's Pilgrimage

between 1852 and 1856

Print made by J. P. Quilley, active 1828

Boccaccio, the Bird Cage

1830

Print made by J. P. Quilley, active 1828

Boccaccio, the Bird Cage

1830

Print made by Ralph Hudson, active ca. 1820, British

The Pilgrim's Progress Illustrated, Uncut Panorama

ca. 1820

unknown artist, nineteenth century

Malvoleo

undated

Print made by Ralph Hudson, active ca. 1820, British

Pilgrim's Progress Illustrated, Uncut Panorama

ca. 1820

Thomas Uwins, 1782–1857, British

Gil Blas Practicing Medicine Under Dr. Sangrado

between 1820 and 1822

unknown artist

Figure Studies for "The Tempest"

Print made by Charles Shannon, 1863–1937, British

The Captive Pegasus

1897

Roger Furse, 1903–1972, British

Sketch for Costume Design of Portia in Merchant of Venice

ca. 1952

Dame Paula Rego, 1935–2022, Portuguese

Getting Ready for the Ball Triptych

2001 to 2002

Dame Paula Rego, 1935–2022, Portuguese

Jane Eyre, The Guardians Suite

2001 to 2002

Print made by John Greig, active 1803–1853, British

Olney Church

1803-1804

Print made by John Greig, active 1803–1853, British

The Peasant's Nest

1803-1804

Print made by James S. Storer, 1771–1853, British

Cowper's Summer House

1803-1804

Print made by John Greig, active 1803–1853, British

The Elms

1803-1804

Print made by James S. Storer, 1771–1853, British

The Shrubbery

1803-1804

Print made by John Greig, active 1803–1853, British

The Temple in the Wilderness

1803-1804

Print made by James S. Storer, 1771–1853, British

The Rustic Bridge

1803-1804

Print made by James S. Storer, 1771–1853, British

Weston Lodge

1803-1804

Print made by James S. Storer, 1771–1853, British

The Alcove from the Avenue

1803-1804

Text by John Gay, 1685–1732, British

Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 1

1793

Published by John Stockdale, ca. 1749–1814, British

Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 2

1793

Print made by John Greig, active 1803–1853, British

The Wilderness

1803-1804

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808

Print made by Joseph Strutt, 1749–1802, British

John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard

1788 to 1791

William John Chamberlayne Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain

William John Chamberlayne, 1821–1910

Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain

undated

Print made by Jacobus Houbraken, 1698–1780, Dutch

James Graham, Marquess of Montrose

1740

Print made by George Vertue, 1684–1756, British

Thomas Sackvill Earl of Dorset, Baron of Buckhurst

ca. 1740

unknown artist

Lady MacBeth

undated

Dame Paula Rego, 1935–2022, Portuguese

Getting Ready for the Ball (Left Panel)

2001 to 2002

Dame Paula Rego, 1935–2022, Portuguese

Getting Ready for the Ball (Right Panel)

2001 to 2002

Dame Paula Rego, 1935–2022, Portuguese

Getting Ready for the Ball (Center Panel)

2001 to 2002

Charles Lutwidge Dodgson [pseud. Lewis Carroll], 1832–1898, British

Marion "Polly" Terry as Fitz-James

1875, printed ca.1980

Print made by James S. Storer, 1771–1853, British

Olney Bridge

1803-1804

Print made by John Greig, active 1803–1853, British

Weston House

1803-1804

Print made by James S. Storer, 1771–1853, British

Views from the Alcove

1803-1804

Print made by Dame Elisabeth Frink, 1930–1993, British

Wife of Bath's Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

Chanticleer and Pertelote

1970

Print made by Dame Elisabeth Frink, 1930–1993, British

The Franklin's Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

The Nun's Priest Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

Prologue

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

The Miller's Tale II

1974

Print made by Dame Elisabeth Frink, 1930–1993, British

The Reeve's Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

The Squire's Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

The Miller's Tale I

1974

Print made by Dame Elisabeth Frink, 1930–1993, British

The Merchant's Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

The Shipman's Tale

1972

Print made by unknown artist, nineteenth century-twentieth century

The Pilgrimage to Canterbury

undated

Print made by unknown artist

William Cavendish Marquis of Newcastle

undated

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808

Thomas Watson, 1743–1781, British

The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's

1775

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by James McArdell, ca. 1729–1765, Irish

Ghismonda

undated

Print made by Trianon Press, 1917–1979, British

Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"

1972

David Scott, 1806–1849, British

Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

ca. 1831

David Scott, 1806–1849, British

Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

ca. 1831

David Scott, 1806–1849, British

Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

ca. 1831

David Scott, 1806–1849, British

Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

ca. 1831

David Scott, 1806–1849, British

Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

ca. 1831

David Scott, 1806–1849, British

Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

ca. 1831

David Scott, 1806–1849, British

Christian and Hopeful in the Castle of Giant Despair

ca. 1831

David Scott, 1806–1849, British

Christian, Accompanied by Discretion, Piety, Charity and Prudence

ca. 1831

David Scott, 1806–1849, British

Hearing the Music of the Spheres

ca. 1831

Thomas Sibson, 1817–1844, British

The Baron's Hall of Chaucer's Time

1844

Print made by Valentine Green, 1739–1813, British

Mrs. Yates, in the Character of the Tragic-Muse

1772

Print made by Jacob Gole, 1660–1737, Dutch

Nicolaus Boileau Despreaux

1704

Print made by Samuel Cousins, 1801–1887, British

Robert Burns

1830

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

William Ward, 1766–1826, British

The late Mrs Pope as Juliet

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

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