The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
5
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
6
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
7
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
8
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
9
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
10
Print made by Henry William Bunbury, 1750–1811, British
Overthrow of Dr. Slop
between 1773 and 1817
11
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
12
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
13
Print made by William Forrest, 1802–1889
Abbotsford, Large Vignette
1836
14
unknown artist, nineteenth century
Hudibras and Rolpho
undated
15
after John Flaxman, 1755–1826, British
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
16
Joseph Michael Gandy, 1771–1843, British
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
17
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
18
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
19
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
20
Henry Thomas Alken, 1785–1851, British
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
21
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
22
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard's Escape from the Cage at Willesden
1839
23
Carington Bowles, 1724–1793, British
Twelve Illustrations of Robinson Crusoe
1783
24
Print made by Robert Thew, 1758–1802, British
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
25
Samuel Howitt, 1756–1822, British
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
26
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
27
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
28
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
29
Print made by William Bromley, 1769–1842, British
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
30
William Woollett, 1735–1785, British
Macbeth and the Witches
1770
31
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)